Top Artists – Captain Beefheart

Domestic Pressings of Clear Spot? Forget ’em!

More of the Music of Captain Beefheart

Reviews and Commentaries for the Music of Captain Beefheart

We did this shootout many years ago, so many years ago that I cannot find a record of it.

I remember we thought the German pressings were perhaps a bit boosted on both ends and not as natural sounding as the domestic pressings.

After a multitude of improvements in our cleaning and playback, we no think the Germans got this one right when they actually did get this one right. What I mean by that is that some German pressings are not particularly good, another piece of the puzzle that fell into place during this shootout, as painful as that turned out to be considering the money wasted on them.

Did we have the bad German stamper pressings last time around? Who knows?

The producer, Ted Templeman, (Doobie Brothers, James Taylor) brought his mainstream talents to bear on this music, and when the Captain’s free-form tendencies smashed into Templeman’s conservatism, the result was this musical supernova — out there, but not too far out there.

(Play Trout Mask Replica sometime if you miss that feeling from your old hippie days of being on acid. With that music, drugs are entirely superfluous.)

I don’t know how many audiophiles like Captain Beefheart, probably not too many, but if you’re ever going to try one of his albums, this is the place to start: his masterpiece.

I’ve been listening to this album for 30 years, all of my adult life. I still have my original copy in the clear plastic sleeve even. [Not any more, now that I know it doesn’t sound good it’s going to Ebay to find a new home.]

It never grows old and it never grows tired. I have the CD in the car and return to it regularly.

I’ll be disappointed if few of you try this one, but probably not too surprised.

Credit also must go to Donn Landee for the full-bodied, rich, smooth, oh-so-analog sound of the best copies of Clear Spot. He’s recorded or assisted on many of our favorite albums here at Better Records.

Checking the Boxes

Seventies Analog

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Captain Beefheart – Clear Spot

More Rock and Pop

More and Pop Rock Masterpieces

  • Clear Spot returns to the site with outstanding Double Plus (A++) grades on both sides of this vintage import pressing – exceptionally quiet vinyl too
  • Big, rich, energetic, with plenty of analog Tubey Magic, this is clearly the right sound for this music
  • An exceedingly difficult album to find in with sonics this good and vinyl this quiet, which is the main reason it’s been years since we’ve been able to offer it
  • Produced by Ted Templeman, Clear Spot is one of Beefheart’s most accessible albums and, IMHO, his best – this is his masterpiece
  • 4 stars: “The sound is great throughout, and the feeling is of the coolest bar-band in town, not to mention one that could eat all the patrons for breakfast if it felt like it.”
  • This is our pick for the Captain’s best sounding album. Roughly 150 other listings for the best recording by an artist or group can be found here on the blog
  • This is a Must Own album from 1972, one that deserves a place in any audiophile’s collection

Two outstanding sides for this masterpiece of bent rock. It’s not easy to find great sound for this album — that’s why you seldom see it up on our site. There are a whole lot of problematic pressings out there, but when you find one that really gets it right the sound is nothing short of SUPERB.

Ted Is The Man

The producer, Ted Templeman (Doobie Brothers, James Taylor), brought his mainstream talents to bear on this music, and when the Captain’s free-form tendencies smashed into Templeman’s conservatism the result was this musical supernova — out there, but not too far out there. (Play Trout Mask Replica sometime if you miss that feeling from your old hippie days of being on acid. With that music drugs are entirely superfluous.) I don’t know how many audiophiles like Captain Beefheart, but if you’re ever going to try, this is the place to start.

I’ve been listening to this album for decades, all of my adult life. It never grows old and it never grows tired. I also have the CD in the car and return to it regularly.

I’ll be disappointed if few of you are willing to give this one a chance, but probably not too surprised. Great stereo equipment offers the listener a window on the wonderful world of music. Why do so many audiophiles keep that window open just a crack?

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Captain Beefheart & His Magic Band / Safe as Milk – Reviewed in 2007

Reviews and Commentaries for the Music of Captain Beefheart

Hot Stamper Pressings of Richard Perry Productions Available Now

This Buddha reissue LP is not an audiophile recording, but of course it was never meant to be one. It reminds me quite a bit of Frank Zappa’s first album ’Freak Out.’ This copy sounds as good as any copy we’ve ever played.

And it was produced by Richard Perry way back in ’67!

“Beefheart’s first proper studio album is a much more accessible, pop-inflected brand of blues-rock than the efforts that followed in the late ’60s — which isn’t to say that it’s exactly normal and straightforward.

“Featuring Ry Cooder on guitar, this is blues-rock gone slightly askew, with jagged, fractured rhythms, soulful, twisting vocals from Van Vliet, and more doo wop, soul, straight blues, and folk-rock influences than he would employ on his more avant-garde outings. “Zig Zag Wanderer,” “Call on Me,” and “Yellow Brick Road” are some of his most enduring and riff-driven songs, although there’s plenty of weirdness on tracks like “Electricity” and “Abba Zaba.””


