This superb sounding Hot Stamper copy of Quiet Village has a lot in common with the other Bachelor Pad / Exotica titles we’ve listed over the years, albums by the likes of Esquivel, Dick Schory, Edmundo Ros, Arthur Lyman and others.
But c’mon, nobody really buys these records for the music (although the music is thoroughly enchanting). It’s all about the Tubey Magical Stereoscopic presentation, the wacky 3-D sound effects (of real birds and not-so-real ones) and the heavily percussive arrangements. In all of these areas and more this record does not disappoint.
If you’re an audiophile, both the sound and the music are crazy fun. If you want to demonstrate just how good 1959 All Tube Analog sound can be, this is the record that will do it.
This copy is super spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the sound here is PHENOMENAL. This is vintage analog at its best, so rich and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to “improve” it. If you like the sound of vibes and unusual percussion instruments, you will have a hard time finding a more magical recording of any of them.
We were surprised that a number of copies were neither transparent nor spacious. For a while there we thought of giving up, but then we played this Black Label original copy and all was right with the world.
Unsurprisingly, we ran into plenty of noisy vinyl, too noisy to enjoy as the music is frequently quiet for extended periods.
There is a shocking amount of rich, deep bass in the recording. You could play fifty ’70s rock records and not hear this much richness and weight down low. Having played scores of Exotica titles over the years we were very pleasantly surprised to hear the bass on this title surpass them all.
Every bit as rich, sweet and tubey as side one, but this side is transparent, three-dimensional and spacious like no other side of any copy we played. The perfect music to demo your stereo with for anyone who thinks audio recording technology has improved in the last thirty years.
Super Hot Stamper sound, with a big stage, Tubey Magic and correct tonality from top to bottom. From top to bottom the tonality is Right On The Money. It’s very lively, with tight, clear bass.
Listen to how open the drum sound is. That sound is just not to be found on popular albums anymore.