This RCA Soria pressing plays about Mint Minus, pretty quiet for a Shaded Dog era pressing.
The orchestra is its typical shrill self. The cello and violin sound wonderful most of the time. When they really get going the sound can be a bit much. At moderate volumes the record is very enjoyable.
If I’m not mistaken, reversing your polarity will help the sound some.
This is a famous recording for having distortion and congestion in the louder orchestral passages. There is no such thing as a copy of this record that doesn’t have that problem. You listen to this record for the wonderful interplay between Heifetz and Piatigorsky and not much else.
[An old review. We would not stand behind what we say here about the superiority of the Cisco pressing over the Shaded Dog.]
180g Cisco LP. The performances here are of course extraordinary, but this has never been one of RCA’s best recordings. The originals have more Tubey Magic; these 180 gram versions more accuracy of presentation, clarity and definition. Much less distortion too.(more…)
Classic remastered this title in the ’90s — of course they did, it’s clearly one of the better Heifetz recordings.
As expected, their version was awful, as bad as LSC 1903, 1992, 2129 and others too numerous to list.
It’s both aggressive and lacking in texture at the same time, the worst of both worlds. Bernie’s cutting system is what I would call Low Resolution — the harmonics and subtleties of the sound simply disappear. If you have the Classic, do your own shootout. We guarantee any Hot Stamper pressing will murder theirs.(more…)
The Cisco pressing of LSC 2577 is not acceptable on any level. There is no violinist in front of you when you play their record. There is someone back behind your speakers under a thick blanket, and his violin sure doesn’t sound very much like a real violin — no rosiny texture, no harmonics, no real body. I am proud to say we rejected the record out of hand when it was released and never carried it. (The Cisco Peer Gynt was every bit as bad.)
We’ve played dozens and dozens of good violin recordings. We have no problem recognizing good violin sound when we hear it. In the past our top Hot Stamper classical pressings would go directly to our best customers, customers who want classical recordings that actually sound good. not just the kind of Golden Age Recordings that are supposed to. Now that we are able to do more shootouts, we have enough classical recordings to make available to our many Hot Stamper fans.
The Mozart side of this Red Seal pressing from 1968 sounds AMAZING. I have never heard better staging for a chamber work of this kind. All five instruments are so clearly set apart from each other and tonally correct (for the most part) that it is nothing less than fascinating to be able to follow each instrument as it weaves its way through the score. If you’ve suffered through the horrendously sour and screechy recordings Heifetz and Piatigorsky are known for in audiophile circles — LDS 2513 and LDS 6159, you will be glad to know that this side one sounds NOTHING like them. (more…)
A stellar reading of the Franck from this formidable group. Side one of this Shaded Dog is Super Hot: rich, smooth and sweet. The piano is exceptionally well-recorded, with real weight. The Brahms is very good if you can reverse your polarity. (more…)
This wonderfully quiet (for the most part) Shaded Dog pressing has EXCEPTIONALLY good sound for side two, which is where the Kodaly Duo for Violin and Cello can be found. Rarely have I heard these two instruments sound better than they do here. With a sonic grade of A++ to A+++, you can be sure the sound is right up there with the best of the classical recordings we have to offer.
The Beethoven on side one has many good qualities as well, but the acoustic in which it is performed is not nearly as good as that of this side two.(more…)
This is a Super Hot Stamper Two-Pack that comprises a White Dog RCA original for side one and a Red Label reissue for side two, for the simple and obvious reason that the “bad” sides of each of these LPs are not nearly as good as the “good” sides. When you play the weaker sides you will no doubt appreciate why we felt it was appropriate to bundle two very different records together to make a truly SUPERB one.
If you’ve suffered through the horrendously sour and screechy recordings Heifetz and Piatigorsky are known for in audiophile circles — LDS 2513 and LDS 6159 — you will be glad to know that the two good sides here sound NOTHING like them. (Reversing your polarity on LDS 6159 helps but it can’t fix sound that’s that bad.) (more…)