Top Engineers – Robert Eberenz

Bach / Suites for Solo Cello – Reviewed in 2010

Hot Stamper Mercury Pressings Available Now

Reviews and Commentaries for Classical Records on Mercury 

EXCELLENT CELLO REPRODUCTION and MOSTLY QUIET VINYL on side one, where you get Bach’s entire Suite No. 2 for Unaccompanied Cello. Side two has excellent sound as well but the vinyl is noisy so take this one at a bargain price and hear how wonderful a cello can sound when recorded and mastered for maximum effect, live in your listening room!

The sound of Starker’s cello here is HUMONGOUS — it’ll fill up your room, wall-to-wall and floor-to-ceiling. Click on the link to see other recordings with oversized images.

It’s also tonally correct from top to bottom, a quality we heard on none of the Mercury Heavy Vinyl Reissues, some of the worst sound we had heard from Speakers Corner up to that time, but very much in keeping with overly rich, overly smooth sound of the Heavy Vinyl records being made today. We despise that sound and want nothing to do with it.

Two Mercury recordings of Starker’s are currently on the TAS List, SR 90303 and SR 90392. I suppose we could order them up, audition them and list their many sonic shortcomings, since we do have nice copies of both albums in the backroom, just not enough to do a shootout, but there are so many other good pressings to play, why go out of way to play another second- or third-rate Heavy Vinyl pressing?

(By the way, we have a new link for audiophile pressings that are tonally correct but are wrong in other ways (as they usually are). You can assume that our Hot Stamper pressings are tonally correct for the most part, as correct tonality is fairly key to high quality sound. Not essential, but important nevertheless.)

The cutting is super low distortion on this later label copy as well. This copy will show you why these Starker Mercury records are so highly prized.

Starker’s records are legendary for their sound, not to mention Starker’s way with this music. If anybody can make Bach’s solo cello pieces capture your interest, Starker can. (more…)

Liszt / Smetana / Mussorgsky – Les Préludes / The Moldau / Night On Bald Mountain / Dorati

More of the music of Franz Liszt (1811-1886)

More Recordings on Mercury

  • With seriously good sound on both sides, this copy will show you just how good the Mercury engineers were back in those days
  • Liszt’s Les Preludes on side two has the better sound here, and it is one of the best on record
  • Dorati breathes life into these concert hall favorites as only he can, and the Mercury engineers (Fine and Eberenz) capture the excitement on tape as only they can
  • We have a preference for Dorati’s recordings with the London Symphony Orchestra, and a record like this will show you exactly why we do
  • The exciting sound of Mercury lives on through the vintage disc they made all those years ago
  • If you’re a fan of orchestral showpieces such as these, this LP from 1960 belongs in your collection
  • The complete list of titles from 1960 that we’ve reviewed to date can be found here.

(more…)

Prokofiev & Rachmaninoff / Piano Concertos / Janis / Kondrashin

More of the music of Sergei Prokofiev (1891-1953)

More of the music of Sergei Rachmaninoff (1873-1943)

  • This pressing has Beyond White Hot Stamper (A++++) sound on side one – sound that must be experienced to be believed! – backed with stunning Triple Plus (A+++) sound on the second side – exceptionally quiet vinyl too 
  • The finest Prokofiev No. 3 and Rachmaninoff Piano Concerto No. 1 – these performances by Janis are legendary, and with phenomenal sonics like these, this combination of sound and performance is all but unmatched in our experience
  • So big, so, rich, so transparent, so dynamic and full of life, we guarantee you have never heard a better piano concerto record in your life
  • Compare the weight of the piano on the two sides to see why the grades are so different
  •  We no longer give Four Pluses out as a matter of policy, but that doesn’t mean we don’t come across records that deserve them from time to time.

Please note: we award the Four Plus grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. We rarely find records with this kind of sound, just a few times a year at most — this is the only one on the site at this time.

Side one shows up on the chart as A+++, but when you hear this copy you will know why we gave it that fourth plus!

This is an exceptionally quiet early Mercury Plum label stereo pressing of two of Byron Janis’s most famous performances (along with the Rachmaninoff 3rd, which is every bit as good). It’s a longtime member of the TAS Super Disc list.

The recording is explosively dynamic and on this copy, the sound was positively jumping out of the speakers. In addition, the brass and strings are full-bodied and rich, with practically no stridency, an unusual feat the Mercury engineers seem to have accomplished while in Russia.

Big, rich sound can sometimes present problems for piano recordings. You want to hear the percussive qualities of the instrument, but few copies pull off that trick without sounding thin. This one showed us a piano that was both clear and full-bodied.

With huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard. Once the needle has dropped you will quickly forget about the sound and simply find yourself in the presence of some of the greatest musicians of their generation captured on some of the greatest analog recordings of all time. (more…)