1973-best

Sly and the Family Stone – Fresh

More Sly and the Family Stone

More Soul, Blues, and R&B

  • A Fresh like you’ve never heard, with KILLER Shootout Winning Triple Plus (A+++) grades or close to them throughout this early Epic pressing
  • The sound is punchy and full-bodied with excellent clarity; it’s also smooth in the best tradition of analog from the early ’70s – this is the right sound for the music, no question about it
  • “Jazz legend Miles Davis was so impressed by the song ‘In Time’ from the album that he made his band listen to the track repeatedly for a full 30 minutes.” – Wikipedia
  • 4 stars: “Fresh expands and brightens the slow grooves of There’s a Riot Goin’ On, turning them, for the most part, into friendly, welcoming rhythms.”

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Pink Floyd – Dark Side Of The Moon

  • With seriously good Double Plus (A++) sound or BETTER from start to finish, this mindblowing recording is guaranteed to rock your world – exceptionally quiet vinyl too
  • The transparency, the clarity, the energy, the power – it’s all here on these very special import pressings
  • Just listen to how clear the clocks are on Time, how breathy the vocals are on Breathe, how textured the synthesizers are and how silky the top end is from the beginning of the album all the way to the powerful finish
  • A Top 100 album (Top Ten actually) and a Rock Demo Disc to rival the most amazing sounding records of all time
  • 5 stars: “…what gives the album true power is the subtly textured music… no other record defines [Pink Floyd] quite as well as this one.”

This vintage import pressing has the presence, the richness, the size and the energy you always wanted to hear on Dark Side — AND NOW YOU CAN! (more…)

The Eagles / Desperado

More Eagles

More Country and Country Rock

  • This STUNNING copy of the band’s sophomore release boasts Shootout Winning Triple Plus (A+++) sound from start to finish
  • This vintage pressing has huge amounts of Tubey Magic, a strong bass foundation, and plenty of space around the guitars and voices – man, that is our sound!
  • This is the second-best sounding Eagles record of all time, no doubt thanks to their brilliant engineer and producer, Glyn Johns
  • “A solid country-rock classic… the music stands the test of time, especially when Desperado is heard in its entirety, from start to finish.”

Acoustic guitar reproduction is key to this recording, and on the best copies the harmonic coherency, the richness, the body and simply phenomenal amounts of Tubey Magic can be heard in every strum.

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The Pentangle / Pentangling

More Pentangle

More British Folk Rock

  • Boasting INCREDIBLE Shootout Winning Triple Plus (A+++) sound on the second side and solid Double Plus (A++) sound on the first, this vintage UK import pressing had close to the BEST sound we have heard for Pentangle’s shockingly well-recorded music
  • The unprocessed quality found throughout the album has its audiophile credentials fully in order, especially in the area of guitar harmonics, as well as drums that sound like real drums actually sound
  • The true foundation of the music is provided by two legendary guitar heavyweights, Bert Jansch and John Renbourn, with Jacqui McShee’s almost unbearably sweet vocals soaring above them
  • The best material from Pentangle’s amazing first six albums, with sound that’s full of British Analog Tubey Magic that no modern record can begin to reproduce
  • Not many compilation albums offer top quality wound, but this one does, and these are some others
  • If you’re a Pentangle fan, this compilation has to be considered a Must Own from 1973.
  • The complete list of titles from 1973 that we’ve reviewed to date can be found here.

This album presents the classic 1969 lineup at its best, with superior sonics to boot.

When I was selling audio equipment back in the ’70s this was one of our Demo Discs. The song Pentangling has beautifully recorded drums and string bass. The first track, “I’ve Got A Feeling,” is lovely as well.

Notice how there is nothing — not one instrument or voice — that has a trace of hi-if-ishness. No grain, no sizzle, no zippy top, no bloated bottom, nothing that reminds you of the phony sound you hear on audiophile records at every turn. Silky sweet and Tubey Magical, this is the sound we love here at Better Records. (more…)

The Who – Quadrophenia

More of The Who

  • If you want to hear this music EXPLODE out of the speakers and come to life the way The Who wanted you to hear it. this record will do the trick
  • The sound here is so BIG, rich, and powerful it will surely make you rethink the recording itself
  • 5 stars: “Some of Townshend’s most direct, heartfelt writing is contained here, and production-wise it’s a tour de force, with some of the most imaginative use of synthesizers on a rock record.”
  • If you’re a fan of the band, this title from 1973 is clearly one of their best, and one of their best sounding
  • The complete list of titles from 1973 that we’ve reviewed to date can be found here.

We removed this title from our Top 100 List a while back because it has become too difficult to get hold of clean UK copies. Who’s Next is even more difficult, but for some reason we left that one on the list, go figure. (It is the better album, their Masterpiece, in fact.)

The other Who album that still makes the cut and always will is Tommy. That is one amazing sounding record, when you find a good one on the UK Track label. (Nothing else can touch it, of course, but if you don’t want to pay the big bucks we charge, find one of these for cheap.)

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Schumann and Grieg Piano Concertos / Lupu / Previn

More of the music of Edvard Grieg (1843-1907)

Reviews and Commentaries for the Music of Edvard Grieg

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  • A superb UK Decca pressing of this wonderful classical masterpiece with Double Plus (A++) sound from start to finish
  • Both sides boast full brass and an especially clear, solid, present piano, one with practically no trace of vintage analog tube smear
  • Dynamic, huge, lively, transparent and natural – with a record this good, your ability to suspend disbelief will require practically no effort at all
  • Back in the days when the TAS Super Disc List meant something, this record was on it and deservedly so
  • The London pressings of the same album can be very good in their own right, but they don’t win shootouts – only the best of these Decca pressings do, a subject we discuss in some of these listings
  • Our two favorite recordings of the Grieg Piano Concerto are this one and Rubinstein’s for RCA in 1962
  • There are about 150 orchestral recordings we’ve awarded the honor of offering the Best Performances with the Highest Quality Sound, and this record certainly deserve a place on that list.

