Top Arrangers / Performers – Deodato

Deodato – Prelude

More Deodato (Music and Arrangements)

  • A vintage CTI pressing that was doing just about everything right, with both sides earning outstanding Double Plus (A++) grades or BETTER
  • The brass and percussion are amazing on “2001” (and every other track) thanks to RVG, a man who knew how to do these kinds of big jazz productions better than practically anyone alive in 1973
  • We had no idea there was space this huge in the recording until we heard the best copies
  • 4 stars: “Though overshadowed by ‘2001,’ the other tracks also hold up well today, being mostly medium-tempo, sometimes lushly orchestrated, conga-accented affairs that provide velvety showcases for Deodato’s lyrical electric piano solos… it still makes enjoyable listening.”
  • This title from 1973 is clearly Deodato’s best album, and his best recording

Both sides are surprisingly sweet and Tubey Magical, nice qualities for a CTI record to have since so many of them are aggressive and edgy to the point of distraction.

Listen to the trumpet on the second track on side one — it’s so immediate, it’s practically JUMPING out of the soundfield, just bursting with energy. Rudy can really pull off these big productions on occasion, and this session was clearly one of them. If you have the kind of stereo that’s right for this music (the bigger the better) you could easily find yourself using this record as a demonstration disc. It’s very unlikely your audiophile friends have ever heard anything like it.

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Deodato – A Brilliant Rudy Van Gelder Recording from 1973

Hot Stamper Pressings of Recordings by Rudy Van Gelder

This Is Yet Another Well Recorded Album that Should Be More Popular with Audiophiles

Listen to the trumpet on the second track on side one — it’s so immediate, it’s practically JUMPING out of the soundfield, just bursting with energy. Rudy can really pull off these big productions on occasion, and this session was clearly one of them. If you have the kind of stereo that’s right for this music (the bigger the better) you could easily find yourself using this record as a demonstration disc. It’s very unlikely your audiophile friends have ever heard anything like it.

Both sides are especially full and rich. The congas are present in the mix and very full-bodied — this allow them to really drive the rhythmic energy of the music. We know this because the copies with congas that were veiled or thin never seemed to get up go. The bass on these two sides was some of the best we heard as well.

The top is most often the problem with these CTI pressings. Both sides here seem to give you all the top end that was on the tape.

There is wonderful transparency and openness to the soundstage, as well as less congestion in the loudest parts. Also Sprach (2001) is on side one of the album and it is KILLER on the best pressings.

Both sides are also surprisingly sweet and Tubey Magical, nice qualities for a CTI record to have since so many of them are aggressive and edgy to the point of distraction.

Full, lively horns; rich, punchy, smear-free congas; fuzzy fuzzed-out guitars; as well as correct tonality and Tubey Magic in every area of the spectrum, what’s not to love?

So much bigger than most copies too. There is no doubt that you will hear the difference immediately. If you do a shootout with your best copy and ours plan on it being over practically before it starts.

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Astrud Gilberto – Windy

More Astrud Gilberto

More Bossa Nova

  • This superb pressing boasts Double Plus (A++) sound from start to finish – remarkably quiet vinyl too
  • Forget whatever Heavy Vinyl imposter is in print – this vintage Verve stereo pressing has the kind of High-Rez Tubey-Magical Midrange that will bring Astrud’s soft samba music to life in your very own listening room
  • “… Windy nevertheless proves one of Astrud Gilberto’s most consistent and sublime efforts, artfully straddling the division between Brazilian bossa nova and American sunshine pop.” 

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Roberta Flack – Chapter Two

More Roberta Flack

  • Amazing sound for Roberta Flack’s sophomore title with both sides earning Shootout Winning Triple Plus (A+++) grades
  • You will hear dramatically more space, richness, vocal presence, and performance energy on this copy than all others, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • 4 stars: “A great album and the release that made Roberta Flack a major soul and R&B artist in the early ’70s. She had a soft, compelling, alluring voice, and was able to convincingly switch gears and also convey anger, regret, hurt, or despair. Those who thought Flack was a one-hit wonder, or didn’t think she could make the transition from doing mostly jazz to other styles, were convinced otherwise.”

This is the best sounding Roberta Flack solo album to ever hit the site! (I say “solo” because the best copies of Flack / Hathaway are also incredible.)

We fell hard for this album when we started comparing these a while back but it usually takes us years to get a shootout going. Most in the bins are way too noisy for us to sell and few of them sound anything like this! If you’re a Roberta Flack fan or just enjoy amazing sounding soul music, you won’t want to miss out on this one!

It’s a matter of opinion, of course, but for my money the opener “Reverend Lee” is the best song on here. Roberta absolutely knocks that one outta the park and on a copy like this one it is magical.

If you want to hear some amazing sounding ’70s soul, you just found The Golden Ticket! Take this one home and I think you’ll be very impressed with both the sound and the music. (more…)

Astrud Gilberto – Beach Samba

  • An outstanding copy of Beach Samba, with solid Double Plus (A++) sound or BETTER from top to bottom 
  • The soundstage is huge, and the overall quality of the recording is big and bold like you will not believe
  • Creed Taylor (the CTI man) produced, Don Sebesky and Deodato did the arrangements, and Val Valentin engineered – what’s not to like?
  • “This 1967 Verve LP has the breezy bossa novas and sambas Astrud was famed for, but also a Lovin’ Spoonful duet with her young son and some seriously impressive scatting, too.” – Amazon

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