Month: July 2017

Val Garay Rocks the Sound of JT

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

JT

 

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The good copies REALLY ROCK on a song like Honey Don’t Leave L.A. or I Was Only Telling A Lie, yet have lovely, sweet transparency and delicacy on the ballads such as Another Grey Morning or There We Are.

Just turn up the volume and play the opening to Honey Don’t Leave L.A. — this is James Taylor and his super tight studio band at the peak of their powers. Russ Kunkel hits the drum twice, then clicks his sticks together so quickly you can hardly notice it, then goes back to the drums for the rest of the intro. On a superb copy like this one, the subtleties of his performance are clearly on display. (Until copies like this one came along, we had never even noticed that stick trick. Now it’s the high point of the whole intro!) (more…)

Today’s Cool Record Find from 1966 – Luiz Bonfa’s Softly…

Our White Hot Shootout Winner

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  • This original Epic pressing has superb Shootout Winning sound, earning a Triple Plus (A+++) grade on side two and close to it on side one
  • If you’re looking to demonstrate just how good 1966 All Tube Analog sound can be, this copy is just the record that can do it
  • The soundstage, depth and height of this spacious recording are as huge and three-dimensional as any you’ve heard
  • “One of the better early bossa albums by Bonfa, and one that doesn’t have the sleepy quality that you find on some of his other records. Luiz’ guitar is backed by a nice little combo, and the tracks have a lively rhythm, with occasional vocals, and some nice flute solos from time to time.”

See more recordings with especially Tubey Magical Acoustic Guitars

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This is a simply wonderful Brazilian jazz guitar record, as well as what appears to be a mostly undiscovered gem. As an exceptional recording of excellent Brazilian guitar music from 1966, it is being offered to you by the music loving audiophiles at Better Records, folks who like to think they know a good sounding record when they hear one. (more…)

Our Hall of Shame – Nearly 300 Strong – Thanks Classic Records!

Awful in Every Way

Mussorgsky – Pictures at an Exhibition

Classic Records Debunked

Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

The shrillness, the hardness, the sourness, the loss of texture to the strings, the phony boosted deep bass — this is the kind of sound that makes my skin crawl. After a minute or two I’ve had it. And the performance is dreadful as well.

HP put this on his TAS List? Yes he did!

More Pictures at an Exhibition

What do you get with Hot Stampers compared to the Classic Heavy Vinyl reissue? Dramatically more warmth, sweetness, delicacy, transparency, space, energy, size, naturalness (no boost on the top end or the bottom, a common failing of anything on Classic); in other words, the kind of difference you almost ALWAYS get comparing the best vintage pressings with their modern remastered counterparts, in our experience anyway. (more…)

Latest Thoughts on Let It Be

 

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

LET IT BE

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Including:

A top copy, the MoFi, the new Heavy Vinyl pressing, What to Listen For and our take on the Bell Sound domestic original.

The Stones Jazz with Joe Pass and Bruce Botnick

Our Shootout Winner

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With two Triple Plus (A+++) shootout winning sides, this original stereo World Pacific copy simply could not be beat

  • Huge and rich, here is the kind of Tubey Magical presentation that lets this big group of musicians (four trombones!) come alive
  • The engineering by none other than Bruce Botnick is brilliant in all respects, as good as his work with The Doors
  • This is FUN West Coast Pop Jazz built around the superb arrangements of Bob Florence and the great songs of the Stones
  • We’re so sure you’ll like this music that if for any reason you are unhappy the domestic return shipping is on us!

Another undiscovered gem, brought to you by the folks at Better Records who know a good sounding record when they hear one. And the music is interesting and fun from first song to last. With Joe Pass on guitar how could it not be – the guy’s a genius.

This copy is spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)

The Debut of Pretenders II

Our White Hot Shootout Winner

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  • Off the charts “Triple Triple” (A+++) sound for The Pretenders’ second album – both sides earned our top grade of A+++
  • With loads of solid, punchy bass and the richest, smoothest vocal reproduction, this pressing simply could not be beat
  • This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce
  • “What’s more the unique American voice of Hynde matched with the tribal beat of Martin Chambers and spangly guitar of Honeyman-Scott was as close to perfect as a band could get in the late 70s.”

If any of this commentary looks familiar there’s a simple explanation for that fact; it’s lifted practically wholesale from our listings for the first Pretenders album.

The two albums are twins, with the same engineer, the same producer, even the same band members, something that was regrettably and tragically to change soon enough.

Tubey Magic Is Key

This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

Forget the dubby domestic vinyl, these Brit pressings are the only way to go. (more…)

Where Cheap Turntables Fall Flat – The Music of Franz Liszt

More of the music of Franz Liszt (1811-1886)

 

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Classical music is unquestionably the ultimate test for proper turntable/arm/cartridge set-up. The Liszt recording you see pictured is a superb choice for adjusting tracking weight, VTA, azimuth and the like.

