Labels We Love – Capitol

Frank Sinatra – Moonlight Sinatra

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

Out of this world Triple Triple (A+++) sound – this is sure to be one of the best Sinatra records you’ll ever hear. Both of these Shootout Winning stereo sides are unbelievably rich and Tubey Magical – this is some killer Frank Sinatra sound. We’ve been working on this shootout for years – this is the first – and best – copy we have to show for our efforts.

This Blue Green Label LP also has the MIDRANGE MAGIC that’s missing from the later reissues. As good as some of them can be, this one is dramatically more REAL SOUNDING. It gives you the sense that Frank Sinatra is right in front of you.

He’s no longer a recording — he’s a living, breathing person. We call that “the breath of life,” and this record has it in spades. His voice is so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music, because there’s no “sound” to distract you.

Reprise pressings — like every label’s pressings — are all over the map. When you find a good one, you can be pretty sure it’s the exception, not the rule. (more…)

Frank Sinatra – Look To Your Heart

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Triple Plus (A+++) on side one, with a side two that is right up there with it – outstanding sound quality from first note to last. This copy was the fullest, richest and smoothest, with the best bass and most natural vocals of any we played. Recorded from 1953-1955, this mono collection of singles and such gives us Old Blue Eyes in his Capitol-period prime.

The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most.

This Hot Stamper pressing has the kind of ’50’s Tubey Magical Analog Sound that’s been lost to the world of recorded music for decades — decades I tell you! Nobody can manage to get a recording to sound like this anymore and it seems as if no one can even remaster a recording like this anymore, if our direct experience with scores of such albums counts as any sort of evidence.

Steve Hoffman is the guy that can get the closest in this regard, but the difference between The Real Thing and even the best of his Remasters is not the slightest bit hard to hear. (more…)

Cannonball Adderley – Mercy, Mercy, Mercy!

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  • With a Triple Plus (A+++) Shootout Winning side one and a superb Double Plus (A++) side two, this pressing one of Adderley’s most enjoyable albums will be very hard to beat
  • The sound here is bigger and livelier than practically any other we played – above all it’s balanced, avoiding the tonality issues we heard on so many other pressings
  • Joe Zawinul (Weather Report) wrote the title song, which became a big hit for Adderley (and later The Buckinghams), and he plays on the album
  • 5 Stars: “Adderley’s irrepressible exuberance was a major part of his popularity, and no document captures that quality as well — or with such tremendous musical rewards — as Mercy, Mercy, Mercy.”

Don’t worry about surface noise on this copy. With the audience making so much noise, you’ll never get a chance to hear it. If you do it will be barely audible under the music and crowd sounds.

I dropped the needle on a copy of this record a year or so ago and heard amazing you-are-there live jazz club sound, and, more importantly, a hot session from one of our favorite saxophone players of all time, the man who contributed mightily to the likes of Kind of Blue, Somethin’ Else, Know What I Mean? and many more. For an Alto player Cannonball is just about as good as it gets.

Fast forward one year and we now have in our possession enough copies to do a proper shootout – originals and reissues on a variety of labels.

These were of course two of the best sides we played. They’re big, rich and natural. The music does manage to sound like a live club, even though it’s live in the studio, playing to an audience. (The AMG review has more on that.)

For mainstream jazz it’s hard to think of any album on our site that would be more enjoyable. (more…)

Frank Sinatra – Only The Lonely – Our Shootout Winner from 2014

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

It is TOUGH to find a good sounding Only The Lonely, but this pressing really delivers. Frank’s vocals sound present, breathy, and full — just the way they need to.

According to John Rockwell’s book, Sinatra: An American Classic, when asked at a party in the mid-1970s if he had a favorite album among his recordings, without hesitation, Sinatra chose Only the Lonely.

Sinatra was nominated for five Grammys at the inaugural Grammy Awards in 1959. Frank Sinatra Sings for Only the Lonely and Sinatra’s other album released in 1958, Come Fly with Me, were nominated for the Album of the Year, and Frank Sinatra Sings for Only the Lonely won the Grammy Award for Best Album Cover.

Wikipedia (more…)

Listening in Depth to Heart Like a Wheel

 

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Heart Like a Wheel

and click on this link to the

Classic Tracks

entry for the album to read about it in real  depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Heart Like a Wheel.

A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing.

Pay special attention to Andrew Gold’s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold. (more…)

Nat King Cole Sings / George Shearing Plays

More Nat King Cole

More Nat King Cole Sings / George Shearing Plays

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  • You’ll find outstanding Double Plus (A++) grades or BETTER on both sides of this wonderful collaboration from 1962 
  • Two masters come together here to create a compilation of timeless arrangements still appreciated by both music lovers and audiophiles to this day
  • It’s tough to find top quality sound for Nat King Cole – here’s your chance to hear just how good he sounded on this All Tube Recording from the early ’60s
  • “Cole is in prime form on such songs as “September Song,” “Pick Yourself Up,” and “Serenata.” Shearing’s accompaniment is tasteful and lightly swinging, and the string arrangements help to accentuate the romantic moods.”

