Top Engineers – Elliot Scheiner

Glenn Frey – Soul Searchin’

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  • With excellent Double Plus (A++) sound from first note to last, this copy will be very hard to beat – exceptionally quiet vinyl too
  • We were shocked to find out that this album actually sounds very analog – rich, smooth, sweet and natural
  • Elliot Scheiner (Royal Scam, Aja, Nightfly) produced and also did some engineering – he is to be commended for his excellent work here
  • “Though I left Detroit and went to California to cut my teeth on country-rock, I’ve remained obsessed with the music of my adolescence, the great soul hits of the ’60s and early ’70s.”

The best copies are both rich and open, with the sound we tend to associate with the better ’70s recordings and rarely hear on records from the ’80s. But here’s a record from 1988 that sounds the way we like our records to sound – like analog. We don’t really know if it is or not, or mostly is or mostly isn’t, but we’ve never really cared about those sorts of things as long as the record sounds good.

It’s our one and only criterion. Any other criterion is a sign that you’re not really listening, you’re reading (more…)

Steely Dan – The Royal Scam – Our $600 Shootout Winner from 2009

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Steely Dan fans, brace yourselves! This White Hot Stamper copy of The Royal Scam ROCKS HARDER than you’d ever imagine! We play dozens and dozens of these each year, and it’s a shame more of them don’t sound like this. All the elements necessary to really bring this music to life are here: tight, punchy bass; knockout energy; big time presence; shocking clarity and so forth. Everyone gets all hot and bothered about Aja (and with good reason) but there’s no denying how POWERFUL this material is after you’ve heard these songs sound like this.

It’s great to hear these guys really rockin’ out on these heavier songs, and here’s the copy that communicates that nearly perfectly.

We listened to dozens of copies of Royal Scam for this shootout and kept finding the same problems — shrill highs, grainy vocals, and general lifelessness. A copy like this one really shows you how well-recorded this album actually was.

Doin’ It All!

Man oh man, this copy just plain kicks butt from start to finish. Side one earned top honors at A+++. Drop the needle on Caves Of Altiira and listen to how amazing the brass sounds. On most copies it tends to be lean, pinched, or smeary, but on this bad boy it is full-bodied and breathy with the right amount of bite. Don’t Take Me Alive comes up next and will knock your socks off with amazing presence and energy like you wouldn’t believe. The top end is silky sweet, there’s loads of ambience, and the group vocals during the chorus sound PHENOMENAL.

Side two keeps up the fun with an A++ – A+++ grade. The whomp factor is positively OFF THE CHARTS! The sound is strong from top to bottom — open and transparent, big and wide, and incredibly life-like. If you like records that deliver the power of loud music, this one (played at loud levels) will do the trick! (more…)

Steely Dan – Aja – Our Shootout Winner from 2007

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

And now the moment you’ve all been waiting for — AJA HOT STAMPERS! Believe me, they don’t get hotter than these. From the first note of Black Cow, you get presence like you’ve never heard — the sound positively JUMPS out at you! This is the most spacious, transparent, DYNAMIC copy of Aja we’ve EVER heard — a DEMO DISC in the truest sense of the word. 

We had the chance to go back and do a final round shootout for all the best copies, and this one was BY FAR the most DYNAMIC and PRESENT of them all. Bernie turned off ALL the compression for this bad boy. The ENERGY of the ensemble playing here was simply in a league of its own.

But I’ll tell you this flat out right now: if I could have any Aja, this would be the one for me. This one gets the MUSIC right. That energy is on the tape, and that’s the kind of energy I want to hear on a copy I would keep for myself. (Unfortunately there are way too many customers and not nearly enough records to satisfy them, so my collection has been raided for all the best pressings I used to hold onto. It’s really not a problem; if I want to hear Aja we have about another forty copies laying around. They don’t sound like this one, but some of them sound darn good, good enough to enjoy the hell out of.)

It’s SHOCKING how good this record can sound when you get a good copy. We played more than twenty of these for the shootout, most of which had already been designated as sounding good. (The bad ones — which means most of them — we just toss out as they come in.)

There ended up being about a dozen pretty hot copies in contention for Top Honors in this shootout. The Hot Stamper copies listed here are the survivors of that final elimination round.

