Labels We Love – Emus

Count Basie – Basie Plays Hefti – Original Versus Reissue

The original pressings are the best, right?

Not in our experience. It’s (probably) just another Record Myth.

Basie was recording like a madman back in the late ’50s and even all through the ’60s. In 1958, the year of this release, he put out seven (7!) albums on the Roulette label. We’ve played quite a number of them over the years and found relatively few with audiophile quality sound.

Hard and sour brass, no real top or bottom, it’s the sound of a poorly mastered Old Jazz Record, fine for the consoles of the day, not so good on today’s advanced stereo systems. Emus seems to be the only way to go.

Don’t buy into that record collecting / audiophile canard that the originals are better. (more…)

Count Basie & Joe Williams – Memories Ad-Lib

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A vintage stereo pressing of Joe Williams right at his peak in 1959, with outstanding Double Plus (A++) sound and fairly quiet vinyl
This is one of the few Joe Williams records we’ve been able to find with audiophile sound and surfaces – it’s taken us years to get even one shootout going, but it produced this great copy, so we think it was worth it!
“Williams’ vocals seem effortless throughout the date… highlights include the easygoing swinger “The One I Love (Belongs to Somebody Else)” and a foot-tapping “Honeysuckle Rose.”

This vintage LP has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

Sarah Vaughan – After Hours on Emus

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With outstanding Double Plus (A++) sound from first note to last, this copy of After Hours put the living, breathing Divine One right between our speakers
With simple arrangements, featuring Mundell Lowe’s guitar and George Duvivier’s double bass, Vaughan’s soulful voice can take center stage
This copy was pressed on exceptionally quiet vinyl – it plays as quietly as any copy we have ever heard
“…a quiet and intimate affair, with Vaughan more subtle than she sometimes was… some fine jazz singing.”

This early Emus Stereo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio, this is the record for you. It’s what Vintage Records are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Tony Bennett & Count Basie – Strike Up The Band on Emus

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You’ll find outstanding Double Plus (A++) sound on this Emus pressing of Count Basie and Tony Bennett’s 1959 classic collaboration
The originals we have played are uniformly horrible sounding compared to these wonderful reissues – the tonality here is Right On The Money
4 1/2 stars: “… the pairing between Bennett and Basie remains impressive. The band raves through tunes like “With Plenty Of Money And You,” and Bennett matches them, drawing strength from the bravura arrangements, while band and singer achieve a knowing tenderness on “Growing Pains.” This is an album well worth owning…”

This vintage pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

Louis Armstrong & Duke Ellington – The Great Reunion

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With a nearly Triple Plus (A++ to A+++) side two and a solid Double Plus (A++) side one, this vintage stereo pressing was one of the best in our most recent shootout
So big, so rich, so Tubey Magical, we doubt you have ever heard Louis Armstrong sound remotely as good as he does here
We remember the Classic pressing as being a very good sounding record but make no mistake, this is a GREAT sounding one
“One of the best things about this configuration is the sound of the Duke’s piano – an underrated pianist, he seldom recorded in such an intimate context.”

Note that the second track on both sides is slightly smoother and more natural than the first. Listen for it! (more…)

Sarah Vaughan – Dreamy – ’60s and ’80s Work Well Together

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Superb Shootout Winning sound on side one, rating a Triple Plus (A+++) – side two rated a solid Double Plus (A++)
Forget the honky originals – our killer reissues of this 1960 All Tube Recording are rich and relaxed, just the way they should be
Pretty darn quiet throughout — Mint Minus to Mint Minus Minus – good luck finding a copy in the bins that plays this quiet
“Trumpeter Harry “Sweets” Edison contributes some soft, melodic trumpet but the focus is very much on the singer during such numbers as “The More I See You,” “Star Eyes,” “My Ideal,” and “Crazy He Calls Me.”” – All Music

The original release for Dreamy is on Roulette, a label we have often found to have problems in the sound department (not to mention notoriously bad vinyl). The originals we’ve played over the years have much too much honk and hardness in the midrange to be taken seriously, at least by us anyway, and certainly not at these prices. When we stumbled upon these good Emus reissues, the skies opened up and the sun shone down upon Sarah’s wonderful 1960 album of ballads as it had never done before. (more…)

Count Basie – Basie Plays Hefti

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Count Basie – Basie Plays Hefti

A distinguished member of the Better Records Jazz Hall of Fame.

This is the followup to the smash Basie album The Atomic Mr. Basie, an album we would love to make available if we could ever find a clean, good sounding copy to play.

Side one is rich, tubey and lively, right up there with some of the best pressings we played.

Side two tends to start out a bit hot but by the second track it’s fuller, smoother, and every bit as dynamic as anything on the album. The sound just keeps getting better from there, with the next track coming across especially big and clear.

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. Superb Super Hot Stamper sound on both sides – what a great Basie album this is!
. Basie Plays Hefti catches Basie’s band at the peak of their powers in 1958
. Rich, tubey, dynamic and clear, we know of no better vintage Basie album than this
. “The Count Basie Orchestra was in top form for this set of Neal Hefti arrangements.”|

The liner notes tell the story of this album well; go to the bottom of this listing to read them.

Not Your Typical Vintage Basie Album

Including the original Roulette pressing of this very title. We’ve only heard a few, and had only one for our shootout, but it was awful enough to make us swear off buying more, especially considering the prices vintage jazz albums are going for these days. Hard and sour brass, no real top or bottom, it’s the sound of a poorly mastered Old Jazz Record, fine for the consoles of the day, not so good on today’s advanced stereo systems. Emus seems to be the only way to go.

And of course we absolutely loved the music. I had a chance to see the Basie Big Band perform not long ago at Disney Hall and a fairly large chunk of the music and arrangements they play these days are Neal’s, practically half I would venture to guess. Meaning simply that Hefti’s music has clearly stood the test of time. Play this album and you’re sure to see what I mean.