Labels We Love – Emus

Sarah Vaughan – After Hours on Emus

More Sarah Vaughan

More Pop and Jazz Vocal Recordings

  • STUNNING Shootout Winning Triple Plus (A+++) sound or close to it on both sides of this vintage pressing put the living, breathing Divine One right between our speakers
  • With simple arrangements, featuring Mundell Lowe’s guitar and George Duvivier’s double bass, Vaughan’s soulful voice can take center stage
  • “…a quiet and intimate affair, with Vaughan more subtle than she sometimes was… some fine jazz singing.”
  • If you’re a fan of Sarah’s, or Live Jazz Club Recordings in general, this Top Title from 1961 belongs in your collection.

This early Emus Stereo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio, this is the record for you. It’s what Vintage Records are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Sarah Vaughan / Dreamy – Forget the Roulette Originals

More of the Music of Sarah Vaughan

Hot Stamper Pressings that Sound Their Best on the Right Reissue

Records We’ve Reviewed that Sound Their Best on the Right Reissue

The original release for Dreamy is on Roulette, a label we have often found to have problems in the sound department (not to mention notoriously bad vinyl). The originals we’ve played over the years have much too much honk and hardness in the midrange to be taken seriously, at least by us anyway, and certainly not at these prices. When we stumbled upon these good Emus reissues, the skies opened up and the sun shone down upon Sarah’s wonderful 1960 album of ballads as it had never done before.

This reissue is spacious, open, transparent, rich and sweet. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology, with the added benefit of mastering using the more modern cutting equipment of the ’70s. We are of course here referring to the good modern mastering of 30+ years ago, not the dubious modern mastering of today.

The combination of old and new works wonders on this title as you will surely hear for yourself on these superb sides.

We were impressed with the fact that these pressings excel in so many areas of reproduction. What was odd about it — odd to most audiophiles but not necessarily to us — was just how rich and Tubey Magical the reissue can be on the right pressing.

This leads me to think that most of the natural, full-bodied, lively, clear, rich sound of the album is on the tape, and that all one has to do to get that vintage sound on to a record is simply to thread up the tape on the right machine and hit play.

The fact that nobody seems to be able to make a record that sounds this good these days tells me that in fact, I’m wrong to think that such an approach would work. It just seems to me that somebody should have been able to figure out how to do it by now. In our experience that is simply not the case in the modern world of vinyl reissues, and has not been for many years.

Sarah Vaughan – Dreamy

More Sarah Vaughan

More Pop and Jazz Vocal Albums

  • You’ll find outstanding Double Plus (A++) sound on both sides of this Emus pressing of Sarah Vaughan’s Dreamy album
  • Forget the honky originals – our killer Hot Stamper reissues of this 1960 All Tube Recording are rich and relaxed, just the way they should be
  • And please don’t confuse the good reissues we offer from decades past with the mediocre crap being pressed today – there is no simply no comparison, not when it comes to sound quality anyway
  • “Trumpeter Harry ‘Sweets’ Edison contributes some soft, melodic trumpet but the focus is very much on the singer during such numbers as ‘The More I See You,’ ‘Star Eyes,’ ‘My Ideal,’ and ‘Crazy He Calls Me.'”

The original release for Dreamy is on Roulette, a label we have often found to have problems in the sound department (not to mention notoriously bad vinyl). The originals we’ve played over the years have much too much honk and hardness in the midrange to be taken seriously, at least by us anyway, and certainly not at these prices. When we stumbled upon these good Emus reissues, the skies opened up and the sun shone down upon Sarah’s wonderful 1960 album of ballads as it had never done before. (more…)

Count Basie – Basie Plays Hefti

  • The first copy to hit the site in years and boy does our Shootout Winner here have STUNNING sound – it earned Triple Plus (A+++) grades from start to finish – exceptionally quiet vinyl too
  • If all you’ve ever heard is the Roulette original (or the wacky MoFi, or whatever current Heavy Vinyl pressing is being made, this LP is guaranteed to be a REVELATION
  • Basie Plays Hefti catches Basie’s band at the peak of their powers in 1958, and in this All Tube Recording you get every bit of the magic they made in the studio
  • “The Count Basie Orchestra was in top form for this set of Neal Hefti arrangements. Hefti had been one of the main architects of the new Basie sound of the ’50s… “Cute” (heard here in its initial recording) became a standard.”

This is the followup to the smash Basie album The Atomic Mr. Basie, an album we would love to make available if we could ever find a clean, good sounding copy to play. The liner notes tell the story of this album well. Click on the tab above to read them.

Basie was recording like a madman back in the late ’50s and even all through the ’60s. In 1958, the year of this release, he put out seven (7!) albums on the Roulette label. We’ve played quite a number of them over the years and found relatively few with audiophile quality sound.

Including the original Roulette pressing of this very title. We’ve only heard a few, and had only one for our shootout, but it was awful enough to make us swear off buying more, especially considering the prices vintage jazz albums are going for these days. Hard and sour brass, no real top or bottom, it’s the sound of a poorly mastered Old Jazz Record, fine for the consoles of the day, not so good on today’s advanced stereo systems. Emus seems to be the only way to go.

The sound is tonally correct, Tubey Magical and above all natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too.

And of course we absolutely loved the music. I had a chance to see the Basie Big Band perform not long ago at Disney Hall and a fairly large chunk of the music and arrangements they play these days are Neal’s, practically half I would venture to guess. Meaning simply that Hefti’s music has clearly stood the test of time. Play this album and you’re sure to see what I mean. (more…)

Count Basie & Joe Williams – Memories Ad-Lib

  • A vintage stereo pressing of Joe Williams right at his peak in 1959, with outstanding Double Plus (A++) sound and fairly quiet vinyl 
  • This is one of the few Joe Williams records we’ve been able to find with audiophile sound and surfaces – it’s taken us years to get even one shootout going, but it produced this great copy, so we think it was worth it!
  • “Williams’ vocals seem effortless throughout the date… highlights include the easygoing swinger “The One I Love (Belongs to Somebody Else)” and a foot-tapping “Honeysuckle Rose.”

This vintage LP has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

Louis Armstrong & Duke Ellington – The Great Reunion

  • With a nearly Triple Plus (A++ to A+++) side two and a solid Double Plus (A++) side one, this vintage stereo pressing was one of the best in our most recent shootout
  • So big, so rich, so Tubey Magical, we doubt you have ever heard Louis Armstrong sound remotely as good as he does here  
  • We remember the Classic pressing as being a very good sounding record but make no mistake, this is a GREAT sounding one
  • “One of the best things about this configuration is the sound of the Duke’s piano – an underrated pianist, he seldom recorded in such an intimate context.”

Note that the second track on both sides is slightly smoother and more natural than the first. Listen for it! (more…)