- Sugar ‘N’ Spice makes its Hot Stamper debut here with STUNNING sound on both Shootout Winning Triple Plus (A+++) sides
- So hugely spacious and three-dimensional, yet with a tonally correct and natural sounding Peggy, this is the way to hear it
- “Peggy is in fine voice and brings her sweet feminine tones to her ballads and her salty, seductive sounds to the more uptempo material. The backings are by Benny Carter and feature a compact orchestra with an emphasis on brass.”
- A stunning copy of Way Out West with Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
- This stereo pressing has superb 1957 Contemporary sound – big, open and natural throughout
- The sax is so smooth and tubey it will have you drooling
- One of our favorite Rollins records – one listen to this copy and you will know exactly why we love the recordings of Roy DuNann
- 5 stars: “The timeless Way out West established Sonny Rollins as jazz’s top tenor saxophonist”
- Campbell’s wonderful 1967 release finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound on both sides
- This vintage Capitol pressing is spacious, sweet and positively dripping with ambience – here is the Tubey Magical Stereoscopic presentation these kinds of recordings are known for
- 4 1/2 stars: “The best of Campbell’s early albums, and also his first real commercial success. . . Campbell’s cover of ‘Catch the Wind’ is one of the finest covers of a Donovan song ever done, stripping away any hint of the composer’s sub-Dylan pretensions and bringing out the song’s genuine beauty — it’s folk-pop, in the same manner that Peter, Paul and Mary’s cover of Dylan’s ‘Blowin’ in the Wind’ was, but excellent folk-pop.”
- This superb bossa-nova classic finally makes its Hot Stamper debut with Shootout Winning Triple Plus (A+++) sound from first note to last on this original Capitol stereo pressing
- Here is the Tubey Magical richness, size and space that only the best vintage pressings are capable of conveying to the critical listener
- The brilliance of this All Tube Chain recording from Capitol in their heyday makes all the hard work you’ve put into your system pay off
White Hot Stamper sound on side two of this solo piano recording. It’s big, rich and above all REAL sounding, with natural studio space. The legendary soloist Leonard Pennario is presented here at the height of his powers. Superb choice of material, from Clair De Lune to Liebestraum to the Hungarian Rhapsody No . 2.
On the rare Stereo pressing of course — we want to hear all that studio space reproduced, just as your two ears would have heard it (more or less).
Graded Super Hot for the huge, solid-sounding piano, played with such verve and skill. The musical power on this side is stupendous.
Even better! No smear, with incredible clarity, and no sacrifice in weight or richness. (more…)
- This killer 2-Pack offers Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish – fairly quiet vinyl too for a stereo pressing of this vintage
- Exceptionally lovely All Tube sound from 1961, with a huge, rich orchestra conducted by the legendary Nelson Riddle
- Ella’s way with this material won her the Grammy Award for Best Vocal Performance, her 7th Grammy
- “The singer has rarely sounded better than during this period. Fitzgerald sticks mostly to familiar standards and is particularly memorable on ‘Don’t Be That Way,’ ‘What Am I Here For,’ ‘I’m Gonna Go Fishin,’ ‘ and ‘I Won’t Dance.'”
Take it from an Ella fan, you can’t go wrong with this one. This is about as quiet as we can find them – this is one of the lucky few that play this well.
The sound is rich and full-bodied in the best tradition of a classic vintage jazz vocal album. You could easily demonstrate your stereo with a record this good! The space is HUGE and the sound so rich.
Prodigious amounts of Tubey Magic as well, which is key to the best sounding copies. The sound needs weight, warmth and tubes or you might as well be playing a CD. (more…)
- STUNNING sound throughout this Ella & Louis classic with Shootout Winning Triple Plus (A+++) grades on three sides matched with outstanding Double Plus (A++) grades on the fourth
- Spacious, full-bodied and Tubey Magical, with Ella and Louis front and center, this is the sound you want for their brilliant collaboration from 1958
- Two vocal giants came together to perform Gershwin’s timeless opera, revered by both music lovers and audiophiles to this day
- 4 1/2 stars: “What’s really great about the Ella and Louis version is Ella, who handles each aria with disarming delicacy, clarion intensity, or usually a blend of both.”
- The superb follow-up to Julie’s stunning debut finally arrives on the site with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one
- No marks are audible, and the vinyl is about as quiet as any Black Label Liberty stereo pressing we’ve ever played, which makes this a very special copy indeed
- On a copy this good, London will appear as a living, breathing (albeit disembodied) person right in your very own listening room. We call that “the breath of life,” and this record has it in spades
- Every three to five years or so we run into a copy that plays this quietly and sounds this good – the last one was in 2018, so if you have a few years to wait, you can be sure there will be another coming down the pike
- 4 stars: ” London’s breathy vocals aren’t that different [from her debut], but she seems more confident and she swings more, even on the ballads. . . This album was also better recorded than London’s debut and the release has a fuller, richer sound to it.”
The reliably brilliant Ted Keep was the engineer for these sessions from 1958. The stereo tape came out in 1958, along with the mono LP, but those of you who wanted a stereo record had to wait until 1959! (more…)
- A great sounding copy with Nearly Triple Plus (A++ to A+++) sound from start to finish – this one was nearly as good as our Shootout Winner, hence the Nearly Triple Plus grades
- These sides are rich, spacious, big and Tubey Magical, with virtually none of the smear on the piano that holds so many other copies back
- Here’s proof that the sound found on these early Columbia 360 Label Stereo pressings is absolutely the right one for Monk’s music
- 5 stars: “Although he would perform and record supported by various other musicians, the tight — almost telepathic — dimensions that these four shared has rarely been equalled in any genre… Monk’s Dream is recommended, with something for every degree of Monk enthusiast.”
Super Hot Stamper sound on BOTH sides! This later label Vanguard pressing has CLARITY and TRANSPARENCY that I would be very surprised to hear on the original Stereolab LP. There is practically no smear to the sound of this side one, which means the texture of the strings and the bite of the brass are here for all to savor. Old school tube mastering, the kind that would have been used to make the originals, rarely manages to avoid this kind of sound.
Of course Tubey Magic and smear go hand in hand, so this more modern mastering can’t give you all the Tubey Magic of the originals either. These are trade-offs to be sure. But this pressing sounds RIGHT in a way that not many original classical recordings from 1960 ever do.
This record sounds, for lack of a better word, ACCURATE. The instruments in this orchestra sound correct to my ear. I like Tubey Magic as much as the next guy, but when everything else is so good, as it is here, I can live without it. I don’t need it on every record. It’s a nice coloration, but it IS a coloration let’s not forget.
A++ Super Hot sound! Not all the richness one would hope for, but it does sound rich in its own way. So clear and so 3-D, this is what modern mastering (from the ’70s, not the crappy mastering of the last twenty plus years) can do amazingly well. It’s so TRANSPARENT you can hear all the way to the back of the hall, with layers of depth clearly delineated.
A++, as good but different (of course). Big bass, bigger than the bass on side one. Very dynamic too. The horns are a bit shrill at the start but they calm down soon enough. Overall very similar tonality and spaciousness. A great record! (more…)