This wonderful classical guitar recording makes its Hot Stamper debut here with Shootout Winning Triple plus (A+++) sound or close to it – exceptionally quiet vinyl too
The sound here is glorious, brimming with the wonderful qualities that make listening to classical music in analog so involving
The orchestra sounds rich and sweet, yet the guitar is clear, present and appropriately placed relative to the surrounding ensemble
As is to be expected from the Decca engineers in 1959, the sound is so relaxed and correct that you immediately find yourself simply enjoying the performances of these two well-known pieces, which is entirely the point, although we sometimes forget the purpose of all our audiophile rigmarole
Wonderful sound from 1960. The cello has a much more natural size relative to the orchestra, which in the true Living Stereo tradition sounds every bit as good.
This copy has an outstanding side one, but side two, a later stamper, is not as good as the best.
I would rank this record right up there with the best of the Starker recordings on Mercury. Musically I prefer this album to any of those. Side one, the Concerto for Cello in B-flat, is especially enjoyable from start to finish. If I had to pick one cello concerto record to listen to, it would probably be this one.
This Minty looking Deutsche Grammophon LP has rich, smooth sound. We didn’t have any other copies to compare it to, but we’ve played enough DG LPs around here to know that the average DG record is nothing to get excited about.
Nowadays we would not be able to sell a record such as this. Without a proper cleaning and shootout, no record can go up on the site. It’s the only way we know of to guarantee that the quality would be superior to whatever pressing you have or have heard.
This jazzy, innovative interpretation of three of Bach’s most famous works boasts Shootout Winning Triple Plus (A+++) sound throughout – exceptionally quiet vinyl too
Baroque genius meets jazz pioneer in this unique confluence of musical conventions
Full-bodied and warm, exactly the way you want your vintage analog to sound – the piano is surprisingly real here, solid and dynamic
Born from his love of classical works and improvisation, Loussier “loved to play the music, but add my own notes, expanding the harmonies and playing around with that music,” and the results should be interesting to fans of jazz and classical music alike
The STS is not impressive on the few we’ve played, for no reason other than they are simply not that sonically impressive. British vinyl, British mastering, just not especially good sound. Save your money.
A KILLER sounding copy with Shootout Winning Triple Plus (A+++) sound or close to it on both sides
These sides are incredibly rich, sweet and full-bodied yet still very clean, clear and spacious; Demo Disc sound throughout!
I can’t imagine a more beautiful record, both in terms of the programme and the sound; this record is a wonderful example of what the Decca recording engineers (Kenneth Wilkinson in this case) were able to capture on tape
This is the exact same recording as the famous Living Stereo Clair De Lune, LSC-2326, but with a couple of extra tracks included
Transparent and spacious, wide and naturally staged, clean yet rich, with zero coloration, there is nothing here to fault. Nearly Triple Plus all the way. So relaxed and natural you will soon find yourself lost in the music.(more…)
Bach’s Inventions returns to the site with stunning Shootout Winning Triple Plus (A+++) sound on side two and an outstanding Double Plus (A++) side one – fairly quiet vinyl too
Amazingly natural “you are there” sound – the room and the piano sound exactly the way I’ve heard them in real life, so what more can you ask for?
“The little 2 and 3 part creations last just a couple minutes each and present a wealth of creativity from the mind of Johann Sebastian, expertly enunciated by the most technically complete Bach pianist of the century.” Larry VanDeSande
4 1/2 stars: “For many, the albums Glenn Gould recorded for Columbia between 1955 and 1981 are documents of unalloyed genius, particularly in his imaginative and masterful performances of Bach’s keyboard works.”
This is an exceptionally quiet Shaded Dog pressing with SUPERB SOUND on side one. The organ is so big and relaxed sounding you can’t help but forget you are in your listening room, not a church.(more…)