_Performers – Heifetz

Sibelius – Violin Concerto / Heifetz / Hendl

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  • With solid Double Plus (A++) sound on both sides, this copy of the Sibelius Violin Concerto boasts outstanding Living Stereo sonics from 1961 and a fiery performance from Heifetz
  • It’s some of the best sound we have ever heard for the work, right up there with the Ricci on Decca/London
  • The grading is conservative at Two Pluses; it might’ve actually deserved more
  • The nothing less than breathtaking performance by Heifetz may raise this one to the rank of First Among Equals for those of you who prize immediacy and energy in your violin recordings
  • If you have one of our killer Hot Stampers of the Beethoven or Tchaikovsky violin concertos, you know exactly the sound I am talking about
  • “In the easier and looser concerto forms invented by Mendelssohn and Schumann I have not met a more original, a more masterly, and a more exhilarating work than the Sibelius violin concerto.”

Early Shaded Dog pressings of Heifetz’s records are known to have rarely survived in audiophile playing condition. Top quality early pressings in clean condition come our way at most once a year, which means shootouts for them get done infrequently. There are literally thousands of clean, vintage classical pressing sitting in our stockroom waiting for a few more copies to come our way so that we can finally do a shootout.

This copy plays quite well for a Shaded Dog. Side one plays Mint Minus Minus all the way through, with a little extra tickiness creeping in at the very end of the side.

Side two I am happy to report plays even quieter. It starts out Mint Minus Minus, but roughly three quarters of an inch into the side it begins to play more in the range of Mint Minus to Mint Minus Minus, and does so for the remainder of the side.

It’s practically impossible to hear that kind of string sound on any recording made in the last thirty years (and this of course includes practically everything pressed on Heavy Vinyl). It may be a lost art but as long as we have these wonderful vintage pressings to play it’s an art that is not being lost on us. (more…)

Brahms / Concerto for Violin and Cello – Heifetz / Piatigorsky (LDS 2513)

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This is one of the pressings we’ve discovered with Reversed Polarity.

This RCA Soria pressing plays about Mint Minus, pretty quiet for a Shaded Dog era pressing.

The orchestra is its typical shrill self. The cello and violin sound wonderful most of the time. When they really get going the sound can be a bit much. At moderate volumes the record is very enjoyable.

If I’m not mistaken, reversing your polarity will help the sound some.

This is a famous recording for having distortion and congestion in the louder orchestral passages. There is no such thing as a copy of this record that doesn’t have that problem. You listen to this record for the wonderful interplay between Heifetz and Piatigorsky and not much else.

Brahms / Concerto for Violin & Cello on Cisco Heavy Vinyl

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[An old review. We would not stand behind what we say here about the superiority of the Cisco pressing over the Shaded Dog.]

180g Cisco LP. The performances here are of course extraordinary, but this has never been one of RCA’s best recordings. The originals have more Tubey Magic; these 180 gram versions more accuracy of presentation, clarity and definition. Much less distortion too. (more…)

Beethoven / Kreutzer Sonata / Heifetz – Another Awful Cisco Pressing

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Sonic Grade: F

A Hall of Shame pressing from Cisco / Impex. 

The Cisco pressing of LSC 2577 is not acceptable on any level. There is no violinist in front of you when you play their record. There is someone back behind your speakers under a thick blanket, and his violin sure doesn’t sound very much like a real violin — no rosiny texture, no harmonics, no real body. I am proud to say we rejected the record out of hand when it was released and never carried it. (The Cisco Peer Gynt was every bit as bad.)

We’ve played dozens and dozens of good violin recordings. We have no problem recognizing good violin sound when we hear it. In the past our top Hot Stamper classical pressings would go directly to our best customers, customers who want classical recordings that actually sound good. not just the kind of Golden Age Recordings that are supposed to. Now that we are able to do more shootouts, we have enough classical recordings to make available to our many Hot Stamper fans.

Sibelius / Violin Concerto / Heifetz – Classic Records Reviewed

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

Classic remastered this title in the ’90s — of course they did, it’s clearly one of the better Heifetz recordings.

