Labels We Love – Liberty

Julie London – Julie (in Mono)

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  • This outstanding vintage Liberty MONO pressing boasts outstanding Double Plus (A++) sound from first note to last
  • In-the-room presence, preternaturally breathy vocals, and boatloads of wonderful Tubey Magic
  • This amazing sleeper of a record belongs right up at the top of Ms. London’s oeuvre (25 albums strong) along with Julie Is Her Name – high praise indeed
  • 4 stars: “Usually put into a torch song setting, this release allows London to shed that garment and become jazzy. Instead of being sultry, she becomes dazzling and sparkling. She also becomes more adept at phrasing and timing and takes a risk or two in the tradition of a jazz singer.”

The great Jimmy Rowles plays piano, handled the arrangements and fronts the big group here, taking the music in a wonderfully jazzy direction that suits Julie’s vocal style perfectly.

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real Julie London singing live in your listening room. The best copies have an uncanny way of doing just that.

If you exclusively play modern repressings of older recordings (this one is now more than 63 years old), I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but less than one out of 100 new records do, if our experience with the hundreds we’ve played can serve as a guide. (more…)

Julie London in 1960 – Make Love To Me

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  • One of the best copies from our most recent shootout with a Triple Plus (A+++) side one and an excellent Double Plus (A++) side two
  • Julie is in the room with you – her voice is intimate, breathy and Tubey Magical like practically nothing you’ve ever heard 
  • Unusually clean surfaces, playing Mint Minus Minus (w/ caveats, see below), a step up from most of the copies we’ve been running into lately
  • “Her subtle sensuality and lightly swinging style made for a potent combination.” – All Music

Thanks to superb engineering and vintage All Tube mastering, this 1957 LP is wonderfully rich and sweet, with a breathy, intimate Julie London performing live in your listening room.

This original Liberty Turquoise Mono pressing has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

Julie London / Your Number Please – Skip the Mono

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The mono we played (not pictured) in our shootout did not fare well head to head against the stereo pressings we had on hand. It is rich and tubey, and Julie’s voice is solid and full-bodied, but the overall presentation is dark, opaque and small.

How do the mono record lovers of the world find this kind of sound to their liking?  We honestly don’t know.

On today’s modern stereos the mono pressing leaves a lot to be desired, and for that reason, we say Skip the Mono.

For records that we think sound best in mono, click here.

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Julie London – Around Midnight

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More Pop and Jazz Vocal Albums

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  • Julie’s impossibly rare and wonderful 1960 release makes its Hot Stamper debut here with outstanding Double Plus (A++) sound or BETTER on both sides of this original Liberty stereo pressing
  • For whatever reason, this is a record that takes us years to find even one clean stereo copy, ouch
  • Like many of her best Liberty recordings, this one puts Julie right in the room with you thanks to the brilliant engineering of John Kraus (Julie Is Her Name, Calendar Girl, Julie… At Home, etc.)
  • 4 stars: “Her ability to interpret a song was at its strongest in the late ’50s and early ’60s, as is evidenced on the shimmering Around Midnight. While some of her best recordings were in front of small jazz combos, Around Midnight proves that London was just as effective in front of larger orchestras and bands. The drowsy “Black Coffee” and lazy “Lush Life” typify the late-night feel of the album, leading right into “The Wee Small Hours of the Morning.”

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Julie London – Julie Is Her Name

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More Pop and Jazz Vocal Albums

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  • Julie’s debut finally arrives on the site with Shootout Winning Triple Plus (A+++) sound from start to finish
  • The vocal naturalness and immediacy of this early Liberty pressing will put Julie in the room with you – more than anything else, it lets her performance come to life
  • The naturalness of the presentation puts this album right at the top of best-sounding female vocal albums of all time
  • 4 stars: “Her debut is her best, a set of fairly basic interpretations of standards in which she is accompanied tastefully by guitarist Barney Kessel and bassist Ray Leatherwood.”

Listen to how rich the bottom end is on Barney Kessel’s guitar. The Tubey Magic here is off the charts. Some copies can be dry, but that is clearly not a problem on this one.

To take nothing away from her performance, which got better with every copy we played. Julie’s rendition of Cry Me a River may be definitive.

If only Ella Fitzgerald on Clap Hands got this kind of sound! As good as the best copies of that album are, this record takes the concept of intimate female vocals to an entirely new level. (more…)

Bud & Travis – …In Concert

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Original Liberty Black and Rainbow Label LP with exceptionally quiet vinyl and very good sound.

I played side one and thoroughly enjoyed it. These guys are very entertaining, especially their between song banter. What was surprising was how dynamic the vocals are on this recording. You would never hear a studio recording with these kinds of dynamics, I can tell you that. (more…)

Julie London – Your Number Please

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More Pop and Jazz Vocal Albums

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  • Your Number Please finally arrives on the site with a Shootout Winning Triple Plus (A+++) side two paired with an outstanding Double Plus (A++) side one
  • So hugely spacious and three-dimensional, yet with a tonally correct and natural sounding Julie, this is the way to hear it
  • “One in a long series of Julie London records, this set features the sultry but subtle singer on a dozen standards, each of which she dedicates to a different male singer.”

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Julie London – Julie Is Her Name, Volume 2

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More Pop and Jazz Vocal Albums

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  • The superb follow-up to Julie’s stunning debut finally arrives on the site with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one
  • No marks are audible, and the vinyl is about as quiet as any Black Label Liberty stereo pressing we’ve ever played, which makes this a very special copy indeed
  • On a copy this good, London will appear as a living, breathing (albeit disembodied) person right in your very own listening room. We call that “the breath of life,” and this record has it in spades
  • Every three to five years or so we run into a copy that plays this quietly and sounds this good – the last one was in 2018, so if you have a few years to wait, you can be sure there will be another coming down the pike
  • 4 stars: ” London’s breathy vocals aren’t that different [from her debut], but she seems more confident and she swings more, even on the ballads. . . This album was also better recorded than London’s debut and the release has a fuller, richer sound to it.”

The reliably brilliant Ted Keep was the engineer for these sessions from 1958. The stereo tape came out in 1958, along with the mono LP, but those of you who wanted a stereo record had to wait until 1959! (more…)

Every Label Made Bad Sounding Records – Liberty Made This One with Julie London and Bud Shank in 1965

Way too bright. Best to give this one a pass if you are looking for audiophile sound.

Some of Julie London‘s records are phenomenally well recorded, and the best pressings of those superb recordings are the ones we offer to our customers.

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records.

For vintage pressings with the ultimate in audiophile sound, check out our website, Better Records.

Julie London – Lonely Girl

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

A Knockout recording of female vocal with guitar: Triple Plus (A+++) on the first side, seriously good Double Plus (A++) on the second. Julie is in the room with you – intimate, breathy and Tubey Magical like practically nothing you’ve ever heard. For late night listening this is surely one of the best Sultry Female Vocal recordings ever made – you won’t believe how real the sound is.

After hearing this amazing copy in our shootout we felt that it might be a bit too noisy to list, but another scrub cleaned it up nicely and now it’s about typical for an exceptionally clean copy of the album. No marks play — the noise one hears is mostly just the vinyl of the day.

I bought this very record in 1998. It took me close to twenty years to be able to clean it and play it right! (more…)