Top Artists – Grant Green

Stanley Turrentine – Rough ‘N Tumble

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  • With two Shootout Winning Triple Plus (A+++) sides, we guarantee you’ve never heard this kind of life and energy on any other Stanley Turrentine album
  • It’s rare for us to find New York label stereo pressings in audiophile playing condition, but here’s one, and it simply takes the recording (and the music) to another level
  • This session boasts all the top players: Blue Mitchell, Pepper Adams, McCoy Tyner, Grant Green, Bob Cranshaw, and Mickey Roker and more
  • “…the star of the show is Turrentine, and his warmth and playing make this a necessity, especially for fans ’60s pre-funk Blue Note jazz.”

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Grant Green’s Green Street on Heavy Vinyl – Music Matters, But Apparently Sound Does Not

Sonic Grade: F

A Hall of Shame pressing and a Heavy Vinyl Disaster if there ever was one (and oh yes, there are plenty).

After discovering Hot Stampers and the mind-blowing sound they deliver, a new customer generously sent me a few of his favorite Heavy Vinyl pressings to audition, records that he considered the best of the modern reissues that he owns.

He admitted that most of what he has on Heavy Vinyl is not very good, and now that he can clearly hear what he has been missing, having heard some of our best Hot Stamper jazz pressings, he is going to be putting them up on Ebay and selling them to anyone foolish enough to throw their money away on this kind of vinyl junk.

We say more power to him.  That money can be used to buy records that actually are good sounding, not just supposed to be good sounding because they were custom manufactured with the utmost care and marketed at high prices to soi-disant audiophiles.

Audiophile records are a scam. They always have been and always will be.

I haven’t listened to a copy of this album in a very long time, but I know a good sounding jazz record when I hear one, having critically auditioned more than a thousand over the course of the 33 years I have been in business selling good sounding records.

I knew pretty early on in the session that this was not a good sounding jazz record.  Five minutes was all it took, but I probably wasted another ten making sure the sound was as hopeless as it originally seemed.

For those of you who might have trouble reading my handwriting, my notes say: (more…)

Sonny Red – Images

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  • A STUNNING copy of Sonny Red’s 1962 release with Shootout Winning Triple Plus (A+++) sound from top to bottom – exceptionally quiet vinyl too
  • Tubey Magical Analog – the sound is open, spacious and transparent, with a huge three-dimensional soundfield
  • If you’re looking to demonstrate just how good 1962 All Tube Analog sound can be, this killer copy will do the trick, thanks to the superb engineering skills of Ray Fowler

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Herbie Hancock – My Point of View

More Herbie Hancock

More My Point of View

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A distinguished member of the Better Records Jazz Hall of Fame.

TWO KILLER SIDES, dramatically better sounding than the other copies we played it against. Both sides here are incredible — rich and warm with a huge bottom end and lots of space around the instruments. About as quiet as they come, Mint Minus to Mint Minus Minus throughout.

We’ve been saving up copies of this album for years in hopes we could find a top copy to put on the site; we were pleasantly surprised to find one this good on an early label with decent vinyl.

This is a great album, with a killer lineup that includes Grant Green, Donald Byrd, Tony Williams, Hank Mobley and more. If you’re a fan of Herbie’s debut album Takin’ Off, you’ll find much to like here. The typical pressing leaves much to be desired though — many copies we’ve played sounded a bit hollow and flat. Hot Stamper copies give you richer, fuller sound and more energy, qualities that really help this music shine. (more…)