Labels With Shortcomings – Nautilus

Crosby, Stills & Nash on Nautilus – The Most Bloated, Ill-Defined, Overblown Bass in the Sad, Sordid History of Half-Speed Mastering

More Crosby, Stills and Nash

More CrosbyMore Stills / More Nash / More Young

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Sonic Grade: F

Hall of Shame pressing and a Half-Speed Mastered Disaster if there ever was one.

An audiophile record dealer (of course; who else?) once raved to me about Crosby Stills and Nash on Nautilus. I said “What are you talking about? That version sucks