_Composers – Massenet

Massenet / Le Cid Ballet Music – Now With New and Improved Smile Curve EQ

Klavier Is a Label Best Avoided by Audiophiles

They Make Records Perfectly Suited to the Stone Age Stereos of the Past

Sonic Grade: D

This hi-fi-ish Doug Sax/ Acoustic Sounds butchering of Fremaux’s performance from 1971 is insufferable.

Can this possibly be the sound that EMI engineer Stuart Eltham was after?

Back in the day audiophiles in droves bought this pressing from all the major mail order audiophile record dealers (you know who I’m talking about), apparently not noticing the overblown bass and spark-spark-sparkling top end.  Perhaps the same audiophiles who think that Mobile Fidelity makes good sounding records?

The Smile Curve

If you’ve spent any time on this site, you should know by now that many audiophile records sound worse than the typical CD. The typical CD does not have an equalization curve resembling a smile. The classic smile curve starts up high on the left, gets low in the middle, and rises again at the end, resulting in boosted bass, boosted top end, and a sucked out midrange — the Mobile Fidelity formula in a nutshell.

If your system needs boosted bass and highs, perhaps because your speakers are too small, well, I suppose you could try this Klavier pressing.

Better yet, fix your stereo so you won’t need phony audiophile records like this one to make it sound good. (more…)

Rabin / The Magic Bow / Slatkin – Reviewed in 2010

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This original Capitol record with Michael Rabin is ONE OF THE VERY BEST VIOLIN RECORDINGS we have ever played here at Better Records. The sound is OUT OF THIS WORLD! The immediacy of the violin tone is unbelievable — Rabin is in the room with you throughout the entirety of the record in a way that few recordings in our experience could hope to equal.

What more can we say, other than the music is every bit as good as the sound. If you love the Classical Romantic period, and who doesn’t, these selections will have you in a world of sound and music rarely matched by anything but the best in live performance.

Another TAS List Oversight

This is another record that is not on the TAS List, but would certainly take top honors in a head to head shootout with any of the violin works to be found there. (more…)

Debussy / Clair de Lune on Stereo Treasury

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The STS is not impressive on the few we’ve played, for no reason other than they are simply not that sonically impressive. British vinyl, British mastering, just not especially good sound. Save your money.

Kenneth Wilkinson engineered in Walthamstow Assembly Hall. (more…)

Debussy / Clair de Lune / Agoult

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A KILLER sounding copy with Shootout Winning Triple Plus (A+++) sound or close to it on both sides 

These sides are incredibly rich, sweet and full-bodied yet still very clean, clear and spacious; Demo Disc sound throughout!

This is the exact same recording as the famous Living Stereo Clair De Lune, LSC-2326, but with a couple of extra tracks included

Transparent and spacious, wide and naturally staged, clean yet rich, with zero coloration, there is nothing here to fault. Nearly Triple Plus all the way. So relaxed and natural you will soon find yourself lost in the music. (more…)

Massenet / Le Cid Ballet & Meyerbeer / Les Patineurs – A Good Speakers Corner Decca

More of the music of Jules Massenet (1842-1912) 

Le Cid Ballet & Meyerbeer 

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Sonic Grade: B

Finally a version of Le Cid that we can enjoy! Superb sound with a performance to match! No more suffering through the hi-fi-ish Doug Sax/ Acoustic Sounds rebutchering of the Fremaux on Klavier.  

Audiophiles in droves bought into that one, apparently not noticing the overblown bass and spark-spark-sparkling top end. Thankfully we now have this Decca from Speakers Corner to demonstrate proper orchestral balance. (more…)

Massenet / Le Cid Ballet Music – Now With Smile Curve

Klavier Is a Label Best Avoided by Audiophiles

A Record Perfectly Suited to the Stone Age Stereos of the Past

Sonic Grade: D

This hi-fi-ish Doug Sax/ Acoustic Sounds butchering of the Fremaux on Klavier is insufferable.

