Top Engineers – Elliot Scheiner

Steely Dan / The Royal Scam – Listening in Depth

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Reviews and Commentaries for The Royal Scam

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We really went overboard with the track commentary for this one. This should make it easy for you to compare what we say about the sound of these songs with what they sound like to you on your system, using the copy you own or, better yet, one of our Hot Stampers. 

If you end up with one of our Hot Stampers, listen carefully for the effects we describe below. This is a very tough record to reproduce — everything has to be working in tip-top form to even begin to get this complicated music sounding the way it should — but if you’ve done your homework and gotten your system really cooking, you are in for the time of your Steely Dan life. (more…)

Van Morrison – His Band And Street Choir

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Reviews and Commentaries for Van Morrison

  • The sound is full-bodied, clear, and brimming with the soulful energy of this great artist
  • The best sounding Van Morrison album, a Top 100 title, with classic 1970 Analog sound – exceptionally quiet vinyl too
  • “As “Domino” opens the album with a show of strength. “Street Choir” closes it with a burst of both musical and poetic energy which is not only better than anything else on the album but may well be one of Van’s two or three finest songs.” Rolling Stone

This is the album that came out between Moondance (in the same year in fact, 1970) and Tupelo Honey, but for some reason, it don’t get no respect. We think that’s insane — the material on this album is stellar and the sound on the best pressings is out of this world!

Here’s a copy that really makes our case for us. Both sides of this original Warner Bros. pressing sound AMAZING! We went through a massive stack of copies and let me tell you — most of them sure don’t sound like this! Take this one home for some of the best Van Morrison sound you will ever hear.

For years I thought that Moondance was the best sounding album in the Van Morrison catalog. His Band And Street Choir is even better. One reason for that would have to be that Robert Ludwig mastered it, and he can usually be counted on to do an excellent job. (more…)

Steely Dan / The Royal Scam

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  • Stunning sound from start to finish: Triple Plus (A+++) or close to it on both sides
  • This is a killer Shootout Winning copy of The Dan’s hard-rockin’ classic from 1976 – HERE is the right sound for this music
  • These two sides give you what you need for The Royal Scam – rich, meaty, with powerful rhythmic energy and not too bright
  • “Drummer Bernard “Pretty” Purdie lashes out the rolling grooves on most of the nine tracks, establishing the album’s anxious feel, and Larry Carlton’s jaw-dropping guitar work provides a running commentary to Fagen’s strangulated vocals… These are not the sort of Steely Dan songs favored by smooth-jazz stations.”

The best copies of Steely Dan’s brilliant effort from 1976 — so different from the album before, Katy Lied, as well as the album to follow, Aja — manage to combine richness and smoothness with transparency and clarity, a tough combination to find on The Royal Scam. (more…)

Steely Dan – Aja

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Reviews and Commentaries for Aja

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  • Presenting a STUNNING copy of Steely Dan’s magnificent Jazzy Pop breakthrough album
  • This one arrives with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish – exceptionally quiet vinyl too
  • Punchy, full and smooth, with the kind of rhythmic energy that brings out the jazzy funk in the music
  • A Better Records Rock and Pop Top 100 album and a true Demo Disc on an exceptional pressing like this
  • 4 1/2 stars: “With Aja, Walter Becker and Donald Fagen’s obsession with sonic detail and fascination with composition reached new heights. A coolly textured and immaculately produced collection of sophisticated jazz-rock, Aja has none of the overt cynicism or self-consciously challenging music that distinguished previous Steely Dan records … a shining example of jazz-rock at its finest. “

Folks, there’s not much I can tell you about this copy of Aja that’s going to make you want this record, other than to say this: If you’re in the market for a superb pressing of what’s gotta be the most beloved Steely Dan record they made, look no further. It’s right here. (more…)

Steely Dan / Gaucho – Listening In Depth to The Dan’s Last Good Album

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More Gaucho

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Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Gaucho. Here are some albums currently on our site with similar Track by Track breakdowns.

Of all the great albums Steely Dan made, and that means their seven original albums and nothing that came after, there are only three in our opinion that actually support their reputation as studio wizards and recording geniuses.

