_Performers – Heifetz

Beethoven – Violin Concerto / Heifetz / Munch

More of the music of Ludwig van Beethoven (1770-1827)

More Recordings Featuring the Violin

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  • Presenting the best sounding recording of the Beethoven Violin Concerto we know of
  • Our vintage pressing of this brilliant Living Stereo recording — from 1956! — boasts outstanding Double Plus (A++) sound throughout
  • Heifetz’s violin is immediate, real and lively here – you are in the presence of greatness with this copy
  • The orchestra is wide, tall, spacious, rich and tubey, yet the dynamics and transparency are first rate
  • Hard to find them without marks or groove damage, but here is one without either, and the sound is magnificent (which is the hardest thing of all to find)

The reproduction of the violin here is superb — harmonically rich, natural, clean, clear, resolving. What sets the truly killer pressings apart is the depth, width and three-dimensional quality of the sound, as well as the fact that they become less congested in the louder passages and don’t get shrill or blary.

The best copies display a Tubey Magical richness — especially evident in the basses and celli — that is to die for.

Big space, a solid bottom, and plenty of dynamic energy are strongly in evidence throughout. Little smear, exceptional resolution, transparency, tremendous dynamics, a violin that is present and solid — the best copies take the sound of the recording right to the limits of what we thought possible.

Heifetz is a fiery player. On a good pressing such as this one, you will hear all the detail of his bowing without being overpowered by it. As we listened we became completely immersed in the music on the record, transfixed by the remarkable virtuosity he brings to such a difficult and demanding work. (more…)

Glazunov / Violin Concerto – Heifetz / Hendl – A Classic Records Winner

Superb Recordings with Jascha Heifetz Performing

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This is a 180g Classic LP with very good sound, the best of the violin concertos Classic has released to date and one of the best Classic classical titles ever.

This is one of the early 180 pressings which tend to be quieter than the later 200 gram pressings.

Original pressings of this late Heifetz/Hendl/CSO performance tend to be edgy, which has been remedied on this reissue through cutting directly from the three-track masters by Bernie Grundman. Grundman has also tuned the balance between Heifetz and the Orchestra to better integrate the phenomenal bowing and intonation that Heifetz is famous for with the power of the Chicago Symphony. Another 10++ performance and recording – not to be missed! – Liner Notes


FURTHER READING

Classic Records – Classical (more…)

Tchaikovsky / Violin Concerto / Heifetz / Reiner – Our Shootout Winner from 2009

The Music of Tchaikovsky Available Now

Album Reviews of the Music of Tchaikovsky

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No marks that play appreciably but that RCA vinyl is up to its old tricks again. Mint Minus Minus with constant light surface noise underneath the music in the quieter sections is the rule here. The first half inch of side two is where you will notice it the most. We are of the opinion that good sound and good music allow you to pretty much ignore surfaces such as these, scratches being another thing entirely of course. If there is any problem we offer a money back guarantee on this one.

Better Front Ends

I would make the further point that the better your front end is the less likely you are to have a problem with vinyl like this, which is the opposite of what many audiophiles perceive to be the case. In other words, some of the cheaper tables and carts seem to make the surface noise more objectionable, not less. On the other hand, some pricey cartridges — the Benz line comes to mind — are consistently noisier than those by Dynavector, Lyra and others, in our experience anyway.

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Violin Recordings (Vintage or Modern) and the Problem of Smear

More Violin Recordings

More of the music of Ludwig van Beethoven (1770-1827)

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This copy had practically no smear on either the violin or the orchestra. Try to find a violin concerto record with no smear. We often say that Shaded Dogs, being vintage All Tube recordings, tend to have tube smear. But what about the ’70s Transistor Mastered Red Label pressings – where does their smear come from?

Let’s face it: records from every era more often than not have some smear and we can never really know what accounts for it.

The key thing is to be able to recognize it for what it is. (We find modern records, especially those pressed at RTI, to be quite smeary as a rule. They also tend to be congested, blurry, thick, veiled, and ambience-challenged. For some reason most audiophiles — and the reviewers who write for them — rarely seem to notice these shortcomings.)

Of course, if your system itself has smear it becomes that much harder to hear the smear on your records.  Practically every tube system I have ever heard had more smear than I could tolerate – it comes with the territory. And high-powered transistor amps are notoriously smeary, opaque and ambience-challenged. Our low-powered, all-transistor rig has no trouble showing us the amount of smear on records, including those that have virtually none.

Keep in mind that one thing live music never has is smear of any kind. Live music is smear-free. It can be harmonically distorted, hard, edgy, thin, fat, dark, and all the rest, but one thing can never be is smeary. That is a shortcoming unique to the reproduction of music, and one which causes many of the pressings we sell to have their sonic grades lowered. (more…)

Tchaikovsky – Violin Concerto / Heifetz / Reiner

More of the music of Peter Ilyich Tchaikovsky (1840 – 1893)

Hot Stamper Pressings Featuring the Violin

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  • An outstanding pressing of Heifetz’s amazing 1958 recording for RCA in glorious Living Stereo sound, earning solid Double Plus (A++) grades on both sides – fairly quiet vinyl too
  • A superb pressing, with lovely richness, warmth, and real immediacy throughout – the overall sound is rich, sweet and Tubey Magical
  • Heifetz is a fiery player – this pressing will allow you to hear the subtleties of his bowing in a coherent, natural and realistic way
  • The texture and harmonic overtones of the strings are near perfection – as we listened we became completely immersed in the music on the record, transfixed by the remarkable virtuosity he brings to this difficult and demanding work

