Labels We Love – Deutsche Grammophon

Tchaikovsky / Piano Concerto #1 / Richter/ Karajan

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  • Incredible Shootout Winning Triple Plus (A+++) sound or close to it on both sides and reasonably quiet DG vinyl make this one powerful Demo Disc set
  • Without a doubt some of THE BEST SOUND we have ever heard for this recording!
  • The huge space of a real concert hall seemingly transported right into your listening room
  • Richter is magnificent – our favorite performance of the Tchaikovsky First bar none

This reasonably quiet White Hot Stamper DG pressing has without a doubt some of THE BEST SOUND we have ever heard for this recording! Dynamically, Powerfully Hot, with the huge space of a real concert hall seemingly transported right into your listening room. With this copy, all you need do is close your eyes and your speakers will disappear, replaced by Karajan and the VSO at the height of their glorious powers.

On both sides the piano is weighty, solid and powerful. Once the needle has dropped you will quickly forget about the sound and simply find yourself in the presence of some of the greatest musicians of their generation.

Audio Myths Exploded

Yes, both the originals and the reissues can be good on this record. Don’t buy into that audiophile canard that “original equals better.”

Two Stunning Sides

Really, really BIG and really, really CLEAR like no other copy we played. It’s nothing less than phenomenal! Lively, present and real, with sweet strings and a big bottom end.

The piano is clearly present and solid. The heavy compression of most copies is much less of a problem here; the levels stay correct right through to the big finish (which is really really big).

If you have the transparency in your system to be able to hear it (we didn’t even three years ago), listen for how clearly both the left and right hand can be heard at the piano. It’s shocking how big and clear these sides are, yet still as rich and as solid as any we played. That’s what we call White Hot Stamper sound.

What to Listen For (WTLF)

The pizzicato playing of the strings early in the piece are a great test. Transients, transparency and spaciousness will vary dramatically in these three areas on every pressing you play. This one excelled in every one of these areas. A true Demo Disc.

THE Tchaicovsky First Piano Concerto Recording

Since this is our favorite performance of the Tchaikovsky First Piano Concerto of all time. Even the copies with minor shortcomings in the sound are so good that we quickly find ourselves ignoring them and being lost instead in the performance. (more…)

Sergei Prokofiev – Scythian Suite and Lt. Kije / Abbado

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  • You’ll find Shootout Winning Triple Plus (A+++) sound on both sides of this superb pressing – mostly quiet vinyl too
  • This wonderful LP boasts our favorite performances for both of these popular 20th century works
  • Big, clear, present and transparent, with a HUGE bottom end, this is some Demo Disc sound all right
  • When the brass is the way it is here – rich and clear, not thin and shrill – you have yourself a top quality DG pressing

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Handel / Water Music Suite (Complete) / Kubelik / Berlin Phil

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  • A+++ on side one – dynamic, huge, rich and open. This is a DG? Yes! 
  • All three suites, and one of the best performances we know of
  • Side two is exceptionally transparent – you hear into it beautifully
  • One of the best DG recordings we have ever played, a true Demo Disc

The performance here by the Berlin Philharmonic under the direction of Rafael Kubelik is currently a favorite, owing in large part to the fact that it has the kind of sound I find the most natural and enjoyable. With White Hot and Super Hot stampers respectively, this copy is right up there with the best recordings of the Water Music we’ve heard.

This is of course a well-known, well-respected performance by one of the greatest orchestras in the world, the home to Von Karajan at the time. We went through an elimination round for the work a while back, winnowing a large number of recordings down to those that had the best sound, regardless of performance, and we are happy to say that this one acquitted itself beautifully on all counts.

We audiophiles want the music we play to sound its best, a requirement which more often than not involves compromises of one kind or another. We managed to find three (!) recordings that had both superb sound and top quality performances. On the best pressings all were of Demo Disc quality, and most were pressed on very quiet vinyl. (more…)

Another Audio Myth Exploded – Large Tulips, Small Tulips – What Do Tulips Have to Do with Anything?

Here are more records with the potential to sound better
on certain reissue pressings compared to the originals

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The Large Tulip early pressings are the best on this record, right?

Nope. It’s just another Record Myth, as explained in the commentary for our recent Hot Stamper 2-pack. That pair of pressings was all the proof we required to back up our contention that either label can be the best on this classic DG recording. Original is better? Again, not so much. Original can be better fits more with our experience.

To pull off this kind of Mind Boggling sound from start to finish we combined an amazing side one on the Large Tulips label with an amazing side two on the Small Tulips label. And what a finish — side two earned a grade of A+++, being a full step above even our hottest other side two, and we played a lot of copies, more than a dozen in fact. (more…)

Rodrigo – Boieldieu / Harp Concertos / Zabaleta – Reviewed in 2011

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This White Hot Stamper pressing of DG’s recording of Rodrigo’s famous concerto for harp has amazing DEMO DISC SOUND, but only on side two. The harp is clear, with no smear whatsoever, but what’s really shocking is how huge the soundstage is, and how much depth it has. While playing this side the speakers just disappeared and a huge concert hall appeared in their place! The harmonics of the harp are rendered superbly well. It’s hard to imagine one could record a harp concerto better than this. It is superb in every way.

Heavy Vinyl

About ten years ago a Heavy Vinyl version of this album was remastered and pressed by Speakers Corner, part of their disastrous foray into the DG catalog. This title was decent, the Beethoven Violin Concerto was okay, as was one of the Tchaicovsky Symphonies with Mravinsky (#5), but the rest were just plain awful, with disgracefully bad sound.

