Sade’s Best Album returns with stunning Shootout Winning Triple Plus (A+++) sound from start to finish – exceptionally quiet vinyl too
Both sides of this UK disc are guaranteed to be amazing sounding compared to whatever you’ve heard
There’s no denying the power of Sade’s sultry voice when you can actually hear it – she is on fire on this album
Her best song is on side one here – Is It a Crime – and the big band arrangement will surely send chills up and down your spine, especially with Triple Plus sound quality
Not many copies manage to have this kind of consistently sweet sound across both sides. Here are the kind of present, breathy vocals this music absolutely requires to work its magic.
If you know this album at all, you know that most pressings are just too damn dark sounding. Sade herself is typically recessed in the mix and veiled; it takes an exceptional copy such as this one to make her voice both present and breathy.(more…)
This copy of Toto’s debut boasts Shootout Winning Triple Plus (A+++) sound or very close to it from the first note to the last
Toto’s albums have the kind of analog sound we love here at Better Records – they’re rich, huge and present, with tons of Tubey Magic and wall to wall spaciousness
Lukather’s overdriven guitar adds so much power to the music – the perfect combo of Grungy guitars and Rock Star vocals makes Hold the Line a staple of rock radio to this day
4 stars: “Toto’s rock-studio chops allowed them to play any current pop style at the drop of a hi-hat: one minute prog rock, the next hard rock, the next funky R&B. Singles like “I’ll Supply the Love” made the charts, and “Hold the Line” hit the Top Ten.”
This is analog, make no mistake about it. Those smooth sweet vocals, open top and rich full bottom are a dead giveaway that you are playing a record and not a CD. (I understand the CD for this title is awful; bright, thin and downright painful. This is the problem with the CD: if they do a bad job making it, and you no longer own a turntable, what are your options? Squat, pretty much.)
Pop production techniques were very advanced by 1978, providing plenty of natural sounding roomy reverb around the vocals and guitars. Lukather’s overdriven, distorted guitar has near-perfect tonality; it adds so much power to the music.
Just like the Hot Stampers for Aqualung, when the guitar sounds this good, it really makes you sit up and take notice of the guy’s playing. When the sound works the music works, our definition of a Hot Stamper in seven words or less.
Richer, clearer and more tonally correct, with more energy and presence, all qualities that help to bring this music to life
Janis’s vocals sound right on the money here – smooth enough to let you crank this one up good and loud without the sound getting hard and edgy
5 stars: “Janis Joplin’s second masterpiece (after Cheap Thrills), Pearl was designed as a showcase for her powerhouse vocals, stripping down the arrangements that had often previously cluttered her music or threatened to drown her out.”
Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
Both sides are noticeably sweeter and more open up top than the average copy. Most everything that we look for in a Hot Stamper Pearl is happening on this copy: presence to the vocals; weight to the piano; texture and definition to the bass; a Tubey Magical midrange; freedom from grit and grain and so forth.
It’s not a perfect record — no copy of Pearl will ever be — but it’s better in all the ways that make the music really work. That’s what a Hot Stamper is all about!
None of this is to say that you’ll put this one on your top shelf with your Ajas and your Tea for the Tillermans, but this copy has the kind of sound you’d never guess was possible listening to the average copy.(more…)
You’ll find KILLER Shootout Winning Triple Plus (A+++) sound from start to finish on this original 6 Eye Stereo Pressing
These sides are incredibly tubey – rich, full-bodied and warm – yet clear, lively and dynamic
This copy demonstrates the big-as-life Fred Plaut Columbia Sound at its best – better even than Time Out(!)
4 1/2 stars: “The selections, which range in time signatures from 5/4 to 9/8, are handled with apparent ease (or at least not too much difficulty) by pianist Brubeck, altoist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello on this near-classic.”
Time Further Out is consistently more varied and, dare we say, more musically interesting than Time Out.
If you want to hear big drums in a big room these Brubeck recordings will show you that sound better than practically any record we know of. These vintage recordings are full-bodied, spacious, three-dimensional, rich, sweet and warm in the best tradition of an All Tube Analog recording. (more…)
An outstanding copy of The Troublemaker with outstanding Double Plus (A++) sound or BETTER on both sides
It’s richer, fuller, more musical and more natural – Willie’s breathy voice is reproduced with a solidity and immediacy that’s not easy to find
4 1/2 stars: “The Troublemaker is Willie Nelson’s first all-gospel album, but country gospel in his hands doesn’t sound like traditional country gospel — it’s a Willie album, through and through… Consequently, it’s every bit as wonderfully idiosyncratic as any of his other mid-’70s work and, in some ways, even more so, because inspirational songs and religious material are usually not given arrangements as imaginative and free-spirited as this… “
When this record was made the tapes were fresh. Now they’re 40+ years old. On audiophile equipment you will have no trouble appreciating the difference. Unless I miss my guess the difference in sound should be night and day.
