Top Artists – Lena Horne

Lena Horne & Gabor Szabo – Lena & Gabor

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  • With outstanding Double Plus (A++) grades on both sides this copy sounds right from top to bottom
  • Some of the most UNPROCESSED and REAL sounding jazzy pop we have ever played
  • A True Sleeper from 1968 – love the choice of material, love the players, love Lena, love the album!
  • “The contrast of Horne’s full-throated voice and Szabo’s unconventional, modal guitar playing is mesmerizing…”

As music lovers and audiophiles this was a truly marvelous discovery for us years ago. True, we had known about the album for a long time, but as a practical matter it had been all but impossible to find enough clean copies to do a shootout — until now of course. We had a big pile to work with, a pile that took about five years to acquire, and one that includes both Buddah and Skye pressings.

Dave Sanders, a name I was not familiar with, brilliantly engineered the album as well as other favorites of ours, including Szabo’s 1969, Gilberto’s Windy and McFarland’s Does The Sun Really Shine On The Moon? It’s hard to find a recording he did that isn’t full of Tubey Magic, huge studio space and right-on-the-money instrumental timbres.

What to Listen For (WTLF)

This is the most realistic drum kit I have heard on a non-jazz album in my life. The drum sound on the first track is exactly the sound we all know from hanging around small clubs and our friends’ garage bands. There is simply no audible processing on any part of the kit. The drums are centered behind the vocals and lead instruments, with what sounds like to me the barest of miking, surrounded by just the right amount of unbaffled studio space. (more…)

Lena Horne & Harry Belafonte – Porgy and Bess

More Harry Belafonte / More Lena Horne

More Porgy and Bess

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  • Excellent Double Plus (A++) sound for both sides of this wonderful Living Stereo album – as you would expect, the Tubey Magic is off the charts
  • Both sides are big, lively and present with lovely breathy vocals from the two principals (who sing solo on all but two of the tracks)
  • A brilliant Living Stereo recording from 1959, which plays as quietly as we can find them – Mint Minus to Mint Minus Minus
  • “The first of Belafonte’s duet albums with female performers, this one paired two attractive black American singers at the peak of their respective talents.”

A Living Stereo knockout! We often forget to spend time with records like this when there are Zeppelin and Floyd records to play. We’ve always enjoyed Belafonte At Carnegie Hall, but when we’ve dug further into his catalog we’ve been left cold more often than not. However, when we finally got around to dropping the needle on a few of these we were very impressed by the music and BLOWN AWAY by the sound on the better pressings.

It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology. If you’re a Harry Belafonte fan, a Lena Horne fan, a Gershwin fan, or just somebody who enjoys classic material performed with gusto and soul, this is a record that belongs in your collection.

1959 Tubes?

You just can’t beat ’em. (more…)

Lena Horne & Gabor Szabo – Lena & Gabor

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Vocal Classics

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Lena Horne & Gabor Szabo – Lena & Gabor

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

This is the most realistic drum kit I have heard on a non-jazz album in my life. The drum sound on the first track is exactly the sound we all know from hanging around small clubs and our friends’ garage bands. There is simply no audible processing on any part of the kit. The drums are centered behind the vocals and lead instruments, with what sounds like to me the barest of miking, surrounded by just the right amount of unbaffled studio space.

See all of our Gabor Szabo albums in stock

When the drums come in on the first track on side one you will hear immediately what I mean. The third track on side two has especially good drums as well. The vocals on that third track, Message to Michael, are some of the most natural on the album as well. Lena can strain a bit on some songs in the loudest passages, but on others she can belt it out and stay clean all the way to the top. Listen track by track to hear how well she holds up when the bigger choruses come in.

As music lovers and audiophiles this was a truly marvelous discovery for us years ago. True, we’ve known about the album for a long time, but as a practical matter it’s been impossible to find enough clean copies to do a shootout — until now of course.

Dave Sanders, a name I — and no doubt most audiophiles — was not familiar with, brilliantly engineered the album as well as other favorites of ours, including Szabo’s 1969, Gilberto’s Windy and McFarland’s Does The Sun Really Shine On The Moon? It’s hard to find a recording he did that isn’t full of Tubey Magic, huge studio space and right-on-the-money instrumental timbres. (more…)