Top Artists – Chet Atkins

Chet Atkins – The Other Chet Atkins

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Reviews and Commentaries for the Music of Chet Atkins

  • Insanely good sound throughout, with both sides earning Nearly Triple Plus (A++ to A+++) grades, just shy of our Shootout Winner
  • Rich, smooth, sweet, full of ambience, dead-on correct tonality — it’s all here
  • Need a refresher course in tubey magic after playing too many modern recordings or remasterings? This record is overflowing with it
  • It seems as though Bill Porter just doesn’t know how not to make an amazing sounding Living Stereo recording. Everything the guy touches is GOLD!

These Nearly White Hot Stamper pressings have top-quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” meaning relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

With two outstanding sides, this pressing gets two critically important elements of the recording right: the strings in the orchestra, and, even more importantly for obvious reasons, Linda’s voice. We guarantee that these sides give you a more natural-sounding Linda than you’ve ever heard, or your money back.

I suppose we owe a debt of gratitude to Harry Pearson for pointing out to us with his TAS List what a great record this is, although I’m pretty sure anybody playing this album would have no trouble telling after a minute or two that this recording is very special indeed.

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Chet Atkins / More Of That Guitar Country – Superb Dynagroove Sound from Nashville in 1965

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Reviews and Commentaries for the Music of Chet Atkins

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  • One of Chet’s biggest albums from the ’60s, More Of That Guitar Country, is back in all its guitar-pickin’ glory
  • With two Double Plus (A++) sides, this copy had the sound we were looking for
  • Rich, smooth, sweet, full of ambience, dead-on correct tonality — it’s all here
  • Need a refresher course in tubey magic after playing too many modern recordings or remasterings? This record is overflowing with it
  • 4 stars: “The follow-up album to Guitar Country, More of That Guitar Country spawned a bigger hit than anything on its predecessor — or anything in Chet Atkins’ long career for that matter. …[O]ne of Atkins’ least-cluttered, mostly reined-in, and most musical albums of the mid-’60s, searching for good material wherever he can find it, even outside the cloistered world of Nashville.”

We owe a debt of gratitude to Harry Pearson for pointing out to us with his TAS Super Disc List what great recordings Chet Atkins was making back in the ’50s and ’60s, although I’m pretty sure anybody playing those albums would have no trouble telling after a minute or two that a great many of them are very special indeed.

But were audiophiles playing these kinds of records before Harry Pearson came along? Unlikely. In the ’70s he practically single-handedly legitimized vintage pressings of all kinds for audiophiles to search out and enjoy. (more…)

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Chet’s later remixed and re-recorded version, released in 1961, seems to have the better sound overall, but the difference in the best sounding original pressing and the best sounding later version would probably not be obvious to most listeners without the two versions playing side by side.

I suppose we owe a debt of gratitude to Harry Pearson for pointing out to us with his TAS List what a great record this is, although I’m pretty sure anybody playing this album would have no trouble telling after a minute or two that this copy is very special indeed. (more…)

Chet Atkins – Our Man In Nashville

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Reviews and Commentaries for the Music of Chet Atkins

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  • You’ll find superb Nearly Triple Plus (A++ to A+++) sound and fairly quiet vinyl on both sides of this Chet Atkins title from 1963 – just shy of our Shootout Winner
  • We’ve known this was a great sounding record for a very long time, and now we have the copy to prove it
  • Bill Porter working in his custom Nashville studio sure knew a Tubey Magical Living Stereo recording should sound like
  • “Chester remains his usual unclassifiable self, dealing out the country picking, smooth easy listening guitar, jazz, and even some very mild rock & roll on this session, with some overdubbed strings discreetly decorating a few tracks.”

These Nearly White Hot Stamper pressings have top quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

The soundstage width, depth and height of this spacious recording are huge and three-dimensional. (more…)

Chet Atkins – Class Guitar

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Reviews and Commentaries for the Music of Chet Atkins

This RCA original pressing from Nashville, circa 1967, has DEMO DISC quality sound from start to finish, first note to last. Class Guitar is more or less a solo session from 1967, concentrating mostly on classical guitar pieces, with a few pop and jazz hits of the day thrown in for the sake of variety. Chet’s good buddy and main man Jerry Reed joins him on rhythm guitar on some tracks.

