An outstanding 360 Columbia pressing of Johnny Winter’s sophomore release, with Double Plus (A++) sound from start to finish
This vintage pressing has the MIDRANGE MAGIC that’s surely missing from whatever 180g reissue has been made from the 50+ year old tapes (or, to be clear, a modern digital master copied from those tapes)
There is a surprisingly healthy dose of bottom end in this recording – it’s the right sound for this kind of heavy blues-rock
4 1/2 stars: “Winter’s debut album for Columbia was also arguably his bluesiest and best… [his] playing and vocals have yet to become mannered or clichéd on this session, and if you’ve ever wondered what the fuss is all about, here’s the best place to check out his true legacy.”
Vintage covers for this album are hard to find in exceptionally clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
This Columbia 360 Stereo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
A superb sounding copy with solid Double Plus (A++) sound on all three sides!
All these sides are cleaner and clearer than most of the typically murky LPs we played, yet full-bodied and balanced with a solid bottom end and plenty of energy
The most famous 3 sided double album in rock and roll history – why fill out a fourth side when you only have enough good material for three?
Allmusic 1 1/2 Stars: “His reworking of Dylan’s “Highway 61 Revisited” is the high spot of the record, a career-defining track that’s still a major component of his modern-day set list.”
We just finished our first big shootout for Second Winter in years, and let me tell you, it is TOUGH to find Hot Stamper pressings of Second Winter. Most copies were congested, veiled and murky, but this one has the kind of clarity and openness that let you make sense of the music.
If you’re not familiar with the vinyl pressings of this album, you might be surprised when you pick up the second disc. Even though there are two LPs, there are only three sides with music. Side four has no grooves and is completely blank. The liner notes explain that spreading it out to three sides allowed them to get the best possible sound, and (thankfully) they didn’t want to add any filler.(more…)