Top Producer / Recording Supervisor – Wilma Cozart

Winds In Hi-Fi / Fennell – Another Top Mercury from the TAS List

Hot Stamper Mercury Pressings Available Now

More Recordings Conducted by Frederick Fennel

  • This famous TAS list LP finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound or very close to it throughout
  • This pressing boasts superb sound on both sides – Mercury knows how to capture the bite of the brass
  • Fennell is a master of this sort of sweet and lyrical Wind Music
  • This spectacular Demo Disc recording is big, clear, rich, dynamic, transparent and energetic – HERE is the Mercury sound we love, and that is so hard to find

Harry Pearson put this record on his TAS List of Super Discs.

The credit must go to Fennel along with the brilliant engineering team at Mercury. I’ve been told that he was a stickler for making sure everyone was perfectly in tune and playing correctly within the ensemble. That’s exactly what you hear when you play a record like this — it’s practically sonic perfection.

Fennell made a number of band music recordings for Mercury. My favorite is British Band Classics Vol. 2, which was the first Mercury recording I ever heard. I went out and bought a copy of it immediately from my local Tower Records on Golden Import.

Years later when I heard the real thing, and original pressing, I realized the Golden Import was a pretty second rate reissue, fine for the $4.99 I might have paid but a big step down from the early pressings.

Also, if you ever see a clean copy of Vol. 1, only available in Mono, pick it up. If it’s cut right it too is out of this world. (more…)

Rachmaninoff – Piano Concerto No. 3 / Janis / Dorati

The music of Sergei Rachmaninoff (1873-1943)

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  • Stunning sound for this classic Byron Janis Mercury album with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one – exceptionally quiet vinyl too
  • The piano is huge and weighty, the strings rich and highly resolving, and the overall presentation is powerful, balanced, dynamic and exciting like few other piano concerto recordings we have ever had the pleasure to audition
  • Not only is this the consistently best sounding copy we have had to offer in years, but we are happy to report that the vinyl is especially quiet for a vintage Plum Label Mercury stereo pressing

Not only is the sound amazing — yes, it’s on the TAS Super Disc list, and for good reason: a copy as good as this one really is a Super Disc — but this copy has another vitally important characteristic that most copies of the record do not: no Inner Groove Distortion.

We can’t begin to count the times we have had to return (or toss) a copy of these famous Byron Janis records because the piano breakup for the last inch or so of the record was just unbearable. That’s a sound no serious listener could possibly tolerate, yet I would venture to guess that a great many Mercury Piano Concerto recordings suffer from this kind of groove damage.

Enough about those typically bad copies, let’s talk about how good this one is!

This is an exceptionally quiet early Mercury Plum label stereo pressing of one of Byron Janis’s most famous performances (along with the Rachmaninoff 1st. It’s a longtime member of the TAS Super Disc list.

The sound is rich and natural, with lovely transparency and virtually no smear to the strings, horns or piano. What an amazing recording! What an amazing piece of music.

The recording is explosively dynamic and on this copy, the sound was positively jumping out of the speakers. In addition, the brass and strings are full-bodied, with practically no stridency, an unusual feat the Mercury engineers seem to have accomplished while in Russia.

Big, rich sound can sometimes present problems for piano recordings. You want to hear the percussive qualities of the instrument, but few copies pull off that trick without sounding thin. This one showed us a piano that was both clear and full-bodied.

With huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard. Once the needle has dropped you will quickly forget about the sound (and all the money you paid to get it!) and simply find yourself in the presence of some of the greatest musicians of their generation, captured on the greatest analog recordings of all time. (more…)

The Rapture of the Purely Musical Experience

The best classical recordings of the ’50s and ’60s, compromised in every imaginable way, are sonically and musically head and shoulders above virtually anything that has come after them. The music lives and breathes on those old LPs. Playing them you find yourself in the Living Presence of the musicians. You become lost in their performance. Whatever the limitations of the medium they seem to fade quickly from consciousness. What remains is the rapture of the pure musical experience.

That’s what happens when a good record meets a good turntable.

