Columbia/Epic

Columbia and Epic are labels we love.

Sly & The Family Stone / There’s A Riot Going On

More Sly and the Family Stone

  • You’ll find solid Double Plus (A++) grades or BETTER throughout this early Epic Yellow Label pressing of this famously compromised recording – fairly quiet vinyl too
  • The sound is huge – big, wide, deep, and open, with a punchy bottom end and rhythmic energy to spare, as well as cleaner, smoother, sweeter upper mids and a more extended top
  • You just don’t see too many clean copies of this one around – DJs and the like tend to snap them up as soon as they hit the bins (what’s a good party without a little “Family Affair”?)
  • 5 stars: “And damn if this music isn’t funk at its deepest and most impenetrable — this is dense music, nearly impenetrable, but not from its deep grooves, but its utter weariness. Sly’s songwriting remains remarkably sharp, but only when he wants to write — the foreboding opener ‘Luv N’ Haight,’ the scarily resigned ‘Family Affair,’ the cracked cynical blues ‘Time,’ and ‘(You Caught Me) Smilin’.’ Ultimately, the music is the message, and while it’s dark music, it’s not alienating — it’s seductive despair, and that’s the scariest thing about it.”

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James Taylor – JT

More of the Music of James Taylor

  • A vintage copy of Taylor’s 1977 breakthrough album that was doing practically everything right, earning STUNNING Shootout Winning Triple Plus (A+++) grades or close to them on both sides
  • It’s a superb recording – a member of our Top 100, in fact – but it takes a pressing like this to show you just how big and lively it can sound
  • The big hits “Your Smiling Face” and “Handy Man” both sound great here – thanks, Val Garay!
  • Don’t waste your money on any copy that doesn’t have TML stampers on both sides – they never sound any good
  • Interestingly, this time around even the worst side of any TML pressing earned a (1.5+) Hot Stamper grade
  • If you are using the Prelude Record Cleaning system on the right machines, you can’t go wrong with the early pressings of this title (although you can go much more right if you do a shootout and find a top copy like this one)
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 stars: “JT was James Taylor’s best album since Mud Slide Slim and the Blue Horizon because it acknowledged the darkness of his earlier work while explaining the deliberate lightness of his current viewpoint, and because it was his most consistent collection in years.”
  • If I were to compile a list of my favorite rock and pop albums from 1977, this album would definitely be on it

The good copies really rock on songs like Honey Don’t Leave L.A. or I Was Only Telling A Lie, yet have lovely, delicate vocals on ballads such as Another Grey Morning or There We Are (two of our favorite songs on the album).

Just turn up the volume and play the opening to Honey Don’t Leave L.A. — this is James Taylor and his super-tight studio band at the peak of their powers. Russ Kunkel hits the drum twice, then clicks his sticks together so quickly you can hardly notice it, then goes back to the drums for the rest of the intro.

On the best copies, the subtleties of his performance are clearly on display. Until the right copies came along, we had never even noticed that stick trick. Now it’s the high point of the whole intro.

Here are more of our favorite records with exceptionally punchy bass and here are more of our favorite records with exceptionally punchy drums.

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Willie Nelson – Without A Song

More of the Music of Willie Nelson

  • With two seriously good Double Plus (A++) sides, this was one of the better copies we played in our most recent shootout
  • As he did so brilliantly on Stardust, here Willie brings his inimitable singing style to classics of love and loss taken from The Great American Songbook
  • Top quality arrangements – drop the needle on “Autumn Leaves” or “A Dreamer’s Holiday” to hear Booker T and his bandmates at their best
  • Top tracks include “Autumn Leaves,” “As Time Goes By,” “Harbor Lights” and, of course, “Without a Song”
  • The critics may not have been impressed, but music lovers sure were – Amazon buyers award the album more than 4 1/2 stars
  • Without a Song is a well recorded album of excellent music, one that we feel should be more popular with audiophiles

Once again Willie is backed by a top-notch backing band fronted by the one and only Booker T. Jones. Drop the needle on “Once In A While” and dig the uncanny presence of the vocal and astonishing clarity of the ensemble.