As expected, their version was awful, as bad as LSC 1903, 1992, 2129 and others too numerous to list.  

It’s both aggressive and lacking in texture at the same time, the worst of both worlds. Bernie’s cutting system is what I would call Low Resolution — the harmonics and subtleties of the sound simply disappear. If you have the Classic, do your own shootout. We guarantee any Hot Stamper pressing will murder theirs. (more…)

Violin Recordings (Vintage or Modern) and the Problem of Smear

More Violin Recordings

More of the music of Ludwig van Beethoven (1770-1827)

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This copy had practically no smear on either the violin or the orchestra. Try to find a violin concerto record with no smear. We often say that Shaded Dogs, being vintage All Tube recordings, tend to have tube smear. But what about the ’70s Transistor Mastered Red Label pressings – where does their smear come from?

Let’s face it: records from every era more often than not have some smear and we can never really know what accounts for it.

The key thing is to be able to recognize it for what it is. (We find modern records, especially those pressed at RTI, to be quite smeary as a rule. They also tend to be congested, blurry, thick, veiled, and ambience-challenged. For some reason most audiophiles — and the reviewers who write for them — rarely seem to notice these shortcomings.)

Of course, if your system itself has smear it becomes that much harder to hear the smear on your records.  Practically every tube system I have ever heard had more smear than I could tolerate – it comes with the territory. And high-powered transistor amps are notoriously smeary, opaque and ambience-challenged. Our low-powered, all-transistor rig has no trouble showing us the amount of smear on records, including those that have virtually none.

Keep in mind that one thing live music never has is smear of any kind. Live music is smear-free. It can be harmonically distorted, hard, edgy, thin, fat, dark, and all the rest, but one thing can never be is smeary. That is a shortcoming unique to the reproduction of music, and one which causes many of the pressings we sell to have their sonic grades lowered. (more…)

Beethoven/ ’Kreutzer’ Sonata & Bach/ Concerto… / Heifetz – Our Shootout Winner from 2009

More of the music of Ludwig van Beethoven 

More Beethoven/ ’Kreutzer’ Sonata & Bach/ Concerto… / Heifetz 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This beautiful 1S/1S first pressing in excellent condition has DEMONSTRATION QUALITY SOUND — on both sides!

This is the kind of record on which the RCA reputation is based. They’re not kidding — this is truly LIVING STEREO SOUND at its best.

The immediacy and clarity of the violin are state of the art. I don’t know of a better sounding violin recording. And on this copy both sides are out of this world. (more…)

Mozart / Mendelssohn – The Heifetz-Piatigorsky Concerts – Our Shootout Winner from 2011

More of the music of Amadeus Mozart (1756-1791)

The Heifetz-Piatigorsky Concerts

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A distinguished member of the Better Records Orchestral Music Hall of Fame

The Mozart side of this Red Seal pressing from 1968 sounds AMAZING. I have never heard better staging for a chamber work of this kind. All five instruments are so clearly set apart from each other and tonally correct (for the most part) that it is nothing less than fascinating to be able to follow each instrument as it weaves its way through the score. If you’ve suffered through the horrendously sour and screechy recordings Heifetz and Piatigorsky are known for in audiophile circles — LDS 2513 and LDS 6159, you will be glad to know that this side one sounds NOTHING like them.    (more…)

Franck / Piano Quintette & Brahms / Heifetz, Piatigorsky et al. – Reviewed in 2013

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This is one of the pressings we’ve discovered with Reversed Polarity.

A stellar reading of the Franck from this formidable group. Side one of this Shaded Dog is Super Hot: rich, smooth and sweet. The piano is exceptionally well-recorded, with real weight. The Brahms is very good if you can reverse your polarity.    (more…)

Favorite Beethoven Concertos / Heifetz & Rubinstein / BSO – Reviewed in 2007

More of the music of Ludwig van Beethoven

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

RCA Red Seal LPs. DEMONSTRATION QUALITY SOUND!

The first LP of this disc is the equivalent of LSC 1992 and sounds AMAZING. The mastering is right on the money. (more…)