Top Artists – David Bowie

David Bowie / Aladdin Sane

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More Records with Exceptionally Tubey Magical Sound


  • Outstanding sound throughout this vintage UK pressing of Bowie’s 1973 post-Ziggy classic, earning solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
  • Remarkable richness, smoothness and warmth, something that all the best Ken Scott Tube Recordings are renowned for
  • Plenty of Bowie Classics: “Watch That Man,” “Aladdin Sane,” “Panic in Detroit,” “Cracked Actor,” “The Jean Genie,” “Lady Grinning Soul,” and more
  • Here are more of our favorite Hot Stamper pressings of recordings with exceptionally Tubey Magical Sound
  • And some reviews and commentaries for the most Tubey Magical Recordings we have ever played
  • If you’re a David Bowie fan, this title of his from 1973 has to be considered a Must Own
  • The complete list of titles from 1973 that we’ve reviewed to date can be found here.

THE BIG BOWIE SOUND for this wonderful follow-up to Ziggy Stardust! We just finished shooting out a number of import pressings of the album, and this import was one of the better copies we heard. This one’s got the kind of Tubey Magical Richness that takes these Glam Rockers to a whole new level. (more…)

David Bowie / Let’s Dance – Energy Is Key

More of the Music of David Bowie

More Records that Sound Their Best on Big Speakers at Loud Levels

With Let’s Dance the name of the game is ENERGY, and boy does this copy have it! Both sides have the deep, punchy bass and sweet, extended highs that Bowie’s music needs to come ALIVE. With that big bass and smooth top end, this is one record you can turn up GOOD and LOUD without fear of fatigue. On a big pair of dynamic speakers you will really get your money’s worth from the best Hot Stamper pressings. 

Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Let’s Dance.

Here are some albums on our site you can buy with similar Track by Track breakdowns.

Side One

Modern Love

This track has a tendency to be a bit brighter than those that follow. To find out if your Let’s Dance is killer, see how the title track sounds.

China Girl
Let’s Dance

The best sounding track on the album and one of the handful of best sounding Bowie tracks ever recorded. With a truly Hot Stamper copy, try as you might you will be very hard pressed to find better sound. Demo Disc Quality doesn’t begin to do it justice.

Without You

Side Two

Ricochet
Criminal World
Cat People (Putting Out Fire)

The best sound and music on side two. A top Bowie track.

Shake It (more…)

David Bowie – Diamond Dogs

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  • This UK pressing will show you a Diamond Dogs you had no idea existed, yet here it is – exceptionally quiet vinyl too
  • We shot out a number of other imports and the presence, bass, and dynamics on this incredible copy placed it head and shoulders above the competition
  • It’s ridiculously tough to find even passable sound for this album – we guarantee you have never heard better than these two killer sides
  • Great songs including the title track, “Rebel Rebel,” “1984,” “Sweet Thing,” “Big Brother,” “Rock & Roll With Me” and more

The sound on this UK pressing is Tubey Magical yet still clean, clear and spacious — you’ll need a lot of luck and a good-sized pile of records to find a copy that sounds like this one.

“1984” (a favorite of ours on David Live) sounds great here. In addition to singing, the man handles sax, Mellotron, and Moog duties on the album, and, most surprisingly, plays practically all of the electric guitar parts.

Bowie was one of the handful of artists to produce an immensely enjoyable and meaningful body of work throughout the ’70s and into the ’80s, music that holds up to this day. The music on his albums, often groundbreaking and always multi-layered, will surely reward the listener who takes the time to dive deep into the complex sounds he recorded.

Repeated plays are the order of the day. The more critically you listen, the more you will discover within the exceedingly dense mixes favored by the man, his producers (Tony Visconti among them) and engineers (our favorite being Ken Scott). And the better your stereo gets the more you can appreciate the care and effort that went into the production of his recordings.

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Letter of the Week – “People let me tell you… it sent a chill up and down my spine…”

More of the Music of Talking Heads

More of the Music of David Bowie

Hey Tom, 

Just got my Super Hot Stampers of Remain In Light and Station To Station. I was very much looking forward to the arrival of these LPs… I was not disappointed. Verily, I was completely floored!

First, my apologies. I have been reading your website for over two years, gleaning information to help me find Hot Stampers, or at least good sounding records. I had not made a purchase until this past week. I was starting to feel guilty; you have given me so much great direction and guidance over these years, and I had not supported you in the proper way.

So I made a modest purchase of these two records, to assuage my guilt and support your efforts. You will be getting much more business from this satisfied customer.

I have Remain In Light on LP, CD and even the FLAC file release. My new Hot Stamper truly puts these recordings to shame. No, really, TO SHAME! If this ever gets on the Better Records Testimonials: “People let me tell you…it’s sent a chill up and down my spine…”!

