RCA Vintage

Including RCA records recorded during the Living Stereo era and pressed into the 70s.

Eartha Kitt – St. Louis Blues

More Living Stereo Recordings

UPDATE 2026

Years ago we wrote:

Don’t expect to see another copy of this album on the site any time soon. Pressings of this album are extremely rare in any condition, and this one not only sounds great but plays surprisingly well for RCA in 1958.

For us audiophiles both the sound and the music here are enchanting. If you’re looking to demonstrate just how good 1958 All Tube Analog sound can be, this killer copy may be just the record for you!

Unfortunately, it seems as though at least 80% of the Eartha Kitt albums on Living Stereo that we pick up end up being too noisy to sell.

Unless we luck into an exceptionally quiet copy with good sound, for now we give up.

Yes, we’re throwing in the towel. Never again.

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Gershwin – Concerto In F / Cuban Overture / Wild / Fiedler

More of the Music of George Gershwin

  • Both sides of this original Shaded Dog pressing were giving us the big and bold Living Stereo sound we were looking for on these wonderful orchestral pieces, earning solid Double Plus (A++) grades or BETTER
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • If you love the sound of a big bass drum, the Concerto in F is the work for you, and the engineers know how to capture both the bass and the space surrounding it
  • The rich, textured sheen of the strings that Living Stereo made possible in the 50s and early 60s is clearly evident throughout these pieces, something that the Heavy Vinyl crowd will never experience, because that sound just does not exist on modern repressings
  • Everything that is wrong with the low-res Classic reissue – boosted mids, strings lacking in texture and sheen, etc. – is nowhere to be found on these superb sides, overflowing with Living Stereo Tubey Magic from 1962
  • This is yet another Must Own orchestral recording from 1962
  • For a more complete list, the highest quality recordings of piano concertos that we’ve auditioned to date can be found here

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Henry Mancini – Charade

More of the Music of Henry Mancini

  • This copy is super spacious, sweet and positively dripping with ambience — talk about Tubey Magic, the liquidity of the sound here is positively uncanny
  • If you’re looking to demonstrate just how good 1963 All Tube Analog sound can be, this superb copy may be just the record for you
  • 4 1/2 stars: “A great Mancini recording made during the same fruitful, early-60s period that produced two other fine soundtracks of his, Breakfast at Tiffany’s and The Pink Panther.”

This vintage Living Stereo pressing gives you a healthy dose of the Tubey Magic we love here at Better Records. An added bonus: the last track on side 2, “Charade (Carousel),” has absolutely no IGD on the glockenspiel or Calliope. Few copies will not be groove damaged on that track — we speak from experience here.

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Beethoven / Violin Concerto / Heifetz / Munch

More of the Music of Beethoven

  • Our superb vintage pressing of this brilliant Living Stereo recording – from 1956! – boasts solid Double Plus (A++) sound or BETTER throughout
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • The orchestra is wide, tall, spacious, rich and tubey, yet the dynamics and transparency are first rate
  • White Dogs and Shaded Dogs can both sound good on this title – just avoid the Red Seals and later pressings if you are looking for the best possible sound
  • There are about 150 orchestral recordings we think offer the best performances with the highest quality sound. This record is certainly deserving of a place on that list.
  • If you’re a fan of Beethoven’s music, this superb All Tube Recording from 1956 belongs in your collection.
  • This Classic Records pressing, however, was a piece of garbage, and we made our position clear right from the start

The reproduction of the violin here is superb — harmonically rich, natural, clean, clear, resolving. What sets the truly killer pressings apart is the depth, width and three-dimensional quality of the sound, as well as the fact that they become less congested in the louder passages and don’t get shrill or blary.

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Tchaikovsky / Rimsky-Korsakoff – Capriccio Italien / Capriccio Espagnol / Kondrashin

More of the Music of Tchaikovsky

More of the Music of Rimsky-Korsakov

  • Kondrashin and the RCA Victor Symphony Orchestra’s performance of these sublime orchestral works makes its Hot Stamper debut with solid Double Plus (A++) Living Stereo sound or BETTER throughout this vintage pressing of LSC 2323
  • Capriccio Espagnol takes up all of this Nearly Triple Plus (A++ to A+++) side two and is practically as good as we have ever heard it, right up there with our Shootout Winner
  • Our Shootout Winner was a White Dog pressing as well, with these same stamper numbers – lucky us!
  • The Shaded Dog pressings can be excellent, but the one pressing that came in last in our shootout was — drum roll, please — a Shaded Dog with a 1s side one, if you can wrap your head around it
  • Both of these sides are full, rich and clear, with more space and more three-dimensional staging than practically all of the other copies we played
  • And of course it will completely destroy any pressing you may have on Heavy Vinyl, from any label, at any playback speed
  • If you like orchestral spectaculars, this is the record for you!