Much like Stardust, a Hot Stamper pressing of this record is a real treat for we audiophiles. This is some amazingly soulful music with midrange magic to spare.

There’s lots of air up top, giving the instruments plenty of room to breathe. The vocals are breathy and full-bodied; if Willie’s voice doesn’t sound a bit gravelly, you’re probably playing an overly smooth or lo-rez copy, and we take away a lot of points for both.

This copy gives you everything you could ask for from this music — tight bass, clearly audible guitar transients, generous amounts of warmth and sweetness, vocal immediacy and studio ambience like no other.

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Michael Jackson – Bad

More of the Music of Michael Jackson

  • This vintage copy was giving us the big and bold sound we were looking for, earning solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
  • The sound is huge, full-bodied, punchy and relatively smooth throughout, with real space and ambience around the vocals and instruments
  • Includes some of Jackson’s biggest 80s hits: “Man in the Mirror,” “Dirty Diana,” “Smooth Criminal,” and of course, the title track
  • 4 1/2 stars: “… essentially taking each portion of Thriller to an extreme, while increasing the quotient of immaculate studiocraft. He wound up with a sleeker, slicker Thriller, which isn’t a bad thing…”

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Miles Davis / Basic Miles – Here Is the Hot Stamper Sound of Kind of Blue

More of the Music of Miles Davis

  • Demo Disc Jazz sound for this wonderful collection, with both sides earning solid Double Plus (A++) grades – fairly quiet vinyl too
  • Opening side two, the 9+ minutes of “On Green Dolphin Street” has some of the coolest jazz you will ever hear, on any record, at any price
  • If you want to know what the better copies of Kind of Blue sound like, this pressing will tell you, because it has that sound
  • And that means it is absolutely nothing like the MoFi 45 RPM 2 LP pressing that some audiophiles (and the reviewers who cater to them) seem to like so much
  • We’re talking Bill Evans, John Coltrane and Cannonball Adderley in their prime, 1958, with top 1958 sound to match
  • And that means it is absolutely NOTHING like the MoFi 45 RPM 2 LP set that some audiophiles (and the reviewers who cater to them) seem to like so much, why, we cannot begin to fathom

Want to know how good our Hot Stamper Kind of Blue pressings sound?

Listen to this very record.

If you play the tracks that were recorded in 1958, the year before Kind of Blue, you will hear practically the same lineup of musicians.

That means Stella By Starlight and Little Melonae on side one, and Green Dolphin Street and Fran-Dance (Put Your Little Foot Right Out) on side two. 

The nine-minute plus Green Dolphin Street that opens side two is nothing short of amazing, some of the coolest jazz you will ever hear. With Fran Dance on the same side, that gives you about 17 minutes of great-sounding jazz by Miles’ classic Kind of Blue lineup.

Side one has the same cats playing for more than 12 minutes. By my calculation, that’s close to another album’s worth of material from the group. The rest of the material on this compilation is best seen as gravy; maybe not essential, but never less than interesting. (more…)

The Byrds – Untitled

More of The Byrds

  • This 2-LP set from 1970 boasts solid Double Plus (A++) grades or BETTER on all FOUR sides
  • The sound is Tubey Magical, lively and dynamic, with remarkable transparency and immediacy
  • We’re always blown away at just how much further the better copies are able to take the music – what a difference the right pressings make
  • 4 stars: “Among the later Byrds albums, Untitled was always the one to own … the group by this time was modifying its established sound into more of a 70s mode, and the influence of new members Gene Parsons and Skip Battin was showing up, pushing aside the familiar timbre of Roger McGuinn’s 12-string Rickenbacker in favor of a leaner country-rock orientation.”