I really can’t believe how well balanced the sound is: great bottom end, mids are pronounced and the shrillness is GONE! No smear anymore! Breathtaking.

My copy of Station to Station is just as wonderful.

I’ve been convinced of “Hot Stamper” recording for quite some time now, thanks to Tom and the BR crew; I’ve found some great recordings after conducting my own modest shoot-outs. Found some real gems. But the best results that I have ever got, and there are only a few, have now been easily matched and outstripped by my first BR purchase!

Rob

Rob,

Thanks for your enthusiastic letter.

Both of these titles rank right up at the top of our difficulty of reproduction scale. This is a scale we created in order to chase away the customers whose equipment would not be up to the task of playing challenging recordings such as these.

We struggled with these very recordings ourselves, and we’ve been deeply committed to home audio at the highest levels for more than forty years, 35 of them professionally.

It took a lot of experience and experimental effort over the course of many years to find the killer pressings you now enjoy, something that would have been impossible without a dedicated staff and a full time listening panel, not to mention the myriad Revolutionary Changes in Audio that we’ve made since the release of both these albums decades ago.

It’s a central tenet of our business, discussed in some detail here and elsewhere throughout this blog under the heading progress in audio.

Anyone can use our methods to find Hot Stampers, but when it comes to finding great sounding pressings of these two titles, all we can say is: Good luck! You’re going to need it.


Letter of the Week – “…this copy I got from you blows the sonics of my old press away.”

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I’ve been meaning to write to thank you for the magic you and your team create. I’m sure you’ve heard it before, but it is mind blowing to hear the music that comes from even just Hot and Supers. I still haven’t crossed the Rubicon into Whites. 

I have been lucky enough to have vintage pressings passed down to me from family. And while I started hearing the difference as soon as I started cleaning those old presses vs. new “remastered” ones, this small sample from your team is incredible!

Abbey at Hot is incredible! Frankly I admired the album, now it’s one of my favorites! I’m not even a huge Beatles guy, haha (Thanks for that!)

Purple Rain at Super knocked out the vintage and remastered copies that I own.

Zep I is terrific (Weirdly on my system, “Good Times” is the least mind blowing, but “Dazed” and all of Side 2 is crazy!)

Perhaps the best sounding so far is “Ziggy,” like you said. I own a pristine vintage press passed down and this copy I got from you blows the sonics of my old press away.

Anyway, thanks again! (more…)

David Bowie – Let’s Dance

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  • It’s all here: huge amounts of rock solid bass, clear guitar transients, breathy, natural vocals, and jump out of the speakers presence and energy
  • A real Demo Disc at high volumes on the right system – Modern Love, China Girl and the title track are knockouts when you play them good and loud
  • Top 100 of course – Let’s Dance is one of the best sounding Bowie albums ever recorded – this superb pressing is proof!

Bowie is without question one of the all time great frontmen and producers. This is his last good album and a Must Own for audiophiles, especially if you have big dynamic speakers. Like we say, with this one you are in for a treat.

Hearing a top copy of Let’s Dance is truly a special experience; the damn thing is amazingly well recorded, especially considering it came along well after the Golden Age of Rock Recording (the ’60s and ’70s, don’t you know). The sound is analog at its best; rich, full and super-punchy.

I have never heard a CD in my life with this kind of Tubey Magical richness and sweetness. That medium never does justice to the sound of recordings like this one, in my experience anyway. People who exclusively play CDs have forgotten what that sound is; that’s why they can happily live without it. I sure can’t. At present, this sound is exclusively the domain of analog and likely to remain so well into the future.

In addition, the musicianship is Top Notch and then some. Omar Hakim’s drumming is powerful, energetic, and performed with military precision. The guy is out of his mind on this album.

The combination of Nile Rodgers and the Legendary Stevie Ray Vaughn on guitar makes for a tasty, intricate mix of subtle rhythm work and searing leads. Or is that soaring leads? Hey, on this album it’s both.

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David Bowie / Heroes – It Took Ages to Break the Sound Barrier (Because the Conventional Wisdom Turned Out to Be So Wrong))

More of the Music of David Bowie

Records We Only Sell on Import Vinyl

Our intuition that the British originals would sound the best turned out to be incorrect.

In the audiophile record collecting world, intuitions have a bad track record, but more than a few audiophiles — many of whom are addicted to sharing their “record knowledge” on audiophile forums — seem to be unaware of this fact.

Taking a page from one of the greatest minds of the 20th century, we’ve opted to use a more scientific approach to discovering the best sounding record pressings, and we encourage you to do likewise. 

We pioneered the evidence-based approach to finding the best sounding pressings, and, like all good scientists, we shared it with everyone. Some in the audiophile community have taken it to heart, but most have chosen to put their faith in reviewers, forum posters, common sense and logic. None of these produce consistently good results, but those who use these methods are loathe to doubt them and only rarely if ever learn the error of their ways.