Chronologically they are Pretzel Logic, Aja, and Gaucho. Every sound captured on these albums is so carefully crafted and considered that it practically brings one to tears to contemplate what the defective DBX noise reduction system did to the work of genius that is Katy Lied, their best album and the worst sounding. (Those cymbal crashes can really mess with your mind if you let them. To get a better picture of the DBX sound just bang two trash can lids together as close to your head as possible.)

The first two albums can sound very good, as can Royal Scam, but none of those can compete with The Big Three mentioned above for sonics. A Hot Stamper copy of any of them would be a seriously good sounding record indeed. (more…)

Steely Dan – Gaucho

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  • With insanely good Shootout Winning Triple Plus (A+++) sound or close to it on both sides, this copy is guaranteed to handily beat any pressing of Gaucho you have ever played, especially the awful Ron McMaster Heavy Vinyl LP
  • This superb pressing has three-dimensional ambience, tubey richness, you-are-there immediacy, tight bass, clear guitar transients, silky highs, and truckloads of analog magic on every track
  • 4 stars in the AMG, 4 1/2 in Rolling Stone, and one of this exceptionally well recorded band’s Three Best Sounding Albums – a true Must Own
  • “Despite its coolness, the music is quite beautiful. With its crystalline keyboard textures and diaphanous group vocals, ”Gaucho” contains the sweetest music Steely Dan has ever made.” New York Times

(more…)

The Trick with Katy Lied Is…

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The Trick with Katy Lied Is to find the right balance between richness, sweetness and clarity.

Take three or four Katy Lied pressings, clean them up and play just one or two of the tracks we discuss below. You won’t find any two copies that get those tracks to sound the same. We do our shootouts with up to a dozen copies at a time and no two sound the same to us.

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This is a very tough record to reproduce — everything has to be working at its best to even begin to get this complex music to sound the way it should. But if you’ve done your homework and your system is really cooking, you are in for the time of your Steely Dan life.

In-Depth Track Commentary

Side One

Black Friday

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More Evidence of Ron McMaster’s Flat Out Incompetence

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Sonic Grade: D

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers. When such records are clearly inferior to their mass-produced counterparts (Heavy Vinyl pressings are mass-produced too by the way), we put them in our Hall of Shame.

Reasonably good bass, we’ll give it that, but no top end and no Tubey Magic. More of Ron McMaster’s handiwork and the result is a record that simply has no reason to exist.

The AVERAGE original pressing sitting in your local record store bin right now for probably all of five bucks will MURDER this piece of crap. 

As we noted for Ron’s remastered Band album, “When you see that little RM in the dead wax of one of these new Heavy Vinyl reissues you know you’ve just flushed your money down the toilet. There should be a warning label on the jacket: Mastered by Ron McMaster. It’s only a warning to those of us familiar with his work of course; the general public, and that includes the general audiophile public, probably won’t have much of a problem with the sound of this record or anything else he does. He still has the job, doesn’t he? What does that tell you?”

Glenn Frey – Soul Searchin’

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  • With excellent Double Plus (A++) sound from first note to last, this copy will be very hard to beat – exceptionally quiet vinyl too
  • We were shocked to find out that this album actually sounds very analog – rich, smooth, sweet and natural
  • Elliot Scheiner (Royal Scam, Aja, Nightfly) produced and also did some engineering – he is to be commended for his excellent work here
  • “Though I left Detroit and went to California to cut my teeth on country-rock, I’ve remained obsessed with the music of my adolescence, the great soul hits of the ’60s and early ’70s.”

The best copies are both rich and open, with the sound we tend to associate with the better ’70s recordings and rarely hear on records from the ’80s. But here’s a record from 1988 that sounds the way we like our records to sound – like analog. We don’t really know if it is or not, or mostly is or mostly isn’t, but we’ve never really cared about those sorts of things as long as the record sounds good.

It’s our one and only criterion. Any other criterion is a sign that you’re not really listening, you’re reading (more…)

Donald Fagen – Morph The Cat – A Heavy Vinyl Disaster

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Sonic Grade: F

Hall of Shame Pressing and another Heavy Vinyl LP debunked.

Hopelessly murky, muddy, opaque, ambience-free sound, and so artificial I honestly cannot make any sense of it. Pure sludge.

This is someone’s idea of analog? It sure ain’t mine.

Music for robots?  And Kamikiriad from 1993 was musically every bit as bad.

Why waste vinyl on crap like this?