Labels We Love – Deutsche Grammophon

Carl Orff / Carmina Burana / Jochum – Amazing on DG Vinyl

More of the Music of Carl Orff (1895-1982)

More Orchestral Spectaculars

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  • A superb copy of this strikingly original work with outstanding Double Plus (A+++) sound from start to finish – the orchestral power of display here is really something to hear if you have the system for it
  • This spectacular recording is big, clear, rich, dynamic, transparent and energetic – here is the analog sound we love
  • We’ve auditioned quite a number of recordings of the work, and as far as we are concerned, on the right pressing this is the best sounding version that exists on vinyl
  • “With the direction of Eugen Jochum and the bonus of the incomparable rich, powerful voice of baritone Dietrich Fischer-Dieskau, this 1968 performance is a classic, and very probably the best, recording of the opera.”

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Chopin / 24 Etudes / Vasary – A Demo Disc for Solo Piano on DG

More of the music of Frederic Chopin (1810-1849)

More Classical ‘Sleeper” Recordings with Demo Disc Sound

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  • This stunning album of some of Chopin’s greatest piano pieces has superb sound, boasting a Shootout Winning Triple Plus (A+++) side two mated to an outstanding Double Plus (A++) side one
  • This magnificent sounding (and surprisingly hard to find) pressing is yet another example of a classical “sleeper,” one that can hold its own with practically any solo piano recording you have ever heard
  • As expected, Vasary performs with consummate skill, bringing out nuances in the work that may have escaped others – the results are captivating
  • “… an extraordinarily impassioned work, belying its technical utility.”

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Mozart / Piano Concerto No. 17 and No. 21 – Anda

More of the Music of Wofgang Amadeus Mozart (1756-1791)

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  • This STUNNING classical masterpiece finally returns to the site with Nearly Triple Plus (A++ to A+++) sound on the first side and nearly Super Hot Stamper sound on the second
  • Spacious, three-dimensional and real beyond practically any DG recording you’ve heard – you hear into the soundstage on this record like you will not believe
  • If you want to do your own sonic comparison of two of the very best concertos from this era, this is the perfect copy to do it with
  • “Mozart’s piano concertos are filled with assured transition passages, modulations, dissonances, Neapolitan relationships and suspensions. Today, at least three of these works (nos 20, 21 and 23) are among the most recorded and popular classical works in the repertoire…”

The string tone here is especially rich and sweet, yet full of texture and that lovely rosiny quality that vintage pressings capture so well. (Sometimes capture so well. We’ve played plenty of copies with a smeary quality that robs the strings of their lovely sheen.)

The piano is beautifully recorded as well. Geza Anda’s performance is hard to fault here. You will have a very hard time finding better recordings of these Mozart piano concertos, of that we have no doubt. (more…)

Mussorgsky et al. / Danse Infernale / Fiedler – Our Favorite Night On Bald Mountain

More of the Music of Modest Mussorgsky (1839-1881)

Reviews and Commentaries for Mussorgsky’s Music

More Classical ‘Sleeper” Recordings We’ve Discovered with Demo Disc Sound

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  • Shootout Winning Triple Plus (A+++) grades on both sides make this the consistently best sounding batch of Orchestral Showpieces we have ever played
  • After a two year hiatus, our favorite performance of Night on Bald Mountain is back, and it’s guaranteed to blow your mind (and maybe a woofer or two)
  • Side one also boasts an excellent Danse Macabre, with a powerful finish that may remind you of the thrill of live orchestral music
  • Side two contains a wonderfully exciting Sorcerer’s Apprentice
  • Both sides are clear and transparent, with huge hall space extending wall to wall and floor to ceiling
  • Watch your levels – this pressing is dramatically more DYNAMIC than most Golden Age recordings

If you like Orchestral Spectaculars, have we got the record for you!

This pressing clearly has DEMONSTRATION QUALITY SOUND — not in every way, but in some important ways. The ENERGY of both the sound and the performances of these barnburning showpieces is truly awesome. Fiedler brings this music to LIFE like no other conductor we have heard.

This pressing boasts relatively rich, sweet strings, especially for a Deutsche Grammophon LP. Both sides really get quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy (and the reason it is so hard to find a copy that plays better than Mint Minus Minus. We do have a quieter copy with lower grades if you are interested though.) (more…)

Tchaikovsky – Piano Concerto No. 1 / Richter – Our Favorite Performance and Sound By Far

More of the music of Peter Ilyich Tchaikovsky (1840 – 1893)

More Classical Music

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  • This superb classical masterpiece makes its Hot Stamper debut with outstanding Double Plus (A++) sound from start to finish – fairly quiet vinyl too
  • With huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard
  • When the brass is the way it is here – rich and clear, not thin and shrill – you have yourself a top quality DG pressing
  • Very little smear to the strings, horns or piano

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Respighi / Pines of Rome with Maazel on DG – Not the Pressing You Want

Hot Stamper Classical and Orchestral Pressings Available Now

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Every Label Made Bad Sounding Records
Deutsche Grammophon Made This One

I’ve been playing a lot of different pressings of this music lately, trying to find the recordings that are most likely to win a shootout.

My notes for this one read: Very multi-miked. No depth, but the stage is wide. Not warm but dynamic.