This is an Older Review.

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a fine art.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.

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Frank Zappa & Captain Beefheart – Bongo Fury

Reviews and Commentaries for Captain Beefheart

Reviews and Commentaries for the Music of Frank Zappa

  • This classic Zappa & Beefheart album boasts STUNNING Shootout Winning Triple Plus (A+++) sound from first note to last
  • This pressing is head and shoulders above the pack, with the kind of big, punchy, full-bodied sound this music absolutely demands
  • Muffin Man is obviously the high point here – it’s one of my All-Time Favorite songs and never fails to bring a smile
  • “This is the last album to feature the highly technical jazz fusion of Mothers of Invention, whose roots can be traced back to 1973 circa Over-Nite Sensation.”

Sometimes the copy with the best sound is not the copy with the quietest vinyl. The best sounding copy is always going to win the shootout, the condition of its vinyl notwithstanding. If you can tolerate the problems on this pressing you are in for some amazing music and sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.


Both sides here are big, bold and lively with strong vocal presence and a big bottom end. Many copies have a tendency to get a bit gritty and grainy up top, but just listen to how smooth and sweet the cymbals sound here. Some of its other strengths are that it’s full-bodied, and tonally correct from top to bottom. The bass is meaty and punchy, and the top end is wonderfully extended. You can hear lots of ambience the cymbals and hi-hats. There’s really nothing between you and the music.

Some of this album is recorded live and some of it is studio material. The live tracks offer some of the best live Frank Zappa sound you will EVER hear.

The album is just plain wacky fun. You get the maximum entertainment value with this one. Muffin Man is obviously the high point — it’s one of my personal favorite Zappa tracks. This, in my opinion, is the last record Zappa made that’s any good. (more…)

Captain Beefheart – Ted Templeman Is The Man

Reviews and Commentaries for the Music of Captain Beefheart

The producer, Ted Templeman, (Doobie Brothers, James Taylor) brought his mainstream talents to bear on this music, and when the Captain’s free-form tendencies smashed into Templeman’s conservatism the result was this musical supernova — out there, but not too far out there. (Play Trout Mask Replica sometime if you miss that feeling from your old hippie days of being on acid. With that music drugs are entirely superfluous.) I don’t know how many audiophiles like Captain Beefheart, probably not too many, but if you’re ever going to try, this is the place to start: his masterpiece.

I’ve been listening to this album for 50 years, all of my adult life. I still have my original copy in the clear plastic sleeve even. It never grows old and it never grows tired. I have the CD in the car and return to it regularly.

I’ll be disappointed if few of you try this one, but probably not too surprised. Great stereo equipment offers the listener a window on the wonderful world of music. Why do so many audiophiles keep that window opened just a crack?

Checking the Boxes

What to Listen For

These German pressings, the only ones we can find with quiet enough vinyl and good sound, have a tendency toward hi-fi-ishness, with a bit of boost on both ends, the famous EQ “Smile Curve”.

The worst ones are phony as all get out, but the good ones have no trace of hyped-up extremes.

Side One

Low Yo Yo Stuff 
Nowadays a Woman’s Gotta Hit a Man 
Too Much Time 
Circumstances 
My Head Is My Only House Unless It Rains 
Sun Zoom Spark

Side Two

Clear Spot 
Crazy Little Thing 
Long Neck Bottles 
Her Eyes Are a Blue Million Miles 
Big Eyed Beans from Venus 
Golden Birdies

AMG 4 Star Rave Review

Producer Ted Templeman was a bit of a surprising choice given his firmly mainstream production credits, with the Doobie Brothers already under his belt and Van Halen lurking in the near future. As it turned out, such a combination led to a better-working fusion than might be expected, making one wonder why in the world Clear Spot wasn’t more of a commercial success than it was. The sound is great throughout, and the feeling is of the coolest bar-band in town, not to mention one that could eat all the patrons for breakfast if it felt like it. Fans of the fully all-out side of Beefheart might find the end result not fully up to snuff as a result, but those less concerned with pushing back all borders all the time will enjoy his unexpected blend of everything tempered with a new accessibility.

Captain Beefheart / Clear Spot – Our Previous Shootout Was in 2019

Reviews and Commentaries for the Music of Captain Beefheart

This outstanding pressing of Clear Spot boasts solid Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too 

One of the better copies of Clear Spot to hit the site in recent years – no question about it, this is his Masterpiece!

Produced by Ted Templeman, Clear Spot is one of Beefheart’s most accessible albums and, IMHO, his best

4 stars: “The sound is great throughout, and the feeling is of the coolest bar-band in town, not to mention one that could eat all the patrons for breakfast if it felt like it.”

Two outstanding sides for this masterpiece of bent rock. It’s not easy to find great sound for this album — that’s why you so seldom see it up on our site. There are a whole lot of problematic pressings out there, but when you find one that really gets it right the sound is nothing short of SUPERB. (more…)