We live for records like these. It’s the reason we all get up in the morning and come to work, to find and play good records. It’s what this site is all about — offering the audiophile music lover recordings that provide real musical satisfaction. It’s hard work — so hard nobody else seems to want to do it — but the payoff makes it all worthwhile. To us anyway. Hope you feel the same.

 

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This work is difficult to find with anything but harsh sound. Such powerful and exciting orchestration must surely be problematic to capture on tape.

But Mercury managed to do it, a feat few others labels can claim.

This side one is truly DEMONSTRATION QUALITY, thanks to its superb low-distortion mastering. It’s yet another exciting Mercury recording. The quiet passages have unusually sweet sound.

This kind of sound is not easy to cut. This copy gets rid of the cutter head distortion and coloration and allows you to hear what the Mercury engineers accomplished. (more…)

Prokofiev / Love for Three Oranges Suite / Dorati

More of the music of Sergei Prokofiev (1891-1953)

Reviews and Commentaries for the Music of Sergei Prokofiev

Huge hall space, wonderfully textured strings – it’s easy to forget just how REAL a recording like this from 1957 can sound. With almost none of the Mercury nasality on the strings or the brass, we were knocked out by the sound and, of course, the legendary performance.

My notes for side one read:

Big hall!

Transparent!

Zero smear!

Dynamic!

Huge Bass!

Realistic!

If that sounds like the kind of record you would like to play for yourself, here it is.

The Scythian Suite was also very good but it seems to get a bit congested (tape overload? compressor overload?) on the loudest parts. It does sound amazing in the quieter passages. It’s not distorted, just brash. It’s very dynamic of course, as is side one. That’s Mercury’s sound.

This was obviously a record the previous owner did not care for. We acquired a copy of LSC 2449 in the same batch, but unfortunately that was a record the owner must have loved — it’s just plain worn out. (We kept it as a reference copy for a future shootout which, considering how rare the record is, may never come to pass.)

In the heyday of the ’90s, when these records were all the rage, this copy would have sold for at least $1000 and probably more. And the copy that sold for that would have been very unlikely to sound as good as this one, if only for the fact that cleaning technologies have advanced so much over the last ten years or so. (more…)

Prokofiev & Rachmaninoff / Piano Concertos / Janis / Kondrashin

More of the music of Sergei Prokofiev (1891-1953)

More of the music of Sergei Rachmaninoff (1873-1943)

  • This pressing has Beyond White Hot Stamper (A++++) sound on side one – sound that must be experienced to be believed! – backed with stunning Triple Plus (A+++) sound on the second side – exceptionally quiet vinyl too 
  • The finest Prokofiev No. 3 and Rachmaninoff Piano Concerto No. 1 – these performances by Janis are legendary, and with phenomenal sonics like these, this combination of sound and performance is all but unmatched in our experience
  • So big, so, rich, so transparent, so dynamic and full of life, we guarantee you have never heard a better piano concerto record in your life
  • Compare the weight of the piano on the two sides to see why the grades are so different

Please note: we award the Four Plus grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. We rarely find records with this kind of sound, just a few times a year at most — this is the only one on the site at this time.

Side one shows up on the chart as A+++, but when you hear this copy you will know why we gave it that fourth plus!

This is an exceptionally quiet early Mercury Plum label stereo pressing of two of Byron Janis’s most famous performances (along with the Rachmaninoff 3rd, which is every bit as good). It’s a longtime member of the TAS Super Disc list.

The recording is explosively dynamic and on this copy, the sound was positively jumping out of the speakers. In addition, the brass and strings are full-bodied and rich, with practically no stridency, an unusual feat the Mercury engineers seem to have accomplished while in Russia.

Big, rich sound can sometimes present problems for piano recordings. You want to hear the percussive qualities of the instrument, but few copies pull off that trick without sounding thin. This one showed us a piano that was both clear and full-bodied.

With huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard. Once the needle has dropped you will quickly forget about the sound and simply find yourself in the presence of some of the greatest musicians of their generation captured on some of the greatest analog recordings of all time. (more…)