_Composers – Gershwin

Shelly Manne – Manne – That’s Gershwin!

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  • KILLER sound from start to finish with each side earning a Triple Plus (A+++) grade for its Shootout Winning sound, or one very close to it 
  • “The Gershwin program includes some of the typical familiar standards but also versions of the lesser-known “By Strauss,” “The Real American Folk Song,” “Prelude #2” and “Theme from Concert in F… this music generally swings, leaves space for concise solos and is fairly fresh.” – All Music

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Gershwin / Rhapsody In Blue / Thomas

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  • Gershwin’s rendition of his stunning Masterpiece makes its Hot Stamper debut with Shootout Winning Triple Plus (A+++) sound from first note to last 
  • Lively, dynamic, transparent, spacious and musical throughout – you won’t believe how good this copy sounds
  • Using the piano roll capturing the performance of the composer himself, Gershwin’s take on the Rhapsody is spirited and jazzy – the work is performed at a thrilling pace
  • This performance and arrangement is sure to give its audience a new perspective on what Gershwin was trying to accomplish with his “experiment for piano and jazz band”

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Gershwin / Con. In F & Rhapsody In Blue / Previn / Kostelanetz

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  • This Columbia Six Eye has Shootout Winning Triple Plus (A+++) sound for the Rhapsody in Blue on side two – reasonably quiet vinyl too, especially for an early stereo LP
  • As would be expected, both sides are exceptionally rich and Tubey Magical, but the clarity, deep bass and powerful, dynamic sound of side two surprised the hell out of us – we’ve never heard the work reproduced with this kind of authority or fidelity
  • The first two movements of the Concerto in F found on side one earned a solid grade of Double Plus (A++) for their full brass and especially clear, solid, present piano, one with practically no trace of vintage analog tube smear
  • Performed with consummate skill and attention to detail – the results are magnificent!

Finally, the sound we’ve been searching for – rich, tubey and real, with nicely textured strings. The piano is solid, rich, high-rez and percussive — there is hardly any Old School smear or hardness to be heard, always important to the proper reproduction of any piano recording, whether the music is jazz, classical or rock. (We talk about smeary, hard pianos on many of our listings for those of you who take the time to read them.) (more…)

Ella Fitzgerald – Sings The George Gershwin Song Book

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

White Hot sound on side two of this original copy – shockingly good. Ella sounds rich, Tubey Magical and breathy — this is a real Demo Disc. Side one is very good as well, nicely warm and rich by track two. Nelson Riddle’s arrangements are especially interesting and artful throughout. 

It is our opinion that the mono takes all the fun out of the Nelson Riddle’s deliberately wide, spacious orchestral presentation surrounding Ella. Which is too bad: the mono pressings are five times as common as the stereo ones. (more…)

Gershwin / An American In Paris & Rhapsody In Blue / Bernstein – What To Listen For

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This original Six Eye LP has the smooth brass and full-bodied strings that allow this wonderful music to astound.

Smooth and solid, not brash or blary, what really impressed about the sound here was how full it was, yet it was never thick or murky. Instead it was transparent in the lower mids and below, and that sound was just glorious after listening to too many thin and brash pressings. The piano is solid, rich, high-rez and very percussive — there is no tubey Old School smear to be heard, and that too was a surprise.

I’ve always loved these performances, but the shrill Columbia sound has been hard to get past. So many copies suffer from upper-midrangy, glary, hard sound and blary brass. I’ve come to accept that this is nothing more nor less than the “Columbia Sound,” and as a consequence rarely put much effort into surveying their recordings.

I won’t say all that’s changed; it really hasn’t. The vast majority of Columbia classical pressings are still going to sound as awful as they have in the past.

What has changed is that finally, with this copy (and the stereo/room we have in 2015) we’ve found the sound that we’ve been looking for on the legendary MS 6091. (more…)

Ella Fitzgerald & Louis Armstrong – Porgy & Bess

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

WOW! Triple Plus (A+++) sound on ALL FOUR SIDES for this Ella & Louis classic. This copy sold for $850 and we think it was worth every penny — it blew our minds! 

The sound is big, open, rich and full, with the performers front and center. Ella and Louis are no longer representations — they’re living, breathing persons. We call that “the breath of life,” and this original stereo pressing has it in spades. 

Their voices are so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music, because there’s no “sound” to distract you. (more…)

Miles Davis – Porgy and Bess – Our Shootout Winner from 2012

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A distinguished member of the Better Records Jazz Hall of Fame.

WOW! This Original Six Eye Stereo pressing does EVERYTHING we ever hoped for from this great album! We’ve been searching for a killer copy of this one forever but without much luck. Here’s the first one to ever hit the site, and it is a MONSTER. Both sides have KILLER A+++ sound — super tubey magical and tonally balanced with real depth to the soundfield. (more…)

Gershwin / An American In Paris & Rhapsody In Blue

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

I’ve always loved these performances, but the shrill Columbia sound has been hard to get past. So many copies suffer from upper-midrangy, glary, hard sound and blary brass. I’ve come to accept that this is nothing more nor less than the “Columbia Sound,” and as a consequence I rarely put much effort into surveying their prodigious catalog these days. (more…)

Willie Nelson – Stardust

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Stardust

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  • With Triple Plus (A+++) grades on both sides of this exceptionally well-recorded album, this copy surely qualifies as an Audiophile Demo Disc, the best copy to hit the site in years!
  • From the first few moments of the title track you’ll be blown away by the in-the-room immediacy of The Man himself
  • This copy is hi-res without sacrificing the Analog warmth that makes the recording so exceptional, especially for one from 1978
  • 5 stars: “Stardust showcases Nelson’s skills as a musician and his entire aesthetic — where there is nothing separating classic American musical forms, it can all be played together — perhaps better than any other album…”

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Gershwin / Concerto In F & Rhapsody In Blue / Previn – Kostelanetz

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This early Columbia 360 Label pressing has Super Hot Stamper sound on both sides. Exceptionally rich and Tubey Magical from start to finish. The sound on this vintage pressing is natural and above all musical. Both works are performed with consummate skill and attention to detail, the result magnificent. 

I’ve always loved these performances, but the crude, smeary and painfully-shrill-when-loud Columbia recording quality has always been a barrier to their enjoyment. So many copies suffer from upper-midrangy, glary, hard sound and blary brass. I’ve come to accept that this is nothing more nor less than the “Columbia Sound.” As a consequence we rarely put much effort into surveying their vintage pressings; the good ones are just too hard to find. (more…)