Top Artists – Sarah Vaughan

Sarah Vaughan – Sings George Gershwin, Volume One

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  • No other copy could touch this original Black Label Stereo Mercury pressing for warmth, richness, and, most especially, in-the-room presence and intimacy
  • If all you know are Heavy Vinyl reissues of The Divine One’s album, our Shootout Winner here should be a sonic treat the likes of which you may never have experienced before
  • An original Mercury pressing that has no audible marks and plays as quietly as this one does is a rare find indeed – it seems to be the quietest copy from our shootout, and even better, no other copy earned higher grades
  • 4 stars: “Since these 15 selections are fairly concise, the emphasis is on the melody and the original lyrics… Vaughan, who had a wondrous voice, is in excellent form on the superior material.

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Sarah Vaughan / The Lonely Hours on Classic Records

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Classic Records remastered this album back in the day, and I can see why: the average pressing on Roulette is borderline unlistenable. Of course we didn’t know that when we started this shootout. We had found a nice sounding copy and subsequently went on the hunt for more. Little did we know how wide the variation in sound quality we would find on the original Orange Label pressings. There was simply no denying that many of the copies we played were just too thin, shrill and pinched in the midrange to be of any interest to our audiophile customers.

As mediocre as Bernie’s Classic cutting may be, it’s still better than the average Roulette original one might throw on the turntable.

And you can forget the monos completely; they were by far the worst sounding of them all.

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Sarah Vaughan – In a Romantic Mood

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  • Sarah Vaughan’s superb In a Romantic Mood album from 1957 finally debuts on the site, and what a copy it is, taking top honors for side two and earning our coveted Triple Plus (A+++) grade
  • No other copy could touch this original Black Label Mono Mercury pressing for warmth, richness, and, most especially, vocal intimacy and in-the-room presence
  • If all you know are the Classic Records and Speakers Corner Heavy Vinyl reissues, our Shootout Winner here should be a sonic treat you have simply never experiences before
  • An original Mercury pressing that has no audible marks and plays as quietly as this one does is a rare find indeed – it seems to be the quietest copy from our shootout, and even better, no other copy earned higher grades

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Sarah Vaughan and Count Basie – Count Basie and Sarah Vaughan

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  • A KILLER copy of this superb collaboration with Shootout Winning Triple Plus (A+++) sound on side two mated with outstanding Double Plus (A++) sound on side one
  • On a copy this good, Vaughan will appear as a living, breathing person right in your very own listening room – we call that “the breath of life,” and this record has it in spades
  • Here is what’s best about vintage analog – sound that is exceptionally spacious and three-dimensional, relaxed, full-bodied and natural
  • 4 stars: ” Basie’s Orchestra and pianist Kirk Stuart are purely in a supporting role behind the magnificent voice of Sarah Vaughan… her wide range and impeccable musicianship carry the day.”

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Sarah Vaughan – Dreamy

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More Pop and Jazz Vocal Albums

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  • You’ll find outstanding Double Plus (A++) sound on both sides of this Emus pressing of Sarah Vaughan’s Dreamy album
  • Forget the honky originals – our killer Hot Stamper reissues of this 1960 All Tube Recording are rich and relaxed, just the way they should be
  • And please don’t confuse the good reissues we offer from decades past with the mediocre crap being pressed today – there is no simply no comparison, not when it comes to sound quality anyway
  • “Trumpeter Harry ‘Sweets’ Edison contributes some soft, melodic trumpet but the focus is very much on the singer during such numbers as ‘The More I See You,’ ‘Star Eyes,’ ‘My Ideal,’ and ‘Crazy He Calls Me.'”

The original release for Dreamy is on Roulette, a label we have often found to have problems in the sound department (not to mention notoriously bad vinyl). The originals we’ve played over the years have much too much honk and hardness in the midrange to be taken seriously, at least by us anyway, and certainly not at these prices. When we stumbled upon these good Emus reissues, the skies opened up and the sun shone down upon Sarah’s wonderful 1960 album of ballads as it had never done before. (more…)

Sarah Vaughan – Sassy Swings Again

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  • Superb nearly White Hot Stamper sound on side one – big, rich and spacious
  • Side two earned a Super Hot grade for its full-bodied brass and Sarah’s breathy vocals
  • A great selection of Jazz, Pop and Blues standards for her last Mercury release from 1967
  • Allmusic 4 Stars “…[an] essential session from that most divine of jazz chanteuses.”

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Sarah Vaughan – Live In Japan

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  • With two shootout winning Triple Plus (A+++) sides and two superb Double Plus (A++) sides, this is a phenomenal copy of Live in Japan
  • This album captures Vaughan’s rich, playful style and transfixing vocal range like you’ve never heard before
  • Full, big, present, and open, this album will recreate the sound of the concert hall right in your very own listening room
  • 5 stars: “This two-fer (which finds Sassy accompanied by pianist Carl Schroeder, bassist John Gianelli, and drummer Jimmy Cobb) gives one a definitive look at the brilliant (and sometimes miraculous) singer.”

You may remember that Mobile Fidelity remastered this very album on CD, one of their very first releases, long before they came up with the idea of gold plating their discs and doubling the price. Some of those early discs were outstanding; I still own many of them to this day. That said, I don’t think I ever played this particular title. (more…)

Sarah Vaughan – The Lonely Hours

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  • The Lonely Hours debuts with killer Hot Stamper sound – this copy took top honors with Triple Plus sonics on both sides
  • No other copy could touch this early Roulette pressing for size, space, clarity, dynamics and, most especially, vocal richness
  • With Benny Carter brilliantly handling the arrangements, we feel that this is a badly underrated album of Ms Vaughan’s from 1964, a glorious year for music
  • “Vaughan sounds excellent on “I’ll Never Be the Same,” “These Foolish Things,” and “If I Had You,” lightly caressing the notes.”

Wonderfully warm, big and clear, not to mention exceptionally dynamic, this copy shows the listener just how good the master tape must be.

Not only could no other copy touch it; as far as I can tell it’s the only copy with two sides good enough to put on the site!

Classic Records remastered this album back in the day, and I can see why: the average pressing on Roulette is borderline unlistenable. Of course we didn’t know that when we started this shootout. We had found a nice sounding copy and subsequently went on the hunt for more. Little did we know how wide the variation in sound quality we would find on the original Orange Label pressings. There was simply no denying that many of the copies we played were just too thin, shrill and pinched in the midrange to be of any interest to our Hot Stamper customers. (more…)

Sarah Vaughan – At The Blue Note

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A distinguished member of the Better Records Rock and Pop Hall of Fame

A superb copy with top quality sound throughout. This album has the same track listing as the rare ten-inch ‘The Divine Sarah Sings’ but with a few extra tracks included. (more…)