- An Out-Of-This-World UK pressing of The Beatles’ last and arguably greatest album, with Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
- The “medley” on side two in Triple Plus sound? On today’s modern systems, this copy can take you on a trip with The Beatles you could not have imagined was even possible when the record was released
- The stereo to play it didn’t exist back then, but it does now!
- This pressing might just give you a new appreciation for one of the Greatest Rock Albums of All Time, The Beatles’ Final Musical Statement, their Magnum Opus (along with Sgt. Pepper, of course)
- 5 stars, a permanent member of the Better Records Top 100, and a true rock and pop Demo Disc
- This is Exile raw and real the way it should be – full-bodied and punchy with great vocal presence and plenty of grungy rock and roll energy
- 5 stars: “Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones’ best records, but sets a remarkably high standard for all of hard rock.”
- If you’re a Classic Rock fan, this Must Own Classic from 1972 surely belongs in your collection.
- The complete list of titles from 1972 that we’ve reviewed to date can be found here.
All four sides here have the kind of bass, energy, and presence that is essential for this music to rock the way it wants to. A copy like this conveys the emotional power of The Stones’ performances in a way that most pressings simply fail to do.
This shootout is always a struggle, an uphill battle all the way. You’d have to find, clean and play a ton of copies to come up with four sides that can do this music justice. We’re sure that Stones fans and Hot Stamper die-hards are going to be very pleased with this copy.
This vintage Artisan mastered pressing (the only ones that have any hope of sounding good) has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
- An original UK import pressing with seriously good sound from start to finish
- Guaranteed to be a huge improvement over anything you’ve heard, this Brit is big, lively, and full-bodied with excellent presence – Kate’s wonderfully breathy vocals really soar
- The domestic pressings are clearly made from dubs and should have no business taking up space in any serious audiophile record collection (but you may have noticed that we have a habit of saying that about a lot of records)
- 4 1/2 stars: “…from the minutiae of each song to the broad sweeping arc of the two suites, all heavily ornamented with layered instrumentation, makes this record wonderfully overpowering as a piece of pop music.”
- If you’re a fan of the Ms Bush, her Magnum Opus from 1985 belongs in your collection.
- The complete list of titles from 1985 that we’ve reviewed to date can be found here.
- Spectacular Prog Rock sound explodes on this copy of the band’s phenomenally well-recorded debut album, mixed by none other than Alan Parsons – exceptionally quiet vinyl too
- Big Whomp Factor here – the bottom end is huge and punchy on this copy, like nothing you’ve heard
- “Its songs skillfully blend strong melodic hooks and smooth vocal harmonies with music of an almost symphonic density.”
- A permanent member of our Top 100 and, on big speakers at loud levels, a Rock Demo Disc of the Highest Order
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Ambrosia’s debut is a good example of a record many audiophiles may not know well but should.
- If you’re a fan of the band, this classic from 1975 belongs in your collection.
- The complete list of titles from 1975 that we’ve reviewed to date can be found here.
Folks, this LP is nothing short of a Sonic Spectacular. For that reason alone it would get a strong recommendation, but the music is so good that the brilliant sound is best seen as a bonus, not the sole reason to own the album.
These sides have the kind of energy that few titles can lay claim to. Put this one up against your best Dark Side of the Moon. Unless you bought a High Dollar copy from us, I’d say there’s almost no chance that this album won’t reduce it to vinyl rubble. (We talk about how similar the recordings are below.) (more…)
- With outstanding grades throughout, this pressing of Michael Jackson’s Masterpiece of Funky Rock Pop will be very hard to beat
- The sound is huge – big, wide, deep, and open, with a punchy bottom end and rhythmic energy to spare, as well as cleaner, smoother, sweeter upper mids and a more extended top
- Billie Jean and Beat It sound out of this world, but that’s not fair, since every track does
- A Top 100 and 5 Stars on AMG: “This was a record that had something for everybody, building on the basic blueprint of Off the Wall by adding harder funk, hard rock, softer ballads, and smoother soul — expanding the approach to have something for every audience.”
This is some of the best High-Production-Value rock music of the ’80s. The amount of effort that went into the recording of Thriller is comparable to that expended by the engineers and producers of bands like Supertramp, The Who, Jethro Tull, Ambrosia, Pink Floyd and far too many of our favorites to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.
Sound that came Jumping-out-of-the-speakers coupled with driving rhythmic energy were the hallmarks of the best copies. These qualities really brought this complex music to life, gave it room to breathe, and made it possible for us to enjoy the hell out of it. This is yet another definition of a Hot Stamper — it’s the copy that lets the music work as music. (more…)
- With superb sound on all six sides, this early British box set of All Things Must Pass will be very hard to beat
- Exceptionally quiet vinyl for this set – most of the copies we see are heavily played and prone to marks that repeat
- If you’ve struggled with domestic pressings and later imports or Heavy Vinyl reissues, your troubles are over – here is the sound you were looking for
- 5 stars: “Without a doubt, Harrison’s first solo recording is his best. Drawing on his backlog of unused compositions from the late Beatles era, Harrison crafted material that managed the rare feat of conveying spiritual mysticism without sacrificing his gifts for melody and grand, sweeping arrangements.”
- This is clearly George Harrison’s best sounding album. Roughly 100 other listings for the Best Sounding Album by an Artist or Group (sounds like a Grammy Awards category, doesn’t it?) can be found here.
- This is a Must Own Title from 1970, a great year for Rock and Pop music
- The complete list of titles from 1970 that we’ve reviewed to date can be found here
- KILLER Shootout Winning Triple Plus (A+++) sound or very close to it on both sides of this original Island Sunray pressing
- We had a wide variety of Islands (Pink and Sunray) and UK Polydor pressings, and if you want to know which of them sounds the best all you have to do is buy this LP!