For those of you who have only the Classic pressing, with this pressing you are in for a world of better sound. The Classic is both aggressive and lacking in texture at the same time, the worst of both worlds. Bernie’s cutting system is what I would call Low Resolution — the harmonics and subtleties of the sound simply disappear. (more…)

Mendelssohn and Prokofiev – Violin Concertos / Heifetz / Munch

Hot Stamper Pressings Featuring the Violin

Superb Recordings with Jascha Heifetz Performing

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  • This wonderful Living Stereo pressing makes its Hot Stamper debut with outstanding Double Plus (A++) sound from start to finish
  • A truly superb recording with huge, spacious, dynamic, lively sound – Tubey Magical richness is a big plus too
  • These performances by Heifetz and the Boston Symphony under the baton of Charles Munch are some of the best we’ve ever heard – Heifetz is on fire with passion for these exciting pieces

No violin concerto recording can be considered to have the real Living Stereo sound if the violin isn’t right, and fortunately this violin is very very right, with the kind of rosiny texture and immediacy that brings the music to life right in your very own listening room.

The Prokofiev concerto is a longtime member of the TAS Super Disc List. (more…)

Glazounov / Violin Concerto / Heifetz

More Violin Recordings

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Super Hot Stamper sound on side two of this Shaded Dog pressing, which is the side with Mozart’s Symphonie Concertante for violin and viola. The sound is wonderful, with lovely 1964 RCA Living Stereo Tubey Magic, presenting the violin solidly with spot-on timbre.

Side one, the Glazounov, earned a nearly-as-good sonic grade of A+ to A++. The violin on this side is full-bodied and present just the way we like it.

Side Two

A++, the body of the violin is reproduced here especially well, along with the rosiny texture of the strings. This side is a bit smooth and dark compared to the best we played, so we are calling it Super Hot. Its faults are few, its strengths many.

Side One

A+ to A++. The orchestra is rich, but there is some Old School smear to the strings and an Old School lack of top end. Overall the sound is quite good within these limitations. (more…)

Sibelius – Violin Concerto / Heifetz / Hendl

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  • With solid Double Plus (A++) sound on both sides, this copy of the Sibelius Violin Concerto boasts outstanding Living Stereo sonics from 1961 and a fiery performance from Heifetz
  • It’s some of the best sound we have ever heard for the work, right up there with the Ricci on Decca/London
  • The grading is conservative at Two Pluses; it might’ve actually deserved more
  • The nothing less than breathtaking performance by Heifetz may raise this one to the rank of First Among Equals for those of you who prize immediacy and energy in your violin recordings
  • If you have one of our killer Hot Stampers of the Beethoven or Tchaikovsky violin concertos, you know exactly the sound I am talking about
  • “In the easier and looser concerto forms invented by Mendelssohn and Schumann I have not met a more original, a more masterly, and a more exhilarating work than the Sibelius violin concerto.”

Early Shaded Dog pressings of Heifetz’s records are known to have rarely survived in audiophile playing condition. Top quality early pressings in clean condition come our way at most once a year, which means shootouts for them get done infrequently. There are literally thousands of clean, vintage classical pressing sitting in our stockroom waiting for a few more copies to come our way so that we can finally do a shootout.

This copy plays quite well for a Shaded Dog. Side one plays Mint Minus Minus all the way through, with a little extra tickiness creeping in at the very end of the side.

Side two I am happy to report plays even quieter. It starts out Mint Minus Minus, but roughly three quarters of an inch into the side it begins to play more in the range of Mint Minus to Mint Minus Minus, and does so for the remainder of the side.

It’s practically impossible to hear that kind of string sound on any recording made in the last thirty years (and this of course includes practically everything pressed on Heavy Vinyl). It may be a lost art but as long as we have these wonderful vintage pressings to play it’s an art that is not being lost on us. (more…)

Brahms / Concerto for Violin and Cello – Heifetz / Piatigorsky (LDS 2513)

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This is one of the pressings we’ve discovered with Reversed Polarity.

This RCA Soria pressing plays about Mint Minus, pretty quiet for a Shaded Dog era pressing.

The orchestra is its typical shrill self. The cello and violin sound wonderful most of the time. When they really get going the sound can be a bit much. At moderate volumes the record is very enjoyable.

If I’m not mistaken, reversing your polarity will help the sound some.

This is a famous recording for having distortion and congestion in the louder orchestral passages. There is no such thing as a copy of this record that doesn’t have that problem. You listen to this record for the wonderful interplay between Heifetz and Piatigorsky and not much else.

Brahms / Concerto for Violin & Cello on Cisco Heavy Vinyl

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[An old review. We would not stand behind what we say here about the superiority of the Cisco pressing over the Shaded Dog.]

180g Cisco LP. The performances here are of course extraordinary, but this has never been one of RCA’s best recordings. The originals have more Tubey Magic; these 180 gram versions more accuracy of presentation, clarity and definition. Much less distortion too. (more…)