Funny, I don’t recall reading any bad reviews of these albums at the time. Oh, that’s right, these Heavy Vinyl records never get bad reviews, no matter how lifeless, opaque and shrill they might sound. Except from us of course. We were writing about them back in the day and trying to sell just the better ones. (We have since given up in that effort as so few are really very good when you get right down to it.) (more…)

Tchaikovsky / Piano Concerto #1 / Richter/ Karajan – Our First Shootout Winner, 2008

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This fairly quiet Large Tulips early DG pressing in the heavy cardboard outer sleeve has THE BEST SOUND we have ever heard for this recording! Believe me, they don’t all sound like this! This copy is airy and sweet; just listen to the flutes — you can really hear the air moving through them. There is still some congestion in the loudest passages, but that’s unfortunately not something we can do anything about. Since it’s on every copy we’ve ever played we just have to assume it’s part of the recording.

Of the twenty or so clean copies we’ve auditioned over the last year or two, this one is clearly in a league of its own, with a price to match.

THE Tchaicovsky First

Since this is the best performance of the Tchaikovsky First Piano Concerto of all time, the minor shortcomings in the sound are easy to overlook. The piano sounds solid and full bodied. I don’t know of another performance of this work that gets the sound of the piano better. You can really hear the percussive quality of the instrument. It’s amazing how many piano recordings have poorly mic’ed pianos. They’re either too distant, lack proper reproduction of the lower registers, or somehow smear the pounding of the keys into a blurry mess. The piano sound is what first impressed me when a friend of mine brought the record over for me to hear. Of course I bought it on the spot.

And the texture of the strings is out of this world — you won’t find a DG that gets with better string tone, and 99% of them are worse. This record does not sound like your typical DG: hard, shrill, and sour. DG made good records in the ’50s and ’60s and then proceeded to fall apart, like most labels did. This is one of their finest recordings. It proves that at one time they knew what they were doing.

This recording really only has one shortcoming, which is that in some sections, when it gets loud, it tends to be a bit congested. Other places are very dynamic. I’m guessing somebody dialed in too much compression in those spots, but who’s to say? (more…)

Carl Orff / Carmina Burana / Jochum – Amazing on DG Vinyl

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  • This superb classical recording makes its Hot Stamper debut with STUNNING Triple Plus (A+++) sound or BETTER on both sides – the orchestral power of display here is positively PHENOMENAL
  • This spectacular recording is big, clear, rich, dynamic, transparent and energetic – HERE is the sound we love
  • “With the direction of Eugen Jochum and the bonus of the incomparable rich, powerful voice of baritone Dietrich Fischer-Dieskau, this 1968 performance is a classic, and very probably the best, recording of the opera.”

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Tchaikovsky – Concerto For Violin and Orchestra – Karajan/ Ferras – Reviewed in 2008

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Near Mint original DG German Import with FABULOUS SOUND!

This large tulips label pressing has the sound only hinted at by the reissues. (This same recording is in the 6 LP Box set.) Lots of hall, with the kind of rich orchestral sound you don’t find on most DGs. Ferras is superb and Karajan is a master as well.

Prokofiev / Lt. Kije / Abbado (45 RPM) – Our Shootout Winner from 2015

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This Japanese 45 RPM remastering of our favorite recording of Prokofiev’s wonderful Lt. Kije Suite has DEMONSTRATION QUALITY SOUND. For starters, there are very few records with dynamics comparable to these. Since this is my favorite performance of all time, I can’t recommend the record any more highly.   

Most of what’s “bad” about a DG recording from 1978 is ameliorated with this pressing. The bass drum (drums?) here must be heard to be believed. We know of no Golden Age recording with as believable a presentation of the instrument as this.

Please note: we award the Four Plus (A++++) grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. We rarely find records with this kind of sound, just a few times a year at most — this is the only one on the site at this time.

When a particular pressing we’re auditioning takes the recording to a level significantly higher than our expectations, it gets our attention, big time. This can only happen with a record we know well. We thought we knew how good Lt. Kije on Japanese 45 could sound but we were wrong — this pressing is clearly better than the copy we would be proud to call White Hot, which means this one deserves an impossible sonic rating of eleven on a scale of one to ten.

Forget the logic. It’s not about that, it’s about the sound and the music, and we make no apologies for calling this copy Beyond White Hot. It blew our minds.

This pressing fulfills the promise of the 45 RPM cutting speed so much in vogue these days. We had a pile of these 45s to play through. When we came upon this one halfway through our shootout, it was so big, so clear, so dynamic, so energetic, so extended on the top and bottom, we almost could not believe what we were hearing, especially compared to the others copies we played. There are very few records with dynamics that can compare with these.

With huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard. Once the needle has dropped you will quickly forget about the sound and simply find yourself in the presence of some of the greatest musicians of their generation captured on some of the greatest analog recordings of all time. (more…)

Haydn / Symphonies 99-104 / Jochum / LPO / 3 LP Box Set

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Three superb sounding, PRISTINE looking Deutsche Grammophon Import LPs.

These mid ’70s DG recordings are excellent. Some of the recordings in this set sound better than others, but they are all at least very good and a number are superb.

What IS consistent in this set is the quality of the performances. You will have a hard time finding better Haydn on record. The Military Symphony (#100) and The Clock (#101) are especially good. Those also happen to be two of my favorite Haydn symphonies.