The right original British pressings are an audiophile dream when they have this kind of punchy bass and pile-driving energy
Bill Price engineered and Chris Thomas produced, brilliantly of course – you know them from the Sex Pistols’ debut and The Clash’s London Calling
4 stars: “What’s more the unique American voice of Hynde matched with the tribal beat of Martin Chambers and spangly guitar of Honeyman-Scott was as close to perfect as a band could get in the late 70s.”
If you’re a fan of these hard-rockin’ Brits (with an American frontwoman), this classic from 1981 surely belongs in your collection.
The complete list of titles from 1981 that we’ve reviewed to date can be found here.
If any of this commentary looks familiar there’s a simple explanation for that fact; it’s lifted practically wholesale from our listings for the first Pretenders album.
The two albums are twins, with the same engineer, the same producer, even the same band members, something that was regrettably and tragically to change soon enough.(more…)
An outstanding UK pressing of the band’s debut studio album, with solid Double Plus (A++) sound from top to bottom
Here are the full-bodied mids, punchy lows, and clear, open, extended highs that let this Pretenders Classic come to life, and beat the pants off the dubby domestic pressing, and anything else you care to put up against it
One of engineer Bill Price’s better efforts behind the boards, and Chris Thomas’s production is State of the Art
5 stars: “Few rock & roll records rock as hard or with as much originality as the Pretenders’ eponymous debut album. A sleek, stylish fusion of Stonesy rock & roll, new wave pop, and pure punk aggression, Pretenders is teeming with sharp hooks and a viciously cool attitude.”
Forget the dubby domestic vinyl, these Brit pressings are the only way to go. (more…)
A superb pressing of the band’s third studio album with Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner – exceptionally quiet vinyl too
It takes years to get a shootout for this album going – three to five is my best guess, so get while the gettin’s good if you’re a fan of the most muscular rock album this band ever recorded
Both sides of this (very specific and hard to find) import pressing were richer, clearer and more energetic than virtually any of the others we played
With Robbie McIntosh having joined the band, this is first and foremost a guitar rock record – his brilliant, jangly, grungy riffs drive every song
5 stars: “Three albums into her recording career, Chrissie Hynde found herself having to put the past to bed and carve out a new beginning for herself with Learning to Crawl, but she pulled it off with a striking mixture of courage, strength, and great rock & roll; with the exception of the instant-classic debut album, it’s the Pretenders’ finest work.”
Get Close has long been a personal favorite of mine. Side one starts off with a bang with My Baby, one of the best tracks this band ever recorded. Of course at this point it’s hard to call The Pretenders a band as it is pretty much Chrissie Hynde’s show. She continues to mature as a songwriter, and the arrangements and production value are excellent as well, with heavy hitters such as Steve Lillywhite, Bob Clearmountain and Jimmy Iovine involved.
We have a link to the left entitled Women Who Rock. It would look better with Chrissie Hynde’s picture instead of some Lillith Fair type in a granny dress, but that’s neither here nor there. The fact is that no other woman on earth can rock the way Chrissie Hynde can, and this album, along with Learning to Crawl, is all the proof anyone would ever need.(more…)
The best copies have superb extension up top, which allows the grit and edge on the vocals to almost entirely disappear. Some of it is there on the tape for a reason — that’s partly the sound they were going for, this is after all a Bob Clearmountain mix and a Jimmy Iovine production — but bad mastering and pressing adds plenty of grit to the average copy, enough to ruin it in fact.
You can test for that edgy quality on side one very easily using the jangly guitar harmonics and breathy vocals of My Baby. If the harmonic information is clear and extending naturally, in a big space, you are more than likely hearing a top quality copy.(more…)
The first Triple Plus (A+++) Shootout Winning copy to hit the site in over a year – we’ve never heard it sound better
Both sides of this (very specific) German pressing were richer, clearer and more energetic than any of the others we played
With Robbie McIntosh having joined the band this is first and foremost a guitar rock record; his jangly, grungy riffs drive every song
5 Stars: “While Hynde hardly held back in her emotionally potent songwriting in the Pretenders’ early work, on Learning to Crawl there’s a gravity to her lyrics that blended with her tough but wiry melodic sense and streetwise intelligence to create a set of truly remarkable tunes…”
This is where Chrissie Hynde matured into a top class songwriter; every track is good and many are brilliant. With Robbie McIntosh having joined the band, this is first and foremost a guitar rock record; his jangly, grungy riffs drive every song. Great songs and great guitar work — what more do you need in a rock record?
Think of Middle of the Road — everything that’s good about this band on this album is there in that song: it’s uptempo, with a driving beat, a rock solid rhythm section and a beautifully distorted guitar out front and high up in the mix.