Labels With Shortcomings – Classic Records – Rock and Pop

Bernie Grundman’s Work for Classic Records in Four Words: Hard, Sour, Colored and Crude

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Oh, and airless. Make that five words.

It’s been quite a while since I played the Classic pressing, but I remember it as unpleasantly hard and sour. Many of the later Mercury reissues pressed by Columbia had some of that sound, so I was already familiar with it when their pressing came out in 1998 as part of the just-plain-awful Mercury series they released.

I suspect I would hear it that way today. Bernie Grundman could cut the bass, the dynamics, and the energy onto the record.

Everything else was worse 99% of the time.

The fast transients of the plucked strings of the Balalaikas was just way beyond the ability of his colored and crude cutting system. Harmonic extension and midrange delicacy were qualities that practically no Classic Records Heavy Vinyl pressing could claim to have.

Or, to be precise, they claimed to have them, and whether audiophiles really believed they did or not, they sure fooled a lot of them and the reviewers that write the nonsense that passes for audio journalism.

The better your stereo gets the worse those records sound, and they continue to fall further and further behind with each passing year.

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Led Zeppelin / Led Zeppelin III – Bright and Harsh on Classic Records Heavy Vinyl

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Sonic Grade: F

Ridiculously bright and harsh, nothing like the good pressings we sell.

We are proud to say this was one of the Classic Zep releases that we never carried on the site (along with II and Houses, both of which stink).

You will find very few critics of the Classic Zep LPs outside of those who write for this very website, and even we used to recommend three of the Zep titles on Classic: Led Zeppelin I, IV and Presence.

Wrong on all counts. Live and Learn, right?

Since then we’ve made it a point to create debunking commentaries for some of the Classic Zeps, a public service of Better Records. We don’t actually like any of them now, although the first album is by far the best of the bunch.


FURTHER READING

Labels With Shortcomings – Classic Records – Classical 

Labels With Shortcomings – Classic Records – Jazz 

Labels With Shortcomings – Classic Records – Rock and Pop 

AND

Heavy Vinyl Commentaries 

Heavy Vinyl Disasters 

Heavy Vinyl Mediocrities

Heavy Vinyl Winners 

Bruce Springsteen / Born To Run – Bernie Grundman’s Standard Operating Procedure Strikes Again

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If you own the Classic Records reissue from the early 2000s, hearing a Hot Stamper pressing is bound to be a revelation.

Their pressing was as dead as a doornail – more thick, opaque and compressed than most originals, which of course have problems in all three areas to start with. Bernie did the album no favors, that I can tell you.

Head to head in a shootout, our Hot Stampers will be dramatically more solid, punchy, transparent, open, clear and just plain REAL sounding, because these are all the areas in which heavy vinyl pressings tend to fall short.


FURTHER READING

Classic Records – Rock and Pop 

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Sarah Vaughan / The Lonely Hours on Classic Records

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Classic Records remastered this album back in the day, and I can see why: the average pressing on Roulette is borderline unlistenable. Of course we didn’t know that when we started this shootout. We had found a nice sounding copy and subsequently went on the hunt for more. Little did we know how wide the variation in sound quality we would find on the original Orange Label pressings. There was simply no denying that many of the copies we played were just too thin, shrill and pinched in the midrange to be of any interest to our audiophile customers.

As mediocre as Bernie’s Classic cutting may be, it’s still better than the average Roulette original one might throw on the turntable.

And you can forget the monos completely; they were by far the worst sounding of them all.

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Burt Bacharach – Casino Royale Is a Mess on Classic Records Vinyl

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Sonic Grade: D

Casino Royale under the sway of Bernie’s penchant for bright, gritty, ambience-challenged sound? Not such a good match. There is no reissue, and there will never be a reissue, that will sound as good as a good 3s original. (And I hope it would go without saying that most copies cannot begin to do what a real Hot Stamper original can.)

As is often the case, the Classic Heavy Vinyl Reissue is simply a disgrace.