The better pressings of this unique collaboration between Nat King Cole and George Shearing put Cole’s voice right up front with lovely breath and natural texture. On the better copies such as this one, the Nat’s vocals are full-bodied, the piano has real weight, and the soundfield is open and transparent. If you want a great sounding male vocal LP in your collection, this one will do the trick nicely. (more…)

Bonnie Raitt – Nick Of Time – Our White Hot Shootout Winner for 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This Minty Capitol LP has an UNBELIEVABLE White Hot Stamper As Good As It Gets (AGAIG) Side Two backed by a Side One that was nearly its equal! The original grade for side one was in fact A+++, but after hearing a copy that was even better we had to lower the grade to A Double Plus. Hey, that’s how we roll here at Better Records. Side one will blow your mind, but if we hear something better, we lower the grade on the nearly White Hot copy, no matter how good it is. 

We expect that, as good as side one is, when you drop the needle on side two you will hear EVEN BETTER sound.

Prepare to have your mind blown, because this album sure sounds a whole lot better than I remember it. And that’s a good thing. I have a new respect for this album (along with Don Was’ somewhat heavy-handed production).

Both sides are POWERFULLY BIG AND BOLD, with meaty, deep bass (such a big part of the rockers here, Thing Called Love being a prime example) and the sweetest, richest, most ANALOG sound we’ve heard from any record Don Was has been involved with. When you hear it like this — something probably pretty close to what he heard during the control room playback for the final mix — it actually makes sense. It works. It’s not exactly “natural”, but natural is not what they were going for, now is it?

Missing Too Much

The no-longer-surprising thing about these Hot Stamper pressings is how completely they MURDER the DCC LP. Folks, it’s really no contest. Yes, the DCC is tonally balanced and can sound very good, but it can’t compete with the best original pressings. It’s missing too much of the presence, intimacy, immediacy and transparency that we’ve discovered on these hot copies.

Like practically every Heavy Vinyl record pressed at RTI, there is a suffocating loss of ambience throughout, a kind of sterility to the sound. These remastered records just do not BREATHE like the real thing. Good EQ or Bad EQ, they all suffer to one degree or another from a kind of audio enervation. Where is the life of the music? You can turn up the volume on these remastered LPs all you want but they just never seem to want to come to life. We play albums like this VERY LOUD. I’ve seen Bonnie Raitt live a number of times and although I can’t begin to get her to play as loud in my livingroom as she did on stage, I can try. To do less is to do her a great disservice. (more…)

Dean Martin – Sleep Warm

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  • Martin’s superb 1959 release makes its Hot Stamper debut here with outstanding Double Plus (A++) sound or BETTER throughout
  • Richer, warmer, more natural, more relaxed, this is what vintage analog is all about, that smooth, tonally correct sound that never calls attention to itself and never gives you the sense that someone tried to “fix” it
  • One of the man’s few recordings for Capitol with audiophile potential (and rare in unmarked condition) – it features arrangements by the great Pete King and an orchestra conducted by none other than Frank Sinatra
  • 4 stars: “Martin brought more attention to the sessions than usual, and the sympathetic string arrangements supported his romantic vocals, making this one of his best album releases.”

(more…)

The Band – Music From Big Pink

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  • Two strong Double Plus (A++) sides AND quiet vinyl make this a consistently impressive copy of this all-time classic album
  • Forget all those lifeless, ambience-free, vague sounding Heavy Vinyl pressings – THIS is the sound of the album
  • It’s big, punchy and dynamic, and resolves all the intricacies of the recording that make it so interesting to us audiophiles
  • 5 stars on Allmusic: “Over time, Music from Big Pink came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre.”

We guarantee you have never heard Music from Big Pink sound remotely as good as it does on this very copy. (more…)

Frank Sinatra – Come Swing With Me! – Our Shootout Winner from 2005

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A distinguished member of the Better Records Hall of Fame.

I discovered that some of these later Capitol reissues can really sound good about ten years ago. They’re cheap when you find them because collectors don’t want them and audiophiles as a whole think that cheap reissues always sound bad. But here at Better Records we don’t really deal too much with record collectors per se. We deal with that tiny minority of audiophiles who want real music that actually sounds good. (The majority of audiophiles want Patricia Barber records and they can have her.)

So we love finding great Sinatra albums from his prime recording days that actually sound the way we want them to — lively and fun.

This means slogging through lots of bad pressings in order to find the gems like this one. Buy hey, somebody’s got to do it. I guess it might as well be me since nobody else wants the job. (more…)