- With outstanding Double Plus (A++) grades on both sides, this Living Stereo pressing with be very hard to beat
- Originally produced as a sampler record for the Living Stereo line, it is an absolute MUST OWN for serious audiophiles looking to take their system to the next level
- Our reference copy here at Better Records is so vital to our operation that it would not be for sale at any (well, almost any) price!
- 4 stars: “The gleefully cacophonous Guckenheimer Sour Kraut Band takes the prize for providing the most unusual musical selection, but the overall program is extremely diverse [and] the comedy and music are enjoyable.”
Bob and Ray Throw A Stereo Spectacular just happens to be our favorite Test Disc, eclipsing all others in the areas of naturalness and difficulty of reproduction. Any tweak or new room treatment — we seem to do them almost weekly these days — has to pass one test and one test only: The Bob and Ray Test.
This record has the power to help you get to the next level in audio like no other. Six words hold the key to better sound: “The Song of the Volga Boatman.”
For the purpose of mounting new carts, our favorite track is “The Song of the Volga Boatman” on Bob and Ray Throw A Stereo Spectacular (LSP 1773). It’s by far the most difficult track we know of to get to sound right.
There are about twenty places in the music that we use as tests, and the right setting is the one that gets the most of them to sound their best. With every change, some of the twenty will sound better and some will sound worse. Recognizing when the sound is the biggest, clearest, and most balanced from top to bottom is a skill that has taken me twenty years to acquire.
It’s a lot harder than it looks. The longer you have been in audio the more complicated it seems, which may be counterintuitive but comports well with our day-to-day experience very well.
All our room treatments and tweaks must pass The Bob and Ray Test, as well. It’s the one record we have relied on more than any other over the course of the last several years.
Presenting as it does a huge studio full of brass players, no record we know of is more dynamic or more natural sounding — when the system is working right. When it’s not working right, the first thirty seconds is all it takes to show you the trouble you are in.
If you don’t have a record like that in your collection, you need to find one. It will be invaluable to you in the long run.
The copy we have is so good, and is so important to our operation here, that it would not be for sale at any (well, almost any) price.