George Chkiantz, Engineer

Led Zeppelin – Led Zeppelin IV

More of the Music of Led Zeppelin

  • A Zep IV that was doing just about everything right, earning solid Double Plus (A++) grades on both sides
  • Insane rock and roll energy like nothing you have ever heard – the sound is full-bodied and reasonably smooth, making it possible to get the volume up good and high where it belongs
  • Here are the rock and roll classics that reign supreme to this very day – “Black Dog,” “Rock & Roll,” “Stairway to Heaven,” “When the Levee Breaks,” every one sounding better than you’ve ever heard them or your money back
  • There are some bad marks (as is sometimes the nature of the beast with these Classic Rock records) on “Rock and Roll,” but once you hear just how excellent sounding this copy is, you might be inclined, as we were, to stop counting ticks and just be swept away by the music
  • 5 stars: “Encompassing heavy metal, folk, pure rock & roll, and blues, Led Zeppelin’s untitled fourth album is a monolithic record, defining not only Led Zeppelin but the sound and style of 70s hard rock.”
  • If you’re a fan of the band, this title from 1971 is clearly one of their best, and one of their best sounding
  • The complete list of titles from 1971 that we’ve reviewed to date can be found here.

It is a positive THRILL to hear this record rock the way it was meant to. If you have big speakers and the power to drive them, your neighbors are going to be very upset with you when you play this copy at the listening levels it was meant to be heard at.

You’d better be ready to rock, because this copy has the ENERGY and WHOMP that will make you want to. Zep IV demands loud levels, but practically any copy will punish you mercilessly if you try to play it at anything even approaching live levels.

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Led Zeppelin – Physical Graffiti

More of the Music of Led Zeppelin

  • This killer double album boasts roughly Nearly Triple Plus (A++ to A+++) sound or close to it on all FOUR sides – just shy of our Shootout Winner (side four actually won the shootout)
  • Transparency, the ability to see into the mix, and the other side of the vintage analog richness coin, is key to the better pressings of this album, as well as many of our other favorite Demo Discs
  • Of course the main attributes that set the better copies apart from the also-rans are size, energy, weight, vocal presence and an overall freedom from grit and grain, and we guarantee that this copy will do better in all of these areas than any you have ever heard
  • Marks and problems in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “Physical Graffiti captures the whole experience of Led Zeppelin at the top of their game better than any of their other albums.”
  • This is a Must Own title from 1975, a great year for rock and pop music

A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you turn up your volume .

If you’ve been waiting for a seriously powerful Kashmir experience, today is your lucky day. (more…)

The Rolling Stones – Let It Bleed

More of the Music of The Rolling Stones

  • With solid Double Plus (A++) sound or close to it on both sides, here is an outstanding All Analog pressing showcasing the Stones at the peak of their rock and roll powers
  • “Love In Vain” is one of the best sounding Stones songs ever recorded – the acoustic guitar harmonics and the rich WHOMP of the snare prove indisputably that Glyn Johns is one of the engineering greats
  • Marks and problems in the vinyl are sometimes the nature of the beast with these Classic Rock records, but once you hear just how superb sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • Top 100, 5 stars – Jason McNeil wrote that Beggars Banquet and Let It Bleed are “the two greatest albums the band’s (or anyone’s) ever made.” [Add Sticky Fingers to complete the ultimate Stones Trilogy.]
  • This is a Must Own album from 1969, one that should have a place in any audiophile’s pop and rock section

This is, in our humble opinion, the second or third best record the Stones ever made. (Sticky Fingers is Number One, and either this or Beggar’s Banquet comes in a strong second.) With this wonderful early domestic pressing we can now hear the power and the beauty of the recording itself, a fact that we consider the very definition of a Hot Stamper.

Killer Stones Sound

Both sides have more ambiance, more life, and more presence than you probably dreamed possible. Take the sound of “You Can’t Always Get What You Want” to pick just one example. The breathtaking transparency of this copy allows you to pick out each voice in the intro. The vocals on the other songs are no less present, full-bodied and breathy.

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Led Zeppelin – Houses of the Holy

More of the Music of Led Zeppelin

  • With two outstanding Double Plus (A++) or BETTER sides, this copy is guaranteed to blow the doors off any other Houses of the Holy you’ve heard
  • Side two was sonically very close to our Shootout Winner – you will be shocked at how big and powerful the sound is
  • For this album, Mint Minus Minus is as QUIET as we can find them
  • Only the pressings mastered by Robert Ludwig have any hope of doing well in our shootouts, and those are the only ones we have ever offered, beginning all the way back in 2006
  • Wall to wall, floor to ceiling Led Zeppelin power – this copy delivers like you will not believe, or your money back
  • A Better Records Top 100 album (along with 4 other Zep titles), 5 stars in AMG and a true Zeppelin Must Own classic
  • The Tubey Magical acoustic guitars here should be a wake up call to everyone that any and all attempts to remaster this album are bound to fail – that sound is gone and it is never coming back
  • 5 stars: “Jimmy Page’s riffs rely on ringing, folky hooks as much as they do on thundering blues-rock, giving the album a lighter, more open atmosphere…”
  • If you’re a fan of the band, this title from 1973 is clearly one of their best, and inarguably one of their best sounding

This copy has the kind of BIG, BOLD ROCK SOUND that takes this music to places you’ve only dreamed it could go. The HUGE drums on this copy are going to blow your mind — and probably your neighbors’ minds as well.

And what would a Zep record be without bass? Not much, yet this is precisely the area where so many copies fail. Not so here. The bottom end is big and meaty with superb definition, allowing the record to ROCK, just the way the band wanted it to.

