_Conductors – Alwyn

Tchaikovsky / 1812 Overture / Marche Slave / Alwyn

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

More Orchestral Spectaculars

  • Outstanding sound from start to finish – this Decca recording of the 1812 from 1958 is the only one we know of that can show you the power of Live Music for this important work
  • This UK pressing is BIG, lively, clear, open and resolving of musical information like no copy of the 1812 you’ve heard
  • The two coupling pieces, Marche Slave and the Capriccio Italien, also have rich, powerful, weighty brass and lower strings
  • The most exciting and beautifully played 1812 we know of – we encourage you to compare this to the best orchestral recording in your collection and let the chips fall where they may
  •  When you hear how good this record sounds, you may have a hard time believing that it’s a budget reissue from 1970, but that’s precisely what it is. Even more extraordinary, the right copies are the ones that win shootouts
  • There are about 150 orchestral recordings we’ve awarded the honor of offering the Best Performances with the Highest Quality Sound, and this recording certainly deserve a place on that list.

There is some noticeable low frequency rumble under the quietest passages of the music for those of you with the big woofers to hear it!

The lower strings are rich and surrounded by lovely hall space. This is not a sound one hears on record often enough and it is glorious when a pressing as good as this one can help make that sound clear to you.

The string sections from top to bottom are shockingly rich and sweet — this pressing is yet another wonderful example of what the much-lauded Decca recording engineers (Kenneth Wilkinson in this case) were able to capture on analog tape all those years ago.

The 1958 master has been transferred brilliantly using “modern” cutting equipment (from 1970, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer.

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Tchaikovsky / 1812 Overture – Speakers Corner Reviewed

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

Reviews and Commentaries for the 1812 Overture

Our catalog from the ’90s recommended this Heavy Vinyl Decca pressing from Speakers Corner.

We haven’t played a copy of this record in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway.

Excellent, one of the best of the Deccas. Better sound by far than the Classic with Reiner, although of course the original of that record is quite good [actually it is not].

You may get better results if you reverse your polarity when playing this record. It’s been a while since I did it so better to check it yourself and see how you like it each way. (more…)

Tchaikovsky / 1812 Overture on London

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

Reviews and Commentaries for the 1812 Overture

More than ten years ago, 2010 or thereabouts I’m guessing, we felt we were ready to do a shootout for Tchaikovsky’s famous 1812 Overture, music that surely belongs in any serious audiophile record collection.

On a well-known work such as this, we started by pulling out every performance on every label we had in our backroom and playing them one after the other. Most never made it to the half-minute mark. Compressor distortion or inner groove overcutting at the huge climax of the work? Forget it. On the trade-in pile you go.

A few days went by while we were cleaning and listening to the hopefuls. We then proceeded to track down more of the pressings we had liked in our preliminary round of listening. At the end we had a good-sized pile of LPs that we thought shootout-worthy, pressings that included various RCA, Decca and London LPs.

The London you see above did not impress us. We much preferred the Decca Budget Reissue cut from the same tapes.

There are a number of other Deccas and Londons that we’ve played over the years that were disappointing, and they can be found here.

Music Background

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Tchaikovsky / 1812 – A Must Own Performance by Alwyn on Decca

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

Hot Stamper Pressings of Orchestral Spectaculars

Years ago we found a very special copy of this album in a shootout and gave it a grade of A++++. We don’t give out that grade anymore, but we gave it out to this side one back in the day. We describe the sound of that side one below.

A BEYOND White Hot Quadruple Plus side one – hear Tchaikovsky’s 1812 in Demo Disc sound. This is the most exciting and beautifully played 1812 we know of, with the best sound ever to boot on this copy. This is an exceptional Decca remastering of a superb Golden Age recording on very good vinyl.

The WHOMP FACTOR on this side one has to be heard to be believed. If you’ve got the woofers for it this record is going to rock your world!

Side One (1812 Overture)

Off the charts, the best we have ever heard this work sound. Big, rich, clean and clear barely begins to do this side justice. The strings are wonderfully textured and not screechy in the slightest.

The brass is big and clear and weighty, just the way it should be, as that is precisely the sound you hear in the concert hall, especially that part about being clear: live music is more than anything else completely clear. We should all strive for that sound in our reproduction of orchestral music.

Not many recordings capture the brass this well. (Ansermet on London comes to mind of course but many of his performances leave much to be desired. Here Alwyn is on top of his game with performances that are definitive.)

Here’s what you get on this side one:

The most dynamic sound we have ever heard for any side of this album.

The most weight and power we have ever heard for the 1812, and as you can imagine, for this work to have the kind of power this pressing has was nothing less than a THRILL to hear. Who knew? Until we played this copy, not us!

The most depth and space we have ever heard on this album.

To earn our coveted Three Plus (OR BETTER) rating here at Better Records all you have to do is be the best copy we’ve ever played. Just be right in every way (or almost every way; no record can be perfect, but some, such as this one, seem to us to get pretty darn close). (more…)