Once a decision has been made and a specific pressing acquired, you could call it door number three I suppose, cognitive dissonance and confirmation bias immediately kick in to justify the result, and soon enough the game is over. The prize has been won. It’s the best prize ever. It does everything right, everything you hoped for.

Behind door number three was not the best sounding copy of the record. You don’t have the best sounding pressing (well, you might, but if you did it would be entirely the result of chance, since you carried out no experiments), but as long as you think you do, and, like most audiophiles, you play records only for yourself, and purely for enjoyment, you have no way of  discovering where on the spectrum of worst to best your choice would sit. As long as you think you have the best, you have the best. How could there ever be any evidence offered to the contrary?

Making an effort to prove yourself wrong is surely the key to making progress in this hobby. Nothing will do more to improve the quality of your record collection, of that we are convinced.

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David Bowie – Low

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More Five Star Albums Available Now

  • This British pressing (not original by the way – this one is better!) plays about as quietly as any we can find, which makes it a very special pressing indeed
  • Huge amounts of studio space can be heard on this copy, along with the Tubey Magical richness only the best UK copies offer
  • 5 stars: “Though a handful of the vocal pieces on Low are accessible — “Sound and Vision” has a shimmering guitar hook, and “Be My Wife” subverts soul structure in a surprisingly catchy fashion — the record is defiantly experimental and dense with detail, providing a new direction for the avant-garde in rock & roll.”
  • If you’re a fan of the man, this is a Top Title from 1977 that belongs in your collection.
  • The complete list of titles from 1977 that we’ve reviewed to date can be found here.

I’ve mentioned it on the site numerous times: I spent a good portion of the ’70s playing Art Rock records like Taking Tiger Mountain, Siren, Crime Of The Century, Deceptive Bends and scores of others. I remember being blown away when Low came out, and with this shootout we had a blast hearing just how good a killer Hot Stamper UK pressing can sound on the much more highly-evolved stereo system (equipment, room, set-up, tweaks, electricity, etc.) we have today.

It’s difficult to find a pressing that gets both sides of this album right, perhaps in part because the two sides are so different. Side one of this album features the more traditional (not really the right word, but it will have to do) Bowie rockers like Sound and Vision and Be My Wife, while side two sounds more like the instrumental synth music of Kraftwerk and Eno.

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David Bowie / Low – A Long Time Ago We Were Surprised to Hear a Domestic Pressing Beat Our Best British LPs

More of the Music of David Bowie

More Hot Stamper Pressings that Sound Better on the Right Reissue

This shootout listing was written sometime around 2008. 

We hadn’t discovered the right imports for this album yet, that would not happen for many more years, hence the error we made in thinking that some especially good sounding domestic copies could win a shootout.

Back then they could, but with the right pressings in the mix there is not a chance in the world that would happen now.

A classic case of Live and Learn.

Some domestic pressings do end up having low level Hot Stampers, but it’s rare. Our best Brits just kill ’em.

Our Old Hot Stamper Commentary

This is the first Hot Stamper copy of Low to ever hit our site, and it’s a darn good one — especially on side one, where all the “pop” songs are found. We just had a huge shootout for this album featuring all the copies we’ve picked up over the years, and this domestic (!) pressing shocked us by blowing away our Brit copies on side one.

If you aren’t interested in the instrumental Bowie/Eno synth-heavy soundscapes that fill side two, this is THE copy to own.

I’ve said it on the site numerous time, but I spent a good portion of the ’70s playing art-rock records like Taking Tiger Mountain, Crime Of The Century and Deceptive Bends. I remember being blown away when Low came out, and it was a blast to hear how good a Hot Stamper pressing can sound on a highly-evolved stereo system today. Side one of this album features the more traditional (not really the right word, but I digress) Bowie rockers like Sound and Vision and Be My Wife, while side two sounds more like the instrumental synth music of Kraftwerk or Eno. (more…)

David Bowie / Ziggy Stardust – MoFi Reviewed

More of the Music of David Bowie

Reviews and Commentaries for Ziggy Stardust

Sonic Grade: C-

The MoFi pressing is decent, probably better than the average domestic copy I suppose. The colorations and the limitations of their cutting system make it painful for me to listen to it though, especially the sloppy bass and dynamic compression.

You can do worse but you sure can do a whole lot better.

MoFi did two of the greatest Bowie albums of all time, Ziggy and Let’s Dance, and neither one can hold a candle to the real thing. If you want to settle for a mediocre imitation of either or both of those albums, stick with your MoFi.

If you want to hear the kind of Demo Disc sound that Bowie’s records are capable of, try a Hot Stamper. (more…)