I could literally spend hours describing what sets the best copies apart from the very good ones, but we’ve already gone overboard enough with our track commentary, so we will try to keep some of this brief. Although our enthusiasm for this album is out of control, we will try to keep a lid on it as best we can. (more…)

Donald Fagen – Morph The Cat – A Heavy Vinyl Disaster

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Sonic Grade: F

Hall of Shame Pressing and another Heavy Vinyl LP debunked.

Hopelessly murky, muddy, opaque, ambience-free sound, and so artificial I honestly cannot make any sense of it. Pure sludge.

This is someone’s idea of analog? It sure ain’t mine.

Music for robots?  And Kamikiriad from 1993 was musically every bit as bad.

Why waste vinyl on crap like this?

Steely Dan / Aja – One of the Great Audio Disasters, Courtesy of Mobile Fidelity

 

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mofipresslit

 

Steely Dan – Aja

Sonic Grade: F
 
More Mofi Bashing, But Boy Does The MOFI Deserve It.

I remember back in the ’70s when I thought this album sounded pretty good on my plain old ABC original. Then I got a copy of the Mobile Fidelity pressing and I thought it sounded even better. Side two of the MoFi had bass that was only hinted at on my domestic copy.

Sometime in the ’80s I realized that the MoFi was hideously phony sounding, and that all the bass on side two was boosted far out of proportion to what was on the master tape. The song Home At Last must have at least an extra five DBs added at 40 cycles. It’s ridiculous.

And that’s just the bottom end; the highs are every bit as wrong. (more…)

Donald Fagen – The Nightfly – MoFi Debunked

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Sonic Grade: F

A Hall of Shame Pressing.

More phony MoFi EQ on the top and sloppy bass. You can do a whole lot better and you sure won’t have to try very hard to do it.

Yet another Mobile Fidelity Pressing Debunked. Our Audiophile Scorecard has plenty more where this one came from.

Jennifer Warnes – The Hunter – Awful on Import Vinyl (and Any Other Way)

More Jennifer Warnes

The Hunter

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Sonic Grade: F

Hall of Shame pressing on import vinyl from 1992. Years ago we wrote:

This is a SUPER RARE Private Music German Import LP. The last two copies of this record listed on eBay went for over $600! 

All of which was true. We left out, however, what an awful record The Hunter is in every way. If you like your Big Production Pop to sound as phony as possible, this is the album for you. Not one instrument sounds remotely like it should, and that is surely an insult to audiophiles of every stripe. (The problem was that most self-identified audiophiles failed to notice how execrable the sound was.)

Billy Joel – Songs in the Attic – CBS Half-Speed Debunked

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Sonic Grade: F

Hall of Shame pressing and another Half Speed debunked.

Records with too much bass and especially too much top end can’t be played loud. The louder you play them the worse they sound. Try playing the average MoFi at a loud volume. All that extra 10k starts to make your brain hurt. The CBS half-speed of this album is like that. It’s frustrating — the music makes you want to turn it up but the sound says forget it. Not the good pressings. They sounds BETTER when you play them loud.  

Billy Joel – Songs in the Attic- Listening in Depth

More Billy Joel

More Songs in the Attic

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Presenting another entry in our extensive Listening in Depth series.

You know how you can tell when you have a Hot Stamper? It’s the side you play through to the end. When the sound is right you want to hear more. Since the opening track of this record is one of the keys to knowing whether it’s mastered and pressed properly, once you get past the sibilance hurdle on track one, the next step is to find out how the challenges presented by the rest of the tracks are handled on any given LP. Some advice follows.  (more…)

Billy Joel – Songs in the Attic – Our Shootout Winner from 2007

More Billy Joel

More Songs in the Attic

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

DEMO DISC LIVE ROCK CONCERT SOUND, Baby! This one has it ALL. The sound has so many wonderful ANALOG qualities when you get a good copy — the hash and hardness of the typical pressing just disappears, leaving surprisingly transparent and sweet sound on virtually every track. The WHOMP FACTOR here is off the scale. There are few studio recordings that have these kinds of dynamics. We forget how compressed most of them are. It takes a record like this to show you how much LIFE there is in LIVE MUSIC. (more…)