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Stevie Ray Vaughan – Soul To Soul

More of the Music of Stevie Ray Vaughan

  • This copy was giving us the sound we were looking for on this classic of Electric Blues guitar, with both sides earning killer Nearly Triple Plus (A++ to A+++) grades, just shy of our Shootout Winner – fairly quiet vinyl too
  • A superb pressing with hard-rockin’ energy, rich, solid bass, open top end, and freedom from congestion
  • This is one of the best copies to hit the site – good SRV albums are getting tough to find nowadays
  • “[SRV] wanted to add soul and R&B inflections to his basic blues sound, and Soul to Soul does exactly that. [T]he Curtis Mayfield-inspired closer, ‘Life Without You,’ captures Vaughan at his best as a composer and performer. It’s such a seductive number – such a full realization of his soul-blues ambitions…”

Vaughan’s guitar playing is as fiery as ever, and the addition of keyboards and saxophone here gives the music broader scope and range than was possible on his previous albums.

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Billie Holiday – Lady In Satin

More Pop and Jazz Vocal Albums

  • A vintage Columbia Red Label pressing with STUNNING Shootout Winning Triple Plus (A+++) grades from top to bottom
  • Dramatically richer, fuller and more Tubey Magical than practically all other copies we played, with breathy vocals and rosiny, fairly smooth strings
  • There may be amazingly good sounding original pressings, but we’ve never run into one and we have our doubts about the existence of such a magical LP – where could they all be hiding?
  • “I’m a Fool to Want You” on this very copy may just send chills racing up and down your spine
  • 4 1/2 stars: “Lady Day herself said that this session was her personal favorite.”
  • If you’re a fan of Lady Day, this Columbia recording from 1958 surely belongs in your collection.

On the better copies both the sound and music are absolutely breathtaking. They reproduce clearly what, to our minds, are the three most important elements in the recording — strings, rhythm, and vocal — and, more importantly, the are reproduced properly balanced with one another.

The monos, as you might expect, balance the three elements well enough, but the problem with mono is that the vocals and instruments are jammed together in the center of the soundfield, layered atop one another. Real clarity, the kind that live music has in abundance, is difficult if not impossible under the circumstances. Only the stereo pressings provide the space that each of the elements need in order to be heard.

Naturally, the vocals have to be the main focus on a Billie Holiday record. They should be rich and tubey, yet clear, breathy and transparent. To qualify as a Hot Stamper, the pressings we offer must be highly resolving. You will hear everything, surrounded by the natural space of the legendary Columbia 30th Street Studio in which the recording was made.

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Pearl Jam – Vitalogy

More Rock and Pop

  • Vitalogy appears on the site for only the second time ever, here with incredible Nearly Triple Plus (A++ to A+++) sound throughout this original Epic pressing, just shy of our Shootout Winner – remarkably quiet vinyl too
  • Both of these sides are tonally balanced from top to bottom, with more vocal presence and rock and roll energy than practically any other copy we played in our shootout
  • This is not a hard title to find on vinyl, but it is hard to find without pressing defects, which caused us to return a high percentage of the copies we bought, even some sealed ones!
  • 4 1/2 stars: “Thanks to its stripped-down, lean production, Vitalogy stands as Pearl Jam’s most original and uncompromising album.”

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Bob Dylan – Blood on the Tracks

More of the Music of Bob Dylan

  • Boasting two solid Double Plus (A++) sides, you’ll have a hard time finding a copy that sounds remotely as good as this vintage pressing
  • Why this title is so often pressed on bad vinyl is hard to fathom, but it is a fact nevertheless, which is why you see so few copies make it to the site and even fewer on quiet vinyl
  • For tonally-correct, un-hyped acoustic guitars and vocals, the sound of this album is tough to beat in Dylan’s catalog
  • Note that some tracks are clearly better sounding than others throughout the album, and those are the tracks we tend to listen to in our shootouts
  • The better copies are rich, warm, tubey and full-bodied – in other words, they are exactly what’s good about the vintage analog pressings we offer to the discriminating audiophiles who appreciate the difference
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs, but once you hear just how superb sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • 5 stars: “…it’s an affecting, unbearably poignant record, not because it’s a glimpse into his soul, but because the songs are remarkably clear-eyed and sentimental, lovely and melancholy at once. Dylan made albums more influential than this, but he never made one better.”

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