Top Artists – The Pretenders

The Pretenders on Nautilus Half-Speed – Ouch!

More from The Pretenders

Sonic Grade: D

Hall of Shame pressing and another Half-Speed Mastered Audiophile Pressing reviewed and found wanting.

Completely lifeless. This pressing takes all the rock out of rock and roll.

A ridiculous joke played on a far-too-credulous audiophile public.  

The top quality audiophile sound of the best import pressings comes courtesy of these guys:

Top Producers – Chris Thomas

Top Engineers – Bill Price

Top Engineers – Steve Nye

If you want to know just how good the album can sound, we make it easy to find out. Just order one of our famous Hot Stamper pressings.

Pretenders – Pretenders II

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  • Off the charts “Triple Triple” (A+++) sound for The Pretenders’ second album – both sides earned our top grade of A+++
  • With loads of solid, punchy bass and the richest, smoothest vocal reproduction, this pressing simply could not be beat
  • This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce
  • “What’s more the unique American voice of Hynde matched with the tribal beat of Martin Chambers and spangly guitar of Honeyman-Scott was as close to perfect as a band could get in the late 70s.”

If any of this commentary looks familiar there’s a simple explanation for that fact; it’s lifted practically wholesale from our listings for the first Pretenders album.

The two albums are twins, with the same engineer, the same producer, even the same band members, something that was regrettably and tragically to change soon enough. (more…)

The Pretenders – Get Close – Our Shootout Winner from 2016

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Get Close has long been a personal favorite of mine. Side one starts off with a bang with My Baby, one of the best tracks this band ever recorded. Of course at this point it’s hard to call The Pretenders a band as it is pretty much Chrissie Hynde’s show. She continues to mature as a songwriter, and the arrangements and production value are excellent as well, with heavy hitters such as Steve Lillywhite, Bob Clearmountain and Jimmy Iovine involved. 

We have a link to the left entitled Women Who Rock. It would look better with Chrissie Hynde’s picture instead of some Lillith Fair type in a granny dress, but that’s neither here nor there. The fact is that no other woman on earth can rock the way Chrissie Hynde can, and this album, along with Learning to Crawl, is all the proof anyone would ever need. (more…)

The Pretenders – Get Close

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What to Listen For

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

The best copies have superb extension up top, which allows the grit and edge on the vocals to almost entirely disappear. Some of it is there on the tape for a reason — that’s partly the sound they were going for, this is after all a Bob Clearmountain mix and a Jimmy Iovine production — but bad mastering and pressing adds plenty of grit to the average copy, enough to ruin it in fact.

You can test for that edgy quality on side one very easily using the jangly guitar harmonics and breathy vocals of My Baby. If the harmonic information is clear and extending naturally, in a big space, you are more than likely hearing a top quality copy. (more…)

The Pretenders – Learning To Crawl – Awesome on the Right German Pressing

More The Pretenders

More Learning To Crawl

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  • The first Triple Plus (A+++) Shootout Winning copy to hit the site in over a year – we’ve never heard it sound better
  • Both sides of this (very specific) German pressing were richer, clearer and more energetic than any of the others we played
  • With Robbie McIntosh having joined the band this is first and foremost a guitar rock record; his jangly, grungy riffs drive every song
  • 5 Stars: “While Hynde hardly held back in her emotionally potent songwriting in the Pretenders’ early work, on Learning to Crawl there’s a gravity to her lyrics that blended with her tough but wiry melodic sense and streetwise intelligence to create a set of truly remarkable tunes…”

This is where Chrissie Hynde matured into a top class songwriter; every track is good and many are brilliant. With Robbie McIntosh having joined the band, this is first and foremost a guitar rock record; his jangly, grungy riffs drive every song. Great songs and great guitar work — what more do you need in a rock record?

Think of Middle of the Road — everything that’s good about this band on this album is there in that song: it’s uptempo, with a driving beat, a rock solid rhythm section and a beautifully distorted guitar out front and high up in the mix.

German Pressings? Why Not British? (more…)

The Debut of Pretenders II

Our White Hot Shootout Winner

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  • Off the charts “Triple Triple” (A+++) sound for The Pretenders’ second album – both sides earned our top grade of A+++
  • With loads of solid, punchy bass and the richest, smoothest vocal reproduction, this pressing simply could not be beat
  • This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce
  • “What’s more the unique American voice of Hynde matched with the tribal beat of Martin Chambers and spangly guitar of Honeyman-Scott was as close to perfect as a band could get in the late 70s.”

If any of this commentary looks familiar there’s a simple explanation for that fact; it’s lifted practically wholesale from our listings for the first Pretenders album.

The two albums are twins, with the same engineer, the same producer, even the same band members, something that was regrettably and tragically to change soon enough.

Tubey Magic Is Key

This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

Forget the dubby domestic vinyl, these Brit pressings are the only way to go. (more…)