Back in the day audiophiles in droves bought them from all the major mail order audiophile record dealers (you know who I’m talking about), apparently not noticing the overblown bass and spark-spark-sparkling top end.  Perhaps the same audiophiles who think that Mobile Fidelity makes good sounding records?

The Smile Curve

If you’ve spent any time on this site, you should know by now that many audiophile records sound worse than the typical CD. The typical CD does not have an equalization curve resembling a smile. The classic smile curve starts up high on the left, gets low in the middle, and rises again at the end, resulting in boosted bass, boosted top end, and a sucked out midrange — the Mobile Fidelity formula in a nutshell.

If your system needs boosted bass and highs, perhaps because your speakers are too small, well, I suppose you could try this Klavier pressing.

Better yet, fix your stereo so you won’t need phony audiophile records like this one to make it sound good.

FURTHER READING

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records.

You can find this one in our Hall of Shame, along with more than 350 others that — in our opinion — qualify as some of the worst sounding records ever made. (On some records in the Hall of Shame the sound is passable but the music is bad.  These are also records you can safely avoid.)

Note that most of the entries are audiophile remasterings of one kind or another. The reason for this is simple: we’ve gone through the too-often unpleasant experience of comparing them head to head with our best Hot Stamper pressings.

When you can hear them that way, up against an exceptionally good record, their flaws become that much more obvious and, frankly, that much more inexcusable.

Either of the two records shown below will unquestionably be better sounding than the Klavier pressing.

 

 

 

 

What to Listen For on Classical Records

Best Orchestral Performances with Top Quality Sound

Well Recorded Classical Albums – The Core Collection

Well Recorded Classical Albums from The Core Collection Available Now

Massenet / Le Cid / Martinon – This Blueback Was Awful

More of the music of Jules Massenet (1842-1912) 

Le Cid / Martinon 

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Sonic Grade: F

Hall of Shame pressing. Don’t buy into that record collecting / audiophile canard that the originals are always better.

The original Blueback pressing — true, we only had the one, so take it for what it’s worth — was a complete disaster: shrill, with no top or bottom to speak of.  (more…)

Massenet / Le Cid / Martinon – Our Shootout Winner from 2011

More of the music of Jules Massenet (1842-1912) 

Le Cid / Martinon 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Superb Super Hot Stamper sound for Les Patineurs, and the Le Cid is just a step behind at A+ to A++. We had a copy of the famous Greeensleeves pressing for our shootout, along with a number of Londons, and this Stereo Treasury had the highest overall sonic grades of all of them. The original Blueback pressing — true, we only had the one, so take it for what it’s worth — was a complete disaster: shrill, with no top or bottom to speak of.

Both these pieces are audiophile Must Own Demonstration pieces, full of depth, ambience, and wonderfully correct instrumental timbres, especially from the woodwinds. Add explosive dynamics and deep bass and you have yourself a genuine audiophile recording.   (more…)

Massenet / Le Cid / Fremaux / City of Birmingham Symphony

More of the music of Jules Massenet (1842-1912) 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This is a record that clearly belongs on a Super Disc list; if Harry hadn’t already put it there we certainly would have. (We would love to compile a Super Disc list of our own, but unless you have just the right copy of whatever title you find on the list, you may not have anything like Super Disc sound quality, so why a list at all? It creates more problems for audiophiles than it solves.)  (more…)

Debussy / Clair de Lune / Agoult – Compare and Contrast Sides One and Two

More of the music of Claude Debussy 

More Clair de Lune / Agoult 

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This Shaded Dog LP has DEMONSTRATION QUALITY SOUND, if what you’re demonstrating is not a Hi-Fi spectacular, but rather a sublime presentation of a truly sweet and natural string section of an orchestra, presented here on analog disc created more than fifty years ago.  

I can’t imagine a more beautiful record, both in terms of the program and the sound. This record is a wonderful example of what the Decca recording engineers were able to capture on tape, and the RCA mastering engineers were able to master from tape. (more…)