Labels We Love – Prestige

Paul Quinichette – On The Sunny Side, a Wonderful OJC Pressing from the ’80s

xxx

  • Both sides of this long out of print OJC title boast lively, big and clear Double Plus (A++) sound quality
  • With three saxophones and a trombone, this is a fresh combination that really brings out the best in all the players during this Prestige jam session, a format for which they are justly famous
  • I raved about this album when it was in print many years ago – it’s solidly swinging jazz that belongs in your collection
  • Allmusic 4 Stars: “Waldron’s three originals (highlighted by “Cool-Lypso”) allow plenty of room for swinging, and Quinichette (who also performs “On the Sunny Side of the Street”) sounds comfortable interacting with the younger musicians. An enjoyable and underrated release.”

As I wrote years ago, back in the days when we regularly sent out catalog mailings:

When we discover a record like this, a record with no reputation either in the jazz world or the audiophile world, we try to bring it to people’s attention, usually with some success. Some of my customers called me up to tell me what a great record this is.

Based on what I’m hearing my feeling is that most of the lively, natural, full-bodied, sound of the album is on the master tape, and that all that was needed to get that vintage sound correctly on to disc was simply to thread up that tape on a reasonably good machine and hit play.

The fact that nobody seems to be able to make an especially good sounding record — certainly not as good sounding as this one — these days tells me that in fact I’m wrong to think that such an approach would work. Somebody should have been able to figure out how to do it by now. In our experience that is simply not the case today, and has not been for many years.

George Horn was doing brilliant work for Fantasy all through the ’80s. This album is proof that his sound is the right sound for this music. (more…)

John Coltrane – Black Pearls

xxxxx

  • This superb 1958 stereo LP boasts two Triple Plus (A+++) sides – the sound of this copy simply cannot be beat
  • It’s big, lively, tubey, present and very transparent – nothing we played could compete with it
  • A great Rudy Van Gelder recording that hits a whole nother level on a copy like this
  • 4 stars on Allmusic: “…captures Coltrane at the height of perfecting the intense volley that would garner the name ‘sheets of sound.’ “

A killer copy of this wonderful 1958 Coltrane album, unbeatable on either side! We heard one that blew us away a few years big, so we picked up a bunch more and finally had the chance to evaluate them. The music was always enjoyable, but on a copy like this things really get going. Coltrane is joined here by Donald Byrd, Red Garland, Paul Chambers and Art Taylor — a top lineup, the same crew behind the great Lush Life. (more…)

Charles Earland – Black Talk!

xxxxx

  • Charles Earland makes his Hot Stamper debut here with this STUNNING pressing of Black Talk!, boasting Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • You’d be hard-pressed to find a copy that’s this well balanced, yet big and lively, with such wonderful clarity in the mids and highs
  • Credit goes to Rudy Van Gelder once again for the huge space that the superbly well-recorded group occupies
  • 5 stars: “… one of the few successful examples of jazz musicians from the late ’60s taking a few rock and pop songs and turning them into creative jazz… Fans of organ combos are advised to pick up this interesting set.”

(more…)

John Coltrane – Lush Life – Should You Collect the Original Pressing on this Title?

xxxxx

No. We was wrong about Lush Life.

Previously we had written:

“There are great sounding originals, but they are few and far between…”

We no longer believe that to be true. In fact we believe the opposite of that statement to be true. The original we had on hand — noisy but with reasonably good sound, or so we thought — was an absolute joke next to our best Hot Stamper pressings. Half the size, half the clarity and presence, half the life and energy, half the immediacy, half the studio space. It was simply not remotely competitive with the copies we now know (or at least believe, all knowledge being provisional) to have the best sound.

Are there better originals than the ones we’ve played? No doubt. If you want to spend your day searching for them, more power to you. And if you do find one that impresses you, we are happy to send you one of our Hot Copies to play against it. We are confident that the outcome would be clearly favorable to our pressing. Ten seconds of side one should be enough to convince you that our record is in an entirely different league, a league we had no idea even existed until just this year.

By the way, the mono original we played was by far the worst sound I have ever heard for the album. By far.