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David Bowie / Aladdin Sane

More David Bowie

More Records with Exceptionally Tubey Magical Sound


  • Outstanding sound throughout this vintage UK pressing of Bowie’s 1973 post-Ziggy classic, earning solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
  • Remarkable richness, smoothness and warmth, something that all the best Ken Scott Tube Recordings are renowned for
  • Plenty of Bowie Classics: “Watch That Man,” “Aladdin Sane,” “Panic in Detroit,” “Cracked Actor,” “The Jean Genie,” “Lady Grinning Soul,” and more
  • Here are more of our favorite Hot Stamper pressings of recordings with exceptionally Tubey Magical Sound
  • And some reviews and commentaries for the most Tubey Magical Recordings we have ever played
  • If you’re a David Bowie fan, this title of his from 1973 has to be considered a Must Own
  • The complete list of titles from 1973 that we’ve reviewed to date can be found here.

THE BIG BOWIE SOUND for this wonderful follow-up to Ziggy Stardust! We just finished shooting out a number of import pressings of the album, and this import was one of the better copies we heard. This one’s got the kind of Tubey Magical Richness that takes these Glam Rockers to a whole new level. (more…)

10cc – Self-Titled

More 10cc

More Debut Albums of Interest

  • An early UK Records pressing with seriously good (A++) grades throughout – exceptionally quiet vinyl too
  • We shot out a number of other imports and this one had the presence, bass, and dynamics that were missing from most other copies we played
  • The sound is big, lively, clear and present, and probably as close to what the band was going for as you can hope to experience
  • 4 stars: “Displaying a command of pop styles and satire, 10cc showed that they are a force to be reckoned with on their first album. Hooks abound, harmonies shine, and instrumentation is dazzling without being overdone. Whether doing loving parodies of the music they grew up with or satirizing contemporary issues, 10cc show themselves to be top-level purveyors of pop on their debut recording.”

One interesting finding from this, our most recent shootout, was that some of the domestic pressings could actually sound quite good, something we would not have expected to be true for this album (or Sheet Music for that matter).

Good, but clearly not as good as the better UK pressings.

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Ringo Starr – Ringo

More Ringo Starr

More Records Produced by Richard Perry

  • This pressing boasts a KILLER Shootout Winning Triple Plus (A+++) side one mated to an outstanding Double Plus (A++) side two – exceptionally quiet vinyl too
  • Another Richard Perry production that sounds big and rich, just the way we like ’em
  • The audiophile sound is due to the excellent engineering skills of Bill Schnee – you may remember him from the credits of some of Sheffield’s better direct to disc recordings
  • The big hits are here and they sound fantastic: “Photograph,” “You’re Sixteen,” “Oh My My” and many, many more
  • 4 1/2 stars: “Ringo’s best and most consistent new studio album, Ringo represented both the drummer/singer’s most dramatic comeback and his commercial peak.”

Like Nilsson Schmilsson – an amazing Richard Perry production with equally amazing sound – the bad copies are really just awful. They tend to be veiled, smeary, compressed, rolled off up top and leaned out down low.

This is a big studio pop production with a lot going on; when it doesn’t work it really doesn’t work. Thankfully, on some copies it does, and this is one of those.

If you’ve tried Hot Stamper pressings of any of our favorite Richard Perry productions — No Secrets, Nilsson Schmilsson, Son of Schmilsson come to mind — you know the sound of this album.

Bill Schnee did some of the engineering. You probably know his name from the famous Sheffield Direct to Disc recordings he made there. If you like your records will lots of bottom end, richness, Tubey Magic and powerful dynamics, he’s the guy that can get that sound on tape, and Doug Sax, the mastering engineer for the album, is the guy that can get that sound onto disc. They made a great team.

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Paul McCartney & Wings – Band on the Run

More Paul McCartney

More of The Beatles

  • A stunning British pressing with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
  • Another record that rarely can be found with audiophile playing surfaces – those of you who like their vinyl quiet should give this one a serious look, there aren’t many like it
  • The legendary Geoff Emerick engineered the album, a Top 100 title here at Better Records – it’s an impressive recording when it sounds as good as this copy does
  • The title track, “Jet,” “Bluebird,” “Mrs. Vandebilt,” “Let Me Roll It,” “Nineteen Hundred and Eighty Five” – so many great songs
  • 4 1/2 stars: “…sophisticated, nuanced arrangements and irrepressibly catchy melodic hooks… McCartney’s infallible instinct for popcraft overflows on this excellent release.”

This is a TOUGH album to find with great sound and quiet vinyl but when you come across an excellent copy like this, the record is a MONSTER. The track list includes some of the best McCartney songs of the seventies: the title song, “Jet,” “Bluebird,” “Mrs. Vandebilt,” “Let Me Roll It,” “Nineteen Hundred and Eighty Five” (my personal favorite on the album) — there’s really not a dog in the bunch. This is clearly the last consistently good studio album the man recorded.

So many copies we play are either murky or a bit edgy, and it takes a very special copy to strike the ideal tonal balance that will allow all the songs to sound their best.

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