Both sides have plenty to offer the discriminating audiophile, with the spaciousness, clarity, tonality and freedom from artificiality that are the hallmark of the best Living Stereo recordings.

Truth be told, technically this is not a real Living Stereo record. It’s an RCA Stereo record. It has the Bill Porter Tubey Magic of the Chet Atkins albums we all know and love, the bulk of which we’re familiar with through our critical listening shootouts. (We’d love to do more but where are the clean stereo copies?)

In fact, not only is this record not a Living Stereo, it’s — gasp — a Dynagroove pressing. And it’s not even Bill Porter at the board, it’s his successor, Jim Malloy.

No matter. Bill may have left in 1964. but he left behind an amazing studio that he practically single-handedly turned into one of the best sounding recording venues in the world. This record may say Dynagroove, but it sure doesn’t sound Dynagroove. And Bill Porter may have left, but his signature sound is all over this record. As we noted in a previous listing: (more…)

Chet Atkins – Mister Guitar – Our Shootout Winner from 2009

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Reviews and Commentaries for the Music of Chet Atkins

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This RCA Living Stereo LP is as TUBEY MAGICAL as it gets. It seems as though Bill Porter just doesn’t know how to not make a Living Stereo record with shockingly good sound. Practically anything the guy touches is GOLD!

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These records are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.

I suppose we owe a debt of gratitude to Harry Pearson for pointing out to us through his TAS Super Disc List some of the other amazing sounding Chet Atkins records, although I’m pretty sure anybody playing this album would have no trouble telling after a minute or two that this recording, especially on this copy, is very special indeed. I would rank it right at the top with the best Bill Porter / Chet Atkins records we have ever heard.

The All Music Guide gives Mister Guitar 4 1/2 Stars! They rate no Chet Atkins record higher by the way. (The User Rating is even better, Five Stars.)

What to Listen For (WTLF)

Note how the record has that Bill Porter extra dB or two of bottom end — his signature sound.

There is a misprint on the cover. The last track on side two is listed as Concerto In C Minor (Rachmaninoff) but the song on the record is actually Piano Concerto In B Flat Minor (Tchaikovsky).

 

Chet Atkins – Workshop – Our Shootout Winner from 2010

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DEMO QUALITY SOUND! That is, if what you’re demonstrating is Living Stereo magic at its best. Certainly this is no sonic blockbuster. It’s not trying to be. It’s just more of that rich, sweet Bill Porter tubey magic from Nashville. Has there ever been a CD that sounds like this? If there is, I sure haven’t heard it.

Chet Atkins – Mister Guitar – Our Shootout Winner from 2011

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This RARE Minty looking RCA Living Stereo LP is as TUBEY MAGICAL AS IT GETS. It seems like Bill Porter just doesn’t know how not to make an amazing sounding Living Stereo recording. Everything the guy touches is GOLD! Rich, smooth, sweet, full of ambience, dead on correct tonality — everything that we listen for in a great record is here. Note how the record has that Bill Porter extra dB or two of bottom end — his signature sound.

The vinyl plays about Mint Minus Minus, a little bit better on side one, which is par for the course on these old RCA pressings.

Most copies we’ve played are smeary with tubby bass, but this one sounds just right! (more…)

Chet Atkins / Chet Atkins in Hollywood – Our Shootout Winner from 2008

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DEMO DISC SOUND! Exceptionally quiet and unusually clean for a record of its age! TAS List of course, and full of Living Stereo Magic. You can feel the cool air of the studio the minute the needle hits the groove!

I suppose we owe a debt of gratitude to Harry Pearson for pointing out to us with his TAS List what a great record this is, although I’m pretty sure anybody playing this album would have no trouble telling after a minute or two that this copy is very special indeed. (more…)

Chet Atkins – Travelin’ – Our Shootout Winner from 2011

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This original White Dog Black Label RCA pressing may not say Living Stereo on the label, but it sure has the kind of Living Stereo sound we audiophiles have come to love. It’s got the sound of RCA’s Nashville studios and Bill Porter’s engineering all over it, not to mention the kind of 1963 Tubey Magical Analog that would be long gone by the time the decade came to an end.

Along with George Harrison, who wrote the liner notes for Chet Atkins Picks on The Beatles, we’re proud to call ourselves Chet Atkins fans. (more…)