- At good loud levels the horns blasting away on “21st Century Schizoid Man” are guaranteed to blow your mind on this copy
- 5 Stars: “The group’s definitive album, and one of the most daring debut albums ever …. it blew all of the progressive/psychedelic competition out of the running, although it was almost too good for the band’s own good — it took King Crimson nearly four years to come up with a record as strong or concise.”
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. In the Court of the Crimson King is a good example of a record many audiophiles may not know well but should.
Over the many years of doing shootouts for this album, we’ve listened to a lot of different pressings. Right from the start we could hear that no domestic pressing was, or was likely to ever be, remotely competitive with the best Brits.
Most later reissues — domestic or import — were as flat and lifeless as a cassette, although we admit that some were clearly better than others.
The MoFi pressing is one of their best. Unfortunately we have little tolerance for the dynamic compression, overall lifelessness and wonky bass heard on practically every record they ever remastered. One of the reasons your MoFi might not sound wrong to you is that it isn’t really “wrong.” It’s doing most things right, and it probably will beat whatever you can find to throw at it.
But it’s lacking some important qualities, and a listen to one of our Hot Stampers will allow you to hear exactly what you’re not getting when you play an audiophile pressing of In The Court Of The Crimson King, even one as good as MoFi’s.
Side by side the comparison will surely be striking. How much energy, size and power and passion is missing from the record you own? There’s only one way to find out, and it’s by playing a better copy of the album. This one will do nicely!
- A superb copy of Electric Ladyland with roughly solid Double Plus (A++) sound on all FOUR sides of this UK import
- Forget the Track originals – they can’t hold a candle to the Hot Stamper reissues like the one we are offering here
- Big, clear, tubey, sweet ANALOG sound – we played it good and loud and it was ROCKIN’!
- Probably the best-recorded of Hendrix’s studio albums – huge studio space and the Tubey Magical richness of analog are key to the best sound
- 5 stars: “…not only one of the best rock albums of the era, but also Hendrix’s original musical vision at its absolute apex.”
- If you’re a fan of Jimi and his band, this UK import of his 1968 classic belongs in your collection.
- The complete list of titles from 1968 that we’ve reviewed to date can be found here.
Some of Jimi’s best songs can be found here, including “Crosstown Traffic,” “Voodoo Child (Slight Return)” and his incendiary cover of Dylan’s “All Along The Watchtower.” All four sides have truly killer sound, big and full-bodied with a MUCH better low end than you’ll find on most. You get enough energy and weight to make the rock songs really ROCK, and enough clarity and transparency to bring out the more spacey, psychedelic elements that Jimi and Eddie Kramer worked so hard on.
Ready to go on a trip? You’ve come to the right place. While the sound is not Demo Quality on every track, the acid-drenched soundscapes created by Jimi and producer Eddie Kramer are certainly going to be exciting to the kind of audiophile who still digs Classic Rock. Unfortunately, most copies are missing a lot of the magic — the space, the tubes, the ambience, the size, the weight.
- A superb vintage UK copy of the band’s masterpiece – we guarantee the sound is dramatically bigger, richer, fuller, and livelier than any pressing you have ever heard, and on this record that is saying a LOT
- A tough record to find in audiophile playing condition – copies without audible marks were not easy to come by
- The band’s Magnum Opus, a Colossal Production to rival the greatest Prog, Psych and Art Rock recordings of all time (Whew!)
- 4 stars: “Thanks to the duo’s uncompromising stubbornness, expansive creative vision, and Dave Bascombe’s final production, The Seeds of Love has dated better than either of its predecessors and is inarguably Tears for Fears’ masterpiece.”
- It took us years, but we found a few outstanding Columbia 360 label pressings of Bridge Over Troubled Water in audiophile playing condition, and here is an awfully good one
- This pressing of Simon & Garfunkel’s classic boasts Double Plus (A++) sound throughout
- There’s a reason it’s been quite a few years since you’ve seen this title on our site – we have a devil of a time finding lightly-played 360s without marks or significant surface noise, especially for the title track
- The sound is big, lively, and clear, with the kind of Tubey Magical richness that only the best 360 pressings can offer
- Surely this is BY FAR the toughest album of theirs to find with top quality sound and decent surfaces
- This Magnum Opus ended the duo’s collaboration with a ginormous over the top production, which taxed the recording technology of the day and is sure to tax any system that attempts to reproduce it
- 5 stars: “Perhaps the most delicately textured album to close out the 1960s from any major rock act… the songs matched the standard of craftsmanship that had been established on the duo’s two prior albums”
Hey Guys and Gals, What’s With the High Prices for Common Rock Records?
The reason we never have this record in stock is that our failure rate for the copies we buy is probably between 70 and 80%. Some of those records we pay a hundred bucks for these days, five times what they cost us five or ten years ago. And they are few and far between.
The sound of these sides is a step up from almost everything else we played. The strings on the title track actually have some texture, and “Cecilia” comes to life in a way we guarantee you have never heard before. There’s also much less of the spit and grit that you find on many copies. (Less, but not none, that would be impossible, it’s on the tape.)
The sound is much more musical than you would expect if you own a reissue on the red label or an audiophile pressing of any kind. All our copies are on the 360 label, and none of them are on Heavy Vinyl or Half-Speed Mastered. If it’s not a 360, it’s not a Hot Stamper in our book.
If you own any modern Heavy Vinyl pressing, from the Classic Records version through whatever they are peddling now, you are in for a mind-blowing experience with this Hot Stamper pressing.