One of the best — if not THE best — rock concert albums we have ever heard. Can you imagine if Frampton Comes Alive sounded like this? If you want to hear some smokin’ Peter Frampton guitar work from the days when he was with the band, this album captures that sound better than any of their studio releases, and far better than FCA on even the best copies.
Grungy guitars that jump out of the speakers, prodigious amounts of punchy deep bass, dynamic vocals and drum work — the best pressings of Rockin’ The Fillmore have more firepower than any live recording we’ve ever heard.
We didn’t, of course, until not that many years ago (2014 maybe?). But we are in the business of finding these things out. We get paid by our customers to find them the best sounding pressings in the world. It’s our job and we take it very seriously.
Did any audiophile reviewers ever play the album and report on its amazing sound? Not that we are aware of. Do they have the kind of playback systems — the big rooms, the big speakers, the freedom from compression and artificiality — that are required to get the most from a recording such as this one?
Doubtful. Unlikely in the extreme even. They don’t know how good a record like this can sound because they aren’t able to play it the way it needs to be played.
And when was the last time you read a review of a record that hadn’t just been reissued on Heavy Vinyl? There was a time when audiophile reviewers wrote about exceptionally good sounding vintage pressings they had come across. Harry Pearson comes immediately to mind, but there were many others following his lead. Now they it seems none of them can be bothered. More’s the pity.