Top Engineers – Wally Heider

Glenn Miller Orchestra – The Direct Disc Sound of…

  • An outstanding original pressing of a Great American Gramophone Company Direct to Disc recording, with Double Plus (A++) sound throughout
  • Great energy, but the sound is relaxed and Tubey sweet at the same time, never squawky, with plenty of extension on both ends – that’s analog for ya!
  • This is no sleepy over-the-hill Sheffield Direct to Disc (referring to the later Harry James titles, not the excellent first one) – these guys are the real deal and they play their hearts out on this live-in-the-studio recording
  • Marks in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you

One of the all time GREAT Direct to Disc recordings. For sound and music, this one is hard to beat. And the vinyl is as quiet as any you will find.

We went a bit overboard years ago when we wrote, “I don’t think you can find a better sounding big band record on the planet.” Well, we’ve heard plenty of amazing big band albums in the course of our Hot Stamper shootouts for the last five or ten years, albums by the likes of Basie, Zoot Sims, Ellington, Shorty Rogers, Ted Heath and others.

Not to mention the fact that the shockingly good Sauter-Finegan track “Song of the Volga Boatman” from the LP Memories Of Goodman and Miller is played regularly around these parts for cartridge setup and tuning, as well as general tweaking.

But that should take nothing away from this superb recording, made at the famously good-sounding Capitol Records Studio A, with none other than Wally Heider doing the mix and Ken Perry manning the lathe.

We also noted that, “It absolutely murders all the Sheffield big band records, which sound like they were made by old tired men sorely in need of their naps. Way past their prime anyway”, which is mostly true.

The Glenn Miller Orchestra heard here was an actively touring band. They know this material inside and out, they clearly love it, and they’re used to playing the hell out of it practically every night.

If you like the tunes that Glenn Miller made famous — “String of Pearls,” “In The Mood,” “Tuxedo Junction” — you will have a very hard time finding them performed with more gusto, or recorded with anything approaching this kind of fidelity.

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Glenn Miller – “The Best Sounding Big Band Record?”

We went a bit overboard years ago when we wrote, “I don’t think you can find a better sounding big band record on the planet.”

Well, we’ve heard plenty of amazing big band albums in the Hot Stamper shootouts we’ve carried out over the course of the last ten or fifteen years, albums by the likes of Basie, Ellington, Shorty Rogers, Ted Heath and others.

Not to mention the fact that the shockingly good Sauter-Finegan track “Song of the Volga Boatman” from the LP “Memories Of Goodman and Miller” is played regularly around these parts for cartridge setup and tuning, as well as general tweaking.

But that should take nothing away from this superb recording, made at the famously good sounding Capitol Records Studio A, with none other than Wally Heider doing the mix and Ken Perry manning the lathe.

We also noted that, “It absolutely murders all the Sheffield big band records, which sound like they were made by old tired men sorely in need of their naps. Way past their prime anyway.” Which is mostly true.

The Glenn Miller Orchestra heard here was an actively touring band. They know this material inside and out, they clearly love it, and they’re used to playing the hell out of it practically every night.

If you like the tunes that Glenn Miller made famous — String of Pearls, In The Mood, Tuxedo Junction — you will have a very hard time finding them performed with more gusto, or recorded with anything approaching this level of fidelity.

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Milt Jackson Quintet – That’s The Way It Is

More Milt Jackson

Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

  • You’ll find outstanding Double Plus (A++) sound and fairly quiet vinyl on both sides of this is a killer live jazz album from Shelly’s Manne-Hole
  • Big, rich and real, with the kind of relaxed Tubey Magical sound that not many live albums achieve
  • Wally Heider engineered and he knocked it out of the park – You Are There, and even better, it’s 1969
  • “This is not experimental jazz. It’s beyond that, or as they say in New York, outside that. This is solid, rooted, sweet-smelling earth of an enduring style, as played by masters.”

We dropped the needle on a copy of this record last year and could hardly believe how good it sounded. So rich, so tubey, so big and clear – this is one of the best Impulse records we have played in a very long time.

It’s clearly another “sleeper” discovered by your friends here at Better Records. Who else is finding vintage albums with this kind of sound and music? (more…)

Harold Land / West Coast Blues! – The Right Jazzland Vinyl Just Cannot Be Beat

More Harold Land 

More Jazz Recordings Featuring the Saxophone

  • Truly superb sound can be found on both sides of this early Jazzland pressing, with each earning Shootout Winning Triple Plus (A+++) grades
  • Wally Heider, recording these sessions in San Francisco in 1960, captured some real jazz excitement on tape, and as good as the OJC mastered by George Horn may be, The Real Deal here takes the sound to another level
  • 4 stars: “Tenor saxophonist Harold Land leads an all-star sextet that includes guitarist Wes Montgomery, trumpeter Joe Gordon, pianist Barry Harris, bassist Sam Jones and drummer Louis Hayes… The music is as well-played and swinging as one would expect from this superior bop group.”

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Otis Redding – Good To Me – Live at the Whisky A Go Go Volume 2 – Reviewed in the ’90s

More Otis Redding

This Stax British Import is a Better Records highly recommended recording. If I had to choose one Otis Redding record to keep, this would be the one! As good as his studio albums are, the guy was MAGICAL live. (more…)

Gabor Szabo – More Sorcery – Our Shootout Winner from 2010

More Jazz Recordings Featuring the Guitar

Reviews and Commentaries for Gabor Szabo

This is a Minty looking Original Impulse Stereo LP with EXCELLENT sound and quiet vinyl.

This is a live recording that’s got that small jazz club feel. Lucy in the Sky with Diamonds runs almost ten minutes and gives everybody involved a chance to stretch out. People is also exceptionally good here.

It’s hard to find a recording Szabo did that isn’t full of Tubey Magic, huge studio space and right-on-the-money instrumental timbres. This album is right up there with the best of his recordings, courtesy of the two top engineers noted below. (more…)