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Couperin / Mozart / Corelli / Britten – Music For Strings / Janigro

More Classical and Orchestral Recordings in Living Stereo

  • You’ll find KILLER Shootout Winning Triple Plus (A+++) Living Stereo sound or close to it throughout this vintage Shaded Dog pressing of these superb classical compositions
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • This copy was simply bigger, more transparent, less distorted, more three-dimensional and more REAL than practically all of what we played
  • The rich, textured sheen of the strings that Living Stereo made possible in the 50s and early 60s is clearly evident throughout these pieces, something that the Heavy Vinyl crowd will never experience, because that sound simply does not exist on modern records

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Chet Atkins – Caribbean Guitar

More of the Music of Chet Atkins

  • You’ll find stunning Nearly Triple Plus (A++ to A+++) grades on both sides of this famous TAS Super Disc RCA Living Stereo LP – just shy of our Shootout Winner
  • Plays fairly quiet too – about as quiet as these RCA pressings from the early 60s ever will (noted condition issues below notwithstanding)
  • If you have ever heard one of our luscious Living Stereo Chet Atkins records, you know what to expect – off the charts Tubey Magic unlike anything made in the last fifty years, or more!
  • Engineer Bill Porter just doesn’t know how not to make an amazing sounding Living Stereo recording – everything the guy touches is gold
  • If you’re a fan of the smooth guitar stylings of Mr. Atkins, this is a classic from 1962 that belongs in your collection.

This is one of Chet Atkins’ best albums. Sonically, it’s right up there with The Other Chet Atkins and the Hollywood album. It seems like Bill Porter just doesn’t know how not to make an amazing sounding Living Stereo recording. He knocked this out of the park.

I suppose we owe a debt of gratitude to Harry Pearson for pointing out to us with his TAS List what a great record this is, although I’m pretty sure anybody playing this album can tell after a minute or two that it’s in that very special class of great recordings.

This album is a little more lively than some of his other recordings, which can be criticized for being a little too laid back. For example, try side 2, cut 2 where Chet actually jams.

The last track on side 2 where Chet is joined by a trumpet player is my favorite on the album. That guitar-trumpet combination is pretty magical on that song. And you’ve got to love the kind of sound Bill Porter get from a trumpet. That’s the kind of sound we audiophiles drool over. I do anyway.

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Beethoven / “Kreutzer” Sonata & Bach / Concerto For Two Violins / Heifetz

Hot Stamper Pressings with Jascha Heifetz Performing

  • An original Shaded Dog pressing of these classical violin performances with two stunning Nearly Triple Plus (A++ to A+++) Living Stereo sides – just shy of our Shootout Winner
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • This copy had the balance of clarity and sweetness we were looking for in the tone of the violin, and the orchestra sounds amazing – so rich and full-bodied
  • These sides are doing practically everything right – they’re rich, clear, undistorted, open, spacious, and have depth and transparency to rival the best recordings you may have heard
  • Although the Shaded Dog originals, now that we know which stampers are the best, will always win our shootouts, the White Dog reissues still sound quite good to us, just not as good
  • There are about 150 orchestral recordings we think offer the best performance coupled with the highest quality sound. This record has earned a place on that list, beating out Heifetz’s other performance for RCA, LSC 2377

If you want a recording that is going to put your system to the test,this is that record!

The violin is real. The piano is also very well recorded, and the balance between those two instruments on this recording is perfection.

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Debussy / Images For Orchestra / Munch

More of the Music of Debussy

  • You’ll find solid Double Plus (A++) Living Stereo sound throughout this original Shaded Dog pressing
  • A spectacular Demo Disc quality orchestral recording – big, clear, rich, dynamic, transparent and energetic
  • The rich, textured sheen on the strings that the Living Stereo recording process perfected starting in the 50s is clearly evident throughout these pieces, something that the Heavy Vinyl crowd will never experience – that sound just does not exist on modern records

Demo Disc quality sound! Iberia on side two sounds exceptionally good. It’s also a better performance than the famous Reiner. Munch understands this music perfectly.

This recording has an extremely open, extended top end. If you can add a few dB around 50 cycles, you will have the best of both worlds.

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Harry Belafonte – Belafonte Returns to Carnegie Hall

More Pop and Jazz Vocal Recordings

  • Belafonte Returns to Carnegie Hall, here with superb Double Plus (A++) Living Stereo sound or BETTER on all FOUR sides
  • So hugely spacious and three-dimensional, yet with a tonally correct and natural sounding Harry, this is the way to hear it
  • Compared to most other copies we played — on all four sides, mind you — these sides are richer, fuller, and livelier. They’re also more open and transparent, with notably improved clarity, less smear, and better bass
  • 4 1/2 stars: “Highlights include Odetta’s powerhouse medley of the work songs ‘I’ve Been Driving on Bald Mountain’ and ‘Water Boy,’ the Folk Singers’ exciting ‘Ox Drivers Song,’ Makeba and Belafonte’s charming duet on ‘One More Dance,’ and the Mitchell Trio’s exuberant Israeli song ‘Vaichazkem.'”

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