FURTHER READING

Labels With Shortcomings – Classic Records – Classical (more…)

The Who – Who By Numbers

More of The Who

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  • An outstanding pressing with solid Double Plus (A++) sound from the first note to the last
  • Glyn Johns’ MAGIC is on display here, with open mics in a big studio space creating the 3-D Soundscapes we love
  • Features two of their most iconic songs, Slip Kid and Squeezebox, and both sound great on this copy
  • 4 Stars – Rolling Stone raves: “They may have made their greatest album in the face of [their personal problems]. But only time will tell.”

In our opinion this is the best — and best sounding — Who album released post-Quadrophenia. (more…)

VTA Adjustment on Crosby Stills and Nash – Using the Classic Records Heavy Vinyl LP

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More VTA Adjustment

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This commentary from way back when (2005!) describes how to go about adjusting your VTA for 200 gram vinyl, using the CSN track Helplessly Hoping from the first album.

Helplessly Hoping is a wonderful song with plenty of energy in the midrange and upper midrange area which is difficult to get right. Just today (4/25/05) I was playing around with VTA, having recently installed a new Dynavector DV-20x on my playgrading table (a real sweetheart, by the way), and this song showed me EXACTLY how to get the VTA right.

VTA is all about balance. The reason this song is so good for adjusting VTA is that the guitar at the opening is a little smooth and the harmony vocals that come in after the intro can be a little bright. Finding the balance between these two elements is key to getting the VTA adjusted properly. (more…)

Axis: Bold As Love – More Heavy Vinyl Trash from Classic Records

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Sonic Grade: F

One of the worst things the dummies at Classic ever did. Flat and dry with no Tubey Magic whatsoever. It positively screams “CHEAP REISSUE.” That description reminds me of this record, although to be fair the sound is quite a bit worse on the Hendrix.

MORE CLASSIC RECORDS REVIEWS

Classic Records – Classical (26)

Classic Records – Jazz (11)

Classic Records – Rock and Pop (45)

and here is the most important section of them all, one that might help you avoid wasting lots of money on audiophile records that don’t sound good:

Bad Sounding Audiophile Records – The Complete List (272)

Led Zeppelin – A Classic Records LP that Can Beat Most Pressings (!)

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More Classic Records Led Zeppelin Pressings Reviewed

Sonic Grade: B

Considering how bad (or at best mediocre) the average copy of the first Zep album sounds, let’s give credit where credit is due and say that Bernie’s remastered version on Heavy Vinyl is darn good (assuming you get a good one, something of course that neither I nor you should assume).

It’s without a doubt the best of all the Classic Zeppelin titles, most of which we found none too pleasing to the ear.

Our Thinking Circa 2010

We like the Classic, albeit with reservations. It’s without a doubt the best of all the Classic Heavy Vinyl reissues of the Zeppelin catalog, most of which are not very good and some of which are just awful.

Why is this one good? It’s tonally correct for one thing, and the importance of that cannot be stressed too strongly.

Two, it actually ROCKS, something a majority of pressings we’ve played over the years don’t.

Three, it’s shockingly dynamic. It may actually be more dynamic than any other pressing we have ever played.

If you aren’t willing to devote the time and resources necessary to acquire a dozen or more domestic and import copies, and you don’t want to spend the dough for one of our Hot Stamper copies, the Classic is probably your best bet.

We would agree now with almost none of what we had to say about this Classic title when it came out back in the day. We’ve reproduced it below so that you can read it here for yourself.

It’s yet another example of a record we was wrong about. Live and Learn, right? (more…)

Led Zeppelin II on Classic Records Heavy Vinyl – Seriously, What Could Be Sadder?

ledzeII classic

An absolute DISASTER — ridiculously bright, ridiculously crude, in short, a completely unlistenable piece of garbage.

Over the years we have done many Led Zeppelin shootouts, often including the Classic Heavy Vinyl Pressings as a “reference.” After all, the Classic pressings are considered by many — if not most — audiophiles as superior to other pressings. What could be sadder?

In fact. you will find very few critics of the Classic Zep LPs outside of those who write for this very website, and even we used to recommend three of the Zep titles on Classic: Led Zeppelin I, IV and Presence.

Wrong on all counts.

Since then we’ve made it a point to create debunking commentaries for some of the Classic Zeps, a public service of Better Records. We don’t actually like any of them now, although the first album is still by far the best of the bunch.