(more…)

Jackie McLean Quintet/Bill Hardman – Jackie’s Pal

xxxxx

  • A superb copy of Jackie’s Pal with nearly Triple Plus (A++ to A+++) sound on both sides – just shy of our Shootout Winner – exceptionally quiet vinyl too, with a true Mint Minus side one
  • Dynamic, transparent, spacious and musical throughout – you won’t believe how good this Jazz Classic from 1956 sounds
  • Another top jazz recording from Rudy Van Gelder – big, bold and lively, just the right sound for this music
  • “… no one could execute complex melodic lines with the speed and precision of Bill. He was a human “bebop machine,” a player who could improvise for hours on a single chord and not run out of ideas…”

(more…)

Smoky Babe – Hottest Brand Goin’

xxxxx
xxxxx

  • Smoky Babe makes his Hot Stamper debut here on this superb pressing, with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • The mono sound is gloriously ANALOG, so smooth and full-bodied – no other copy in our shootout had this kind of exceptionally realistically relaxed sound
  • 4 stars: “Smoky Babe, aka Robert Brown, laid down a good set of down-home country blues on this 1961 session, with occasional assistance from harmonica players Clyde Causey and Henry Thomas… it’s sung with conviction, and the guitar playing is emphatic and chunkily rhythmic.”

(more…)

The Tommy Flanagan Trio – On Moodsville

xxxxx

  • The Tommy Flanagan Trio finally arrives on the site, boasting Shootout Winning Triple Plus (A+++) sound or close to it
  • Rich, natural, transparent, spacious and musical throughout – you won’t believe how good this Mellow Jazz Classic from 1960 sounds
  • “Rudy van Gelder captured the exquisite sound in his usual manner by setting up a couple of high-fidelity microphones and letting the players and room speak for themselves. If I close my eyes, I’m in the Village Vanguard listening to him live.”
  • “With bassist Tommy Potter and drummer Roy Haynes giving the pianist fine support, the trio plays such songs as “You Go to My Head,” “Come Sunday” and “Born to Be Blue” quietly and with taste.”

(more…)

Red Garland Trio – Red Garland’s Piano

xxxxx

  • Red Garland’s third studio album makes its Hot Stamper debut on this early mono pressing with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • The sound is clear, spacious, relaxed, and full-bodied, with Tubey Magical richness and analog smoothness that on the best vintage pressings can offer
  • Another top jazz recording from Rudy Van Gelder – big, bold and lively, just the right sound for this music
  • 4 stars: “Red Garland’s third session as a leader finds the distinctive pianist investigating eight standards (including ‘Please Send Me Someone to Love,’ ‘Stompin’ at the Savoy,’ ‘If I Were a Bell,’ and ‘Almost Like Being in Love’) with his distinctive chord voicings, melodic but creative ideas, and solid sense of swing.”

(more…)

Gene Ammons – Angel Eyes

xxxxx

  • This original Prestige stereo LP has Shootout Winning Triple Plus (A+++) sound from beginning to end – fairly quiet vinyl for an original pressing
  • Both sides here are doing justice to Rudy Van Gelder’s live-in-the-studio sound – they were bigger, richer, more Tubey Magical, with more space, more energy, more everything that makes a vintage analog pressing the thrill we know it can be
  • For half the album “Ammons is heard in 1962 with pianist Mal Waldron, bassist Wendell Marshall, and drummer Ed Thigpen playing with great warmth on the ballads “You Go to My Head” and “It’s the Talk of the Town.” The latter set was one of Ammons’ final ones before serving a long prison sentence (drug-related), yet his interpretations are full of optimism. Recommended.”

(more…)

Standard Coltrane – If You’re Looking for the Best Sound…

xxxxx

 

As you may have guessed by now, remastered is a bit of a dirty word around these parts. Most remastered records we play, from The Beatles to John Coltrane to ZZ Top, sound to us like pale imitations of the real thing, whether the real thing is an original or a reissue from back in the day.

But only a fool could fail to appreciate how correct and lively the best copies of this remastered record sound, and we’re no fools here at Better Records. We judge records by one and only one criterion: how they sound. We pay no mind to labels, record thicknesses, playback speeds, mastering speeds or anything else you can read about on audiophile websites.

We’re looking for the best sound. We don’t care where it comes from. (more…)