It’s taken us a long time to pull together enough clean copies to make this shootout happen. Boy, was it worth all the trouble!
The presence and immediacy here are really something. Turn it up and Willie is right between your speakers, putting on the performance of a lifetime. One of our very favorite male vocalists, this copy will show you why — both the sound and the music are superb in all respects.
The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most, by a long shot. Very few records out there give you the kind of realistic, lifelike sound you get from this pressing. (more…)
This STUNNING pressing boasts insanely good Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second, which means the nearly seven minutes of Little Wing on this side one is guaranteed to present you with some of the most amazing sound you’ve ever heard
Some of the most blistering performances of electric blues we have ever had the pleasure of rocking out to
Hands down the best sounding SRV recording — Little Wing is an absolute monster on this side one and a Demo track to beat them all
4 stars: “Doing away with vocals, Vaughan augments Hendrix’s concise two-and-a-half minute original, turning the track into a nearly seven-minute-long electric tour de force. The cover would earn Vaughan his sixth Grammy, for Best Rock Instrumental Performance, in 1992.”
This is one of the most blistering recordings of electric blues we’ve ever played. Few other records recorded in the ’80s have this kind of BIG, BOLD sound. Maybe none. The sheer impact and wallop of this music is a real treat, but only if you have the right pressing (and the right kind of stereo to play it on, of course).
Stevie’s take on Jimi’s Little Wing is the surest proof that SRV was one of the greatest Electric Blues Guitarists of All Time. I know of no other guitar showcase to compete with it.
Sonically it’s a knockout, with one of the tallest, widest, and deepest soundstages I have ever heard on record. It brings to mind Gilmore’s multiple solos on Money from the hottest Dark Side of the Moon pressings, high praise indeed.
Little Wing deservedly won SRV the Grammy in ’92 for Best Rock Instrumental.
And, if you want to hear Stevie channel Wes Montgomery instead of Jimi Hendrix, take a listen to Chitlins Con Carne. (more…)
You’ll find superb Nearly Triple Plus (A++ to A+++) sound on both sides of this exceptionally well-recorded album – just shy of our Shootout Winner
From the first few moments of the title track you’ll be blown away by the in-the-room immediacy of The Man himself
This copy is hi-res without sacrificing the Analog warmth that makes the recording so exceptional, especially for one from 1978
5 stars: “Stardust showcases Nelson’s skills as a musician and his entire aesthetic — where there is nothing separating classic American musical forms, it can all be played together — perhaps better than any other album…”
These Nearly White Hot Stamper pressings have top-quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” meaning relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.
Georgia On My Mind is a DEMO QUALITY track on this album. You aren’t going to believe all the ambience on this copy. The top end is gorgeous — sweet, delicate, and silky with loads of extension. The sound is extremely hi-res without sacrificing any of the warmth that makes this music so special.
Just listen to the rimshots and the bell in Georgia On My Mind — we guarantee you have NEVER heard those instruments sound so present, clear, and immediate.
Willie’s voice is natural and tonally correct, with all the breathy texture you could ever hope to hear. The acoustic guitars and Booker T.’s organ are perfection. (more…)
KILLER sound throughout with both sides earning shootout winning Triple Plus (A+++) grades
Both sides here are clean, clear, full-bodied and spacious with a huge bottom end and lots of big rock energy
“Underneath the gloss, there are a number of songs that rank among Cheap Trick’s finest, particularly the paranoid title track… … it would later feel like one of the group’s last high-water marks.” – All Music, 4 1/2 Stars
With stunning Triple Plus (A+++) sound on side one and an outstanding Double Plus (A++) side two, this copy will be tough to beat – exceptionally QUIET vinyl too
Tired of the crude, congested, hard, harsh and otherwise unpleasant sound of most pressings? The solution is right here!
Stand, I Want To Take You Higher, Everyday People, You Can Make It If You Try — what a killer lineup of songs
5 stars: “Stand! is the pinnacle of Sly & the Family Stone’s early work, a record that represents a culmination of the group’s musical vision and accomplishment. …everything simply gels here, resulting in no separation between the astounding funk, effervescent irresistible melodies, psychedelicized guitars, and deep rhythms.”