SUPERB sound can be found on these two Columbia stereo pressings of the Broadway Cast recording. This is a huge, spacious, natural, exciting All-Tube Golden Age recording that impressed us no end here at Better Records.
We heard an amazing sounding copy many years ago, and the only reason we haven’t done the shootout since then is that we just couldn’t find enough clean copies with which to do it. To be clear, we’re not talking quiet vinyl, we’re talking about not beat-to-death, not all-scractched-up vinyl. People loved this music and they played the hell out of it.
Imagine our surprise when the good sound of these copies turned out to not only have superb sound, but exceptionally quiet Mint Minus vinyl too! Don’t expect to see another of this quality any time soon. If we can’t find them, who can?(more…)
This copy has an insanely good Triple Plus (A+++) side one backed with an excellent Double Plus (A++) side two.
Which breaks the rules a bit because most side twos earned a sonic grade that was about a half plus higher than the average copy’s grade for side one. Side two most of the time just plain sounds better than side one, so when evaluating your copy be sure to check side two first to hear what is probably going to be the best sound on the album.(more…)
Just today (3/16/15) we put up a White Hot Stamper2-packof the Eagles’ First Album. One of the two pressings that made up the 2-pack had a killer side two, practically As Good As It Gets.
What was interesting about that particular record was how bad side one was. Side one of that copy — on the white label, with stampers that are usually killer — was terrible. The vocals were hard, shrill and spitty. My notes say “CD sound. ” When a record sounds like a CD it goes in the trade-in pile, not on our site.
We encouraged the lucky owner to play the bad side for himself just to hear how awful it is, yet surprisingly, one might even say shockingly, it has exactly the qualities that audiophiles and collectors are most often satisfied with: the right label, and, in this case even the right stampers (assuming anyone besides us would know what the right stampers are).(more…)
This White Hot Stamper Nautilus Direct-to-Disc recording is an AMAZING Demo Disc, and what’s more, it’s actually REAL JAZZ — a remarkably unusual combination in the Audiophile World, in my experience anyway. This copy takes the sound of this recording — and the music along with it — to another level. YOU WON’T BELIEVE how good this record sounds (more…)
Years ago we received a letter from a fellow on our email list who found our prices for vinyl curious, as he considered a vinyl a bygone technology. Can’t say I agree with that assessment. It sure would be nice to demonstrate for him how much better records sound than the supposedly superior technologies that have — for most people, perhaps even for this gentleman — replaced them.audiophile label on the planet, I don’t know who it could be, and I don’t want to find out.
Wait, there is a way! A Hot Stamper, 100% Guaranteed to Satisfy or Your Money Back. One click is all it takes. Which is pretty much what I said in my reply to his letter which you can read below.
I receive your HTML email regularly. Along with the curious prices of your offerings, I occasionally wonder about the opinions expressed in your e-missives. A Roman senator once said that all mortal things are ‘only perfect in death.’ Ashes to ashes, and dust to dust aside: vinyl (of which I own a considerable library) is merely a bygone technology at this point in time. The opinions expressed on your website rarely credit the writer. Whose words are these? And why should I accept the opinions of someone who only stands to profit from their fanaticism?(more…)
The best sounding side ones were rarely as good as the best sounding side twos.
Even the good side ones tended to have a trace of harmonic distortion and compression that is simply nowhere to be found on the good side twos. How and why this is we have no idea. Since every copy had the same sonic issues we discounted it in our grading. Only the better copies bring the hits on side one to life and give them the size and power we know they can have. (more…)
The best copies give you dynamics and immediacy like you have rarely heard outside of the live event. Hell, this record IS live; it’s live in the studio. It’s a direct to disc recording, what else could it be?
There is simply nothing getting in the way of the music. If you have the system for it, you can recreate the live sound of this session in a way that few other recordings allow you to do.
This copy had one quality not heard on most of the others: Tubey Magic. The sound is rich and full-bodied, practically free of grit and grain – this is the kind of sound one hears occassionally on the best tube equipment and practically nowhere else. Of course this is an all-transistor affair, but tubey sound is what ended up on the record, so go figure.
Many copies were slightly lean, making the sax a bit aggressive in places. The killer copies fill out the horn sound, giving it the needed weight and body that the real instrument would have, without adding a euphonically artificial richness that the real instrument wouldn’t.(more…)
A killer 2-pack, with Triple Plus (A+++) sound, or close to it, from first note to last – they don’t get much better than this!
Here it is – the energy, space, and full, rich, Tubey Magical sound this music needs to work
You get Triple Plus sound for some of his best tracks here: Dear Landlord, Bird on the Wire, She Came in Through the Bathroom Window, and Hitchcock Railway
“Cocker mixed elements of late-’60s English blues revival recordings (John Mayall, et al.) with the more contemporary sounds of soul and pop; a sound fused in no small part by producer and arranger Leon Russell, whose gumbo mix figures prominently on this eponymous release and the infamous Mad Dogs & Englishmen live set.” – 4 Stars
This is a surprisingly good recording. Cocker and his band — with more than a little help from Leon Russell — run through a collection of songs from the likes of Bob Dylan, Leonard Cohen and the Beatles, and when you hear it on a White Hot Stamper copy it’s hard to deny the appeal of this timeless music.(more…)
Side two of this White Hot Stamper June Christy record on the original Capitol Turquoise label is AMAZING, both musically and sonically. It has all the TUBEY MAGIC we know these old records are famous for, but this copy gives you something you may never have heard on a vintage pressing before: real frequency EXTENSION, both high and low. Who knew an old record could have extended highs like these and such deep bass?
I can honestly say I have never heard any June Christy record sound as good as this copy does.(more…)
Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second for this White Hot 2-pack
The overall sound here is incredibly rich, full and Tubey Magical with excellent clarity and a wonderfully extended top end
An incredibly tough album to find without condition issues; they’re usually beat
“Her vocals are consistently passionate and first-rate… as is the musicianship.”
This original Atlantic stereo pressing is a MONSTER, one of the best we’ve ever played. You will have a very tough time finding a copy with even one side this good, let alone two.
The music, of course, is top notch, and it’s even better when you don’t have the bad sound and groove distortion of the average copy getting in the way. I imagine the Queen Of Soul herself would be very impressed with the way she sounds on this White Hot Stamper pressing.
So many copies are smeary, recessed and lifeless you’d think you were playing a heavy vinyl reissue, not a real Atlantic original. But when you get a lovely copy such as this, the music comes to life in front of you and the shortcomings quietly recede into the background (assuming you can handle the surfaces).
This is the way of all good pressings. We’ve played thousands of them. (more…)