- An amazing Triple Triple (A+++) copy of this great album – one of the best to ever hit the site!
- Both of these Shootout Winning sides are big, lively and jumpin’ out of the speakers — just right for this down and dirty music
- A Grammy Winner, an Allmusic Five Star album – simply a superb recording and one of our favorites for ’70s blues
- 5 stars: “Christgau attributed the record’s intense quality to ‘the natural enthusiasm of an inspired collaboration,’ and remarked on its standing in Chicago blues, ‘except maybe for B.B. King’s Live at the Regal and Otis Spann’s Walking the Blues… I can’t recall a better blues album than this.'”
- This pressing of Muddy, Brass & The Blues offers outstanding Double Plus (A++) sound or close to it on both sides – exceptionally quiet vinyl too
- Copies that are this open, clear, and resolving are the ones that present the music as it was meant to be heard, which means they do very well in our shootouts
- Waters blends the blues with R&B elements on this superb album, one that’s nearly impossible to find with sound this good and surfaces this quiet
- “Stripped of his guitar once again (the cover photo notwithstanding), Waters proved what a great R&B singer he was — there are moments on this album where he almost crosses over into Otis Redding territory.”
- A KILLER copy with insanely good Triple Plus (A+++) sound or close to it from the first note to the last
- If you’re looking for a Hot Stamper Blues album to add a little variety to your collection, you can’t do much better this copy of I’m Ready
- ‘Waters and band provide these well-worn gems with a little new studio polish, but it is with the newer songs that the performers really shine… For new listeners trying to get a feel of what the blues is all about, I’m Ready and its bookends are the albums to start with. Once you experience a taste of Muddy Waters, you’ll be ready for more.”
*NOTE: On side one there is a mark that plays lightly ten times at the start of the first track.
Waters made three albums with Johnny Winters in the ’70’s, including this one. Muddy was still in great form, and the sound can be fantastic on the right copy. It’s not easy to find blues recordings that sound natural and honest while still giving you the energy, presence and clarity needed to bring the music to life, but this bad boy has exactly the sound we were looking for. (more…)
- Waters’ superb 1960 tribute to Big Bill Broonzy makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
- We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- We found this title to be exceptionally well recorded, which means this copy has true DEMO DISC QUALITY sound
- 4 1/2 stars: “Waters’s tribute album to the man who gave him his start on the Chicago circuit, this stuff doesn’t sound much like Broonzy so much as a virtual recasting of his songs into Muddy’s electric Chicago style.”
- An outstanding copy of this compilation album with solid Double Plus (A++) sound from the first note to the last – mostly quiet vinyl too
- Like its Audiophile Favorite brother, Folk Singer, also on Chess, The Real Folk Blues is another exceptional live-in-the-studio recording, with some of the best sound Chess ever managed
- 4 1/2 stars: “Once Chess discovered a white folk-blues audience ripe and ready to hear the real thing, they released a series of albums under the Real Folk Blues banner. This is one of the best entries in the series…”
*NOTE: On side one, a mark makes 5 very light ticks at the end of track 2, Screaming And Crying.
This 1965 recording pressed on ’80s vinyl has the kind of Tubey Magical Midrange that modern pressings barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)
- The Band’s second live album returns with outstanding Double Plus (A++) Hot Stamper sound or close to it on all SIX sides – fairly quiet vinyl too
- Rich, dynamic and natural sounding with low end weight, midrange smoothness and powerful, punchy bass
- Features an A-list of brilliant artists, including Van Morrison, Ringo Star, Joni Mitchell, and Muddy Waters, just to name a few
- 4 stars: “It’s the Band’s “special guests” who really make this set stand out — Muddy Waters’ ferocious version of “Mannish Boy” would have been a wonder from a man half his age, Van Morrison sounds positively joyous on “Caravan,” Neil Young and Joni Mitchell do well for their Canadian brethren, and Bob Dylan’s closing set finds him in admirably loose and rollicking form.”
One of our good customers has started writing a blog which he calls
A GUIDE FOR THE BUDDING ANALOG AUDIOPHILE
Below is a link to a comparison Robert Brook carried out between two pressings of Folk Singer.
I will post a few comments down the road.
I have never heard the AP pressing, and have no plans at this time to play one, mostly because not a single one that I have heard on my system was any better than awful.
You can read some of my reviews here:
- This outstanding copy of The Best of Muddy Waters boasts solid Double Plus (A++) sound from top to bottom
- Huge, Tubey Magical and lively, with solid weight down low and lots of space around all the instruments
- Comprised of twelve killer tracks, all originally released as singles, including Rollin’ Stone, Long Distance Call, Hoochie Coochie, and many more
- 5 Stars: “The material this artist cut for Chess during this period is nothing short of a blues revelation. There has never been anything quite like it, before or after, and when one has heard Muddy Waters from this period, one has simply heard the best blues has to offer.”
Don’t be put off by the Best Of designation in the title. ALL these songs were recorded as individual tracks to be released on individual discs. Muddy Waters would go into the studio and cut a few “sides,” the best of which would be approved for distribution. There was no concept in those days of an “album.” Albums were basically just collections of songs, and that means lots of filler. What’s great about this pressing is that it gives you all the classics with none of the filler. (more…)
- Shootout Winning Triple Plus (A+++) sound throughout making this the best copy to ever hit the site!
- Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of these wonderful sessions, this is the way to go
- The London Muddy Waters Sessions won the 1972 Grammy Award for Best Ethnic or Traditional Folk Recording!
- A great lineup: Blues fans Rory Gallagher, Steve Winwood and Mitch Mitchell are all featured here, along with many other Bluesmen
If you’ve got the system to play a record like this (the bigger the better), you can have Muddy Waters perform live in your listening room — eyes closed of course, you won’t be able to see him, but you sure will be able to hear him, and in shockingly realistic sound.
It’s shocking how well recorded Muddy’s later albums are. Who knew?
His earlier records on Chess may be better; can’t say, haven’t found too many that were in playable condition. But they sure won’t sound like this, or be pressed on quiet Blue Sky vinyl like this.
Muddy Waters won the grammy three years in a row, for Hard Again (1977), I’m Ready (1978) and this album. At least one, and maybe even all three belong in any serious record collection (along with Dixon’s I Am the Blues).
This is Muddy Waters at his best. He’s going down to Florida, where the sun shines damn near every day, so catch him before he gets on his train. There won’t be many copies on the site like this one. (more…)