There are a lot of DG recordings that have this kind of sound. We’ve played them by the score. Most went directly into the trade bin.

We simply do not sell classical records with this kind of second-rate sound regardless of the how good the performances may be.

Our job is to find you good sounding pressings. That’s the reason we carry no Heavy Vinyl of any kind, exactly one Half-Speed mastered title (John Klemmer’s Touch), rarely any Japanese pressings, and almost nothing made in the 21st century.

If these kinds of records sounded good — in other words, if they did well in shootouts — we would be happy to offer them to our customers. But they don’t.

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Tchaikovsky / Piano Concerto #1 / Richter/ Karajan

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  • Incredible Shootout Winning Triple Plus (A+++) sound or close to it on both sides and reasonably quiet DG vinyl make this one powerful Demo Disc set
  • Without a doubt some of THE BEST SOUND we have ever heard for this recording!
  • The huge space of a real concert hall seemingly transported right into your listening room
  • Richter is magnificent – our favorite performance of the Tchaikovsky First bar none

This reasonably quiet White Hot Stamper DG pressing has without a doubt some of THE BEST SOUND we have ever heard for this recording! Dynamically, Powerfully Hot, with the huge space of a real concert hall seemingly transported right into your listening room. With this copy, all you need do is close your eyes and your speakers will disappear, replaced by Karajan and the VSO at the height of their glorious powers.

On both sides the piano is weighty, solid and powerful. Once the needle has dropped you will quickly forget about the sound and simply find yourself in the presence of some of the greatest musicians of their generation.

Audio Myths Exploded

Yes, both the originals and the reissues can be good on this record. Don’t buy into that audiophile canard that “original equals better.”

Two Stunning Sides

Really, really BIG and really, really CLEAR like no other copy we played. It’s nothing less than phenomenal! Lively, present and real, with sweet strings and a big bottom end.

The piano is clearly present and solid. The heavy compression of most copies is much less of a problem here; the levels stay correct right through to the big finish (which is really really big).

If you have the transparency in your system to be able to hear it (we didn’t even three years ago), listen for how clearly both the left and right hand can be heard at the piano. It’s shocking how big and clear these sides are, yet still as rich and as solid as any we played. That’s what we call White Hot Stamper sound.

What to Listen For (WTLF)

The pizzicato playing of the strings early in the piece are a great test. Transients, transparency and spaciousness will vary dramatically in these three areas on every pressing you play. This one excelled in every one of these areas. A true Demo Disc.

THE Tchaicovsky First Piano Concerto Recording

Since this is our favorite performance of the Tchaikovsky First Piano Concerto of all time. Even the copies with minor shortcomings in the sound are so good that we quickly find ourselves ignoring them and being lost instead in the performance. (more…)

Sergei Prokofiev – Scythian Suite and Lt. Kije / Abbado

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  • You’ll find Shootout Winning Triple Plus (A+++) sound on both sides of this superb pressing – mostly quiet vinyl too
  • This wonderful LP boasts our favorite performances for both of these popular 20th century works
  • Big, clear, present and transparent, with a HUGE bottom end, this is some Demo Disc sound all right
  • When the brass is the way it is here – rich and clear, not thin and shrill – you have yourself a top quality DG pressing

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Handel / Water Music Suite (Complete) / Kubelik / Berlin Phil

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  • A+++ on side one – dynamic, huge, rich and open. This is a DG? Yes! 
  • All three suites, and one of the best performances we know of
  • Side two is exceptionally transparent – you hear into it beautifully
  • One of the best DG recordings we have ever played, a true Demo Disc

The performance here by the Berlin Philharmonic under the direction of Rafael Kubelik is currently a favorite, owing in large part to the fact that it has the kind of sound I find the most natural and enjoyable. With White Hot and Super Hot stampers respectively, this copy is right up there with the best recordings of the Water Music we’ve heard.

This is of course a well-known, well-respected performance by one of the greatest orchestras in the world, the home to Von Karajan at the time. We went through an elimination round for the work a while back, winnowing a large number of recordings down to those that had the best sound, regardless of performance, and we are happy to say that this one acquitted itself beautifully on all counts.

We audiophiles want the music we play to sound its best, a requirement which more often than not involves compromises of one kind or another. We managed to find three (!) recordings that had both superb sound and top quality performances. On the best pressings all were of Demo Disc quality, and most were pressed on very quiet vinyl. (more…)

Another Audio Myth Exploded – Large Tulips, Small Tulips – What Do Tulips Have to Do with Anything?

Here are more records with the potential to sound better
on very specific reissue pressings in comparison to the best originals

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The Large Tulip early pressings are the best on this record, right?

Nope. It’s just another Record Myth, as explained in the commentary for our recent Hot Stamper 2-pack. That pair of pressings was all the proof we required to back up our contention that either label can be the best on this classic DG recording. Original is better? Again, not so much. Original can be better fits more with our experience.

To pull off this kind of Mind Boggling sound from start to finish we combined an amazing side one on the Large Tulips label with an amazing side two on the Small Tulips label. And what a finish — side two earned a grade of A+++, being a full step above even our hottest other side two, and we played a lot of copies, more than a dozen in fact. (more…)