The vocals too are tonally correct. None of the phony upper-midrange boost that the Classic Records reissue suffers from is evident on this copy.

The louder Robert Plant screams, the better he sounds and the more I like it.

The Classic Records pressing makes me wince, and Jimmy Page’s remaster is not much better.

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The Rolling Stones – It’s Only Rock ‘N’ Roll

More of the Music of The Rolling Stones

  • It’s Only Rock ‘N’ Roll returns to the site for only the second time in three years, here with solid Double Plus (A++) grades or close to them on both sides
  • On this side two you will find sound quality that is both clean and clear, with much less grit and grain than you are used to, assuming you have any copy of the album at all, and side one is not far behind in all those areas
  • I’m guessing most audiophiles gave up on this one after hearing the average pressing, but here you will find the kind of richness that is fundamental to getting this album to sound its best (particularly on side two)
  • The superbly talented Andy Johns engineered, so you can be sure that this is the sound the Stones were aiming for
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • “Throughout, the Stones wear their title as the ‘World’s Greatest Rock & Roll Band’ with a defiant smirk, which makes the bitter cynicism of ‘If You Can’t Rock Me’ and the title track all the more striking, and the reggae experimentation… all the more enjoyable.”

It’s Only Rock ‘N’ Roll is a consistently good, straight-ahead, no-frills rock album from the Stones with Mick Taylor still in the band. It was the last of its kind for a while; their next release was the reggae-influenced Black and Blue. The sound can be a bit gritty and grainy at times, but you gotta believe that that’s precisely the sound the Stones heard in the booth and were totally cool with. Andy Johns (younger brother of Glyn Johns) engineered and he’s made as many super-tubey, super-rich and super-smooth recordings as anybody this side of Bill Porter.

The Stones didn’t want that sound this time around. The Stones wanted this sound.

This album may have some of the best The Rolling Stones music, but those looking for top quality sonics for the Stones should head in the direction of Beggars Banquet, Sticky Fingers, or Let It Bleed. They’re simply more audiophile-friendly recordings.

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Led Zeppelin / Led Zeppelin II

More of the Music of Led Zeppelin

  • An incredible copy of Zep II with killer sound from start to finish – this one is guaranteed to rock your world like no other!
  • The sound is freakishly good – we created a Top Ten list just to put this album on it
  • Years ago we gave up on everything but these killer RL (and SS) pressings, because nothing else can hold a candle to them
  • With copies selling for $1000+ on ebay, sometimes $3000+, we’re forced to pay big bucks for Zep II these days, but if any album is worth it — to us and our customers — it’s this one
  • A Must Own Zep classic from 1969 that belongs in every right-thinking audiophile’s collection
  • It’s our pick for the band’s best sounding album. Roughly 150 other listings for the Best by an Artist or Group can be found here.

At least 80% of the copies we buy these days — for many, many hundreds of dollars each I might add, more than a grand on occasion — go right back to the seller. The biggest problem we run into besides obvious scratches that play and worn out grooves is easy to spot: just play the song “Thank You” at the end of side one. Most of the time there is inner groove damage so bad that the track becomes virtually unlistenable.

It’s become a common dealbreaker for the records we buy on the internet. We get them in, we play that track, we hear it distort and we pack the record up and send it back to the seller.

UPDATE 2023

This was true ten years ago, but we have since found better sources for our copies. The sellers we tend to buy from know not to send us groove-damaged, scratched copies. Something closer to 20% get returned now.

But this copy plays clean all the way to the end on both sides — assuming you have a highly-tweaked, high-performance front end of course.

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The Rolling Stones – Let It Bleed on Decca

More of the Music of The Rolling Stones

  • With outstanding Double Plus (A++) grades or close to it on both sides, this Boxed Decca UK pressing showcases the Stones at the peak of their Rock and Roll powers – remarkably quiet vinyl too
  • Having played a number of Decca pressings of this album, including quite a few that were just plain awful, we doubt that any UK LP is going to win a shootout
  • We have a category for records like this: imported pressings that can sound very good, but can’t beat the best domestics
  • “Love In Vain” is one of the best sounding Stones songs ever recorded – the acoustic guitar harmonics and the rich whomp of the snare prove indisputably that Glyn Johns is one of the Engineering Greats
  • Top 100, 5 stars – Jason McNeil wrote that Beggars Banquet and Let It Bleed are “the two greatest albums the band’s (or anyone’s) ever made.” [Add Sticky Fingers to complete the ultimate Stones Trilogy.]

This is, in our humble opinion, the second or third best record the Stones ever made. (Sticky Fingers is Number One, and either this or Beggar’s Banquet comes in a strong second.) With this wonderful early domestic pressing we can now hear the power and the beauty of the recording itself, a fact that we consider the very definition of a Hot Stamper.

“Love In Vain” on a copy like this is one of the best sounding Rolling Stones songs of all time. In previous listings, I’ve mentioned how good this song sounds — thanks to Glyn Johns, of course — but on these amazing Hot Stamper copies it is out of this world.

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King Crimson / Red – Our First Shootout Winner Since 2009

More King Crimson

More Prog Rock

  • An original UK Island pressing that was giving us the big and bold sound we were looking for, earning KILLER Shootout Winning Triple Plus (A+++) grades or close to them on both sides
  • We shot out a number of other imports and the presence, bass, and dynamics on this outstanding copy placed it head and shoulders above the competition
  • For those of you who like more adventurous Prog Rock, this might just be the ticket
  • 4 1/2 stars: “… the truth is that few intact groups could have gotten an album as good as Red together. The fact that it was put together by a band in its death throes makes it all the more impressive an achievement.”

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