Labels We Love – Capitol

The Band – The Band

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  • With superb Double Plus (A++) sonic grades or BETTER on both sides, this is an outstanding copy of an absolutely essential album
  • Big bass, rich meaty guitars and smooth silky vocals make this a Band album like you have never heard before
  • Not only is the sound superb, but both sides here play Mint Minus Minus, about as quiet as we can find them
  • 5 stars: “As had been true of the first album, it was the Band’s sound that stood out the most… The arrangements were simultaneously loose and assured, giving the songs a timeless appeal…”

The lucky person who takes this record home is in for quite a shock. This very pressing is proof positive that this album is much better recorded than the audiophile community gives it credit for being. How could anyone judge the sound of the record without a great copy such as this one to play?

This vintage pressing has no trace of phony sound from top to bottom. It’s raw and real in a way that makes most pop records sound processed and wrong. These two sides have plenty of the qualities we look for in an album by The Band. Energy, presence, transparency, Tubey Magic… you name it, you will find it here. Its biggest strength — and the biggest strength of the album as a whole — is its wonderful, natural midrange.

And the bass is HUGE. On the best copies it always is.

Drop the needle on The Night They Drove Old Dixie Down or King Harvest Has Surely Come and get ready for some serious Analog Magic. This is a Band album like you have never heard before. (more…)

Rabin / The Magic Bow / Slatkin – Reviewed in 2010

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This original Capitol record with Michael Rabin is ONE OF THE VERY BEST VIOLIN RECORDINGS we have ever played here at Better Records. The sound is OUT OF THIS WORLD! The immediacy of the violin tone is unbelievable — Rabin is in the room with you throughout the entirety of the record in a way that few recordings in our experience could hope to equal.

What more can we say, other than the music is every bit as good as the sound. If you love the Classical Romantic period, and who doesn’t, these selections will have you in a world of sound and music rarely matched by anything but the best in live performance.

Another TAS List Oversight

This is another record that is not on the TAS List, but would certainly take top honors in a head to head shootout with any of the violin works to be found there. (more…)

Glen Campbell – By The Time I Get To Phoenix

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  • Glen Campbell’s superb 1967 release makes its Hot Stamper debut with outstanding Double Plus (A++) sound or BETTER throughout
  • This stereo pressing is relaxed, full-bodied and high-rez, not to mention uncannily present – it’s an outstanding pressing of a surprisingly good recording
  • Most of Glen’s records from mid-’60s make him sound like he’s singing through an AM radio, so when we finally heard some good stampers on this title, we could hardly believe it
  • 4 stars: “Glen Campbell’s commercial breakthrough came by way of the title track, which was the direct precursor in production terms to “Wichita Lineman,” and by the same writer.”

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Frank Sinatra – A Swingin’ Affair!

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This is a very nice looking original Capitol Grey/Black Label LP. As for sonics, the record starts off a little problematically but things really start cookin’ by track two when the sound becomes sweet and warm. By the way, this Capitol Label was only used from 1956 until 1957. This record plays Mint Minus Minus about as quiet as any early Capitol pressing you’re likely to ever hear.

The record was number one in the UK for 7 straight weeks! (more…)

Bob Seger – Stranger In Town

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  • An outstanding copy of Seger’s 1978 release with solid Double Plus (A++) sound or close to it on both sides
  • One of the few Bob Seger recordings capable of audiophile quality sound – this pressing is big, full and Tubey Magical (for 1978) with plenty of rock and roll energy
  • If you own a radio you know Stranger In Town – more than half of it still gets played on the radio to this day
  • 4 1/2 stars: “…it’s as lively as Night Moves, rocking even harder in some places and being equally as introspective in the acoustic numbers. If it doesn’t feel as revelatory as that record, in many ways it does feel like a stronger set of songs.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


Stranger In Town and Night Moves are clearly the two Must Own albums for Bob Seger fans, and with sound this good we would count ourselves among those who find his music interesting and compelling. (“Main Street” on Night Moves is one of the best radio-friendly pop songs ever recorded.)