One of the reasons $10,000+ front ends exist is to play large scale, complex, difficult-to-reproduce music such as Liszt’s two piano concertos. You don’t need to spend that kind of money to play this record, but if you choose to, it would surely be the kind of record that can show you the sound your tens of thousands of dollars has paid for.

It has been my experience that cheap tables more often than not collapse completely under the weight of a mighty record such as this.
(more…)

Beethoven’s Symphony No. 6 with Ansermet – Our Favorite for Performance and Sound

More of the music of Ludwig van Beethoven (1770-1827)

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Beethoven / Symphony #6 (Pastoral) / Ansermet

 

  • The texture on the strings is captured perfectly – this is an area in which modern pressings fail almost completely
  • Everything sounds so right on this record, so much like live music, there is almost nothing to say about the sound other than You Are There
  • Recorded in Geneva’s exquisite Victoria Hall in 1959, this is a top performance from Ansermet and the Suisse Romande, the best we know of

Everything sounds so right on this record, so much like live music, there is practically nothing to say about the sound other than You Are There.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. None of them, I repeat none of them, will ever begin to sound the way this record sounds. Quality record production is a lost art, and it’s been lost for a very long time.

The texture on the strings is captured perfectly; this is by the way an area in which modern pressings fail almost completely. We have discussed this subject extensively on the site. The “rosin on the horsehair” is a sound that is apparently impossible to encode on modern vinyl.

Other Pressings (more…)

Boz Scaggs and Silk Degrees and Its Rich, Solid Piano – The Forgotten Sound of ’70s Rock

 

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Silk Degrees

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Silk Degrees.

What do you hear on the best copies? Well, the first thing you hear is a rich, solid piano, a piano that’s missing from the CBS Half-Speed and 90% of the reissues we’ve played. Like so many recordings from the ’70s this album is surprisingly natural sounding. I’ve had the same experience with Billy Joel’s ’70s records. I was surprised to hear how well recorded they are — and how full-bodied the piano is — after I stopped listening to the audiophile and import pressings and went back to the original domestic copies.

When you get the right ones they’re wonderfully rich and smooth, the way good analog should be.

And these were the kinds of records that we audiophiles were complaining about back in the day. We lamented the fact that these pressings weren’t audiophile quality, like the best MoFis and Japanese pressings. Can you imagine?

This is how bad even good equipment must have been back then.

Of course we got what we deserved. We got lots of phony, hyped-up pressings to fool us into thinking we were hearing better sound, when in fact the opposite was true. I regret to say that nothing has changed — most pressings aimed at audiophiles are still mediocre if not outright awful (bad enough to fill up our Hall of Shame in fact.

The other record that immediately comes to mind to show you the sound that’s missing from many pressings, both vintage and modern, is Aja. Here’s what we had to say about it:

If you own the Cisco 180 gram pressing, focus on Victor Feldman’s piano at the beginning of the song. It lacks body, weight and ambience on the new pressing, but any of our better Hot Stamper copies will show you a piano with those qualities in spades all the way through. It’s some of my favorite work by the Steely Dan vibesman. The thin piano on the Cisco release must be recognized for what it is: a major error on the part of the mastering engineers.

A full piano is key to the sound of the best pressing of Silk Degrees. The other thing you hear on the best copies is a smooth, sweet top end, which is likewise missing from the above mentioned pressings.

Most copies lack presence and top end. Dull, thick, opaque sound is far too common on Silk Degrees, which may account for some audiophiles finding the half-speed preferable. Of course, our Hot Stampers give you the presence and highs that let this music come to life. If they didn’t they wouldn’t be Hot Stampers now would they?

Led Zeppelin I – The Best Album These Guys Ever Made

More on the band’s phenomenal debut

Led Zeppelin I

 

  • TRIPLE TRIPLE!
  • A stunning pressing of Zep’s debut with A+++ sound on both sides and fairly quiet vinyl
  • The sound is MASSIVE — big, bold, lively and powerful with the kind of dynamics that bring out the best in this music
  • Demo Quality sound for a ton of Zep classics: Dazed and Confused, Good Times Bad Times, Babe I’m Gonna Leave You and more
  • 5 stars on Allmusic, BR Top 100, and one of the most important debut albums in all of rock and roll history

For the real Led Zep magic, you just can’t do much better than their debut — and here’s a copy that really shows you why. From the opening chords of Good Times Bad Times to the wild ending of How Many More Times, this copy will have you rockin’ like you won’t believe! (more…)