- This outstanding pressing boasts solid Double Plus (A++) sound from first note to last
- Big space, breathy vocals, grungy guitars and plenty of Ken Scott’s luscious Tubey Magic makes this album a true audiophile treat
- As it says on the back of the jacket, “Many thanks to our engineer Ken (Scott, one of our favorites).”
- 4 1/2 stars: “Working with guitarist Mick Ronson and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock that appears simple on the surface but sounds more gnarled upon each listen.”
*NOTE: On side one, a mark makes 8 light ticks at the beginning of Track 1, The Width Of A Circle. On side two, a mark makes 16 light ticks at the beginning of Track 1, Running Gun Blues.
The sound is rich and full, just the way the Brits (and us audiophiles) like it. The tube compression that both Bowie and Scott favor works its magic at every turn, adding fatness and richness and lovely harmonics to the guitars and the drums.
Mick Ronson’s guitars are wonderfully rich and grungy. The vocals can get a bit hot on the first track on side one (as is often the case), but by track two the sound has settled in and is rich and smooth, just the way we like it. Very present and lively vocals are a strong point. Listen to the big bass, richness and Tubey Magic of the third track on side two — that is some Ken Scott studio wizardry at play.
Note that the second track on the second side seems to be where Alice Cooper found his “sound.” More power to him I say. You could get away with ripping off Bowie in 1970; nobody bought this album in the states, which is why it’s so damn rare and expensive. (more…)