Both these sides had the energy and rock solid weight we were looking for on this Classic Rock Album from 1978. If you own a radio you know Stranger In Town, because more than half the tracks got plenty of airplay, including:

Hollywood Nights
Still The Same
Old Time Rock & Roll
Feel Like A Number

and that monster power ballad, complete with strings (!):

We’ve Got Tonight

All sounding pretty darn good! (more…)

Frank Sinatra – Nice and Easy – Our Shootout Winner from 2013

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

It’s been a long time coming but we’re pretty sure whoever takes this bad boy home will agree that it’s been worth the wait. Here’s the first White Hot Stamper of The Chairman’s classic Nice ‘n’ Easy to ever hit the site! This killer pressing has an A+++ side one, an A++ side two, and unusually quiet vinyl throughout. Take this one home and play it against the MoFi pressing for a good laugh — this thing will positively SMOKE whatever other version you might have in your collection, guaranteed. 

Definitely one of the most fun Sinatra albums, especially when it sounds like this!

It’s tough to find great sound for this album — most copies are pretty mediocre and the MoFi is godawful. That piece of garbage gets Frank’s voice completely wrong, thinning it out and boosting it at the top of his range. No one else besides MoFi ever managed to make Frank Sinatra’s voice sound this way, so what are the chances that they’re right and everybody else is wrong? (more…)

Bob Seger & The Silver Bullet Band – The Distance

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  • The Distance finally makes its Hot Stamper debut with outstanding Double Plus (A++) sound or BETTER throughout – exceptionally quiet vinyl too
  • Rich, dynamic and natural sounding with low end weight, midrange smoothness and powerful, punchy bass
  • Features an A-list of rock and rollers, including Glenn Frey, Bonnie Raitt, and Don Felder, just to name a few
  • 4 stars: “The Distance was hailed as a return to form upon the time of its release and, in many ways, might be a little stronger, a little more consistent than its predecessor, Against the Wind”

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Frank Sinatra – Close To You – Sounds Great in Mono

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This nice looking Capitol Rainbow Label pressing has SUPERB SINATRA SOUND! His voice is PERFECTION. Rich, sweet, and completely free of phony EQ (Mobile Fidelity take note!), this record will put a living, breathing Sinatra between your speakers. Normally I’m not a big fan of these slower, ballady Sinatra records, but he’s so good here, it’s difficult to find fault with music and sound like this. (more…)

Linda Ronstadt / Heart Like A Wheel – Truly a Country Rock Masterpiece

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  • With Shootout Winning Triple Plus (A+++) grades or close to them, this copy was giving us KILLER sound for Linda Ronstadt’s Best Album
  • Both sides here are rich, full-bodied and warm, with harmonically rich guitars and real immediacy to Linda’s heartfelt vocals
  • A Must Own Classic, the best album Ms Ronstadt ever made, and a True Country Rock Masterpiece virtually without peer
  • 5 stars: “What really makes HLAW a breakthrough is the inventive arrangements that producer Peter Asher, Ronstadt, and the studio musicians have developed. …[they] help turn Heart Like a Wheel into a veritable catalog of Californian soft rock, and it stands as a landmark of ’70s mainstream pop/rock.”

I’ve been playing HLAW since the year it came out, roughly 46 years by my calculation, and I can tell you it is no easy task to find this kind of smooth, sweet, analog sound on the album. Folks, we heard it for ourselves: the Heart Like A Wheel magic is here on practically every song.

Pay special attention to Andrew Gold’s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold.

A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing. (more…)

Bonnie Raitt – Nick Of Time

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  • An insanely good pressing with Shootout Winning Triple Plus (A+++) sound or close to it from the first note to the last – exceptionally quiet vinyl too
  • These sides are rich and full-bodied with a nice extended top end and tight, note-like bass – Have A Heart is a Demo Quality track
  • Some of the sweetest, richest, most ANALOG sound we’ve heard from any record Don Was produced
  • 4 1/2 stars: “Producer Don Was used Raitt’s classic early-’70s records as a blueprint, choosing to update the sound with a smooth, professional production and a batch of excellent contemporary songs. In this context, Raitt flourishes; she never rocks too hard, but there is grit to her singing and playing, even when the surfaces are clean and inviting. A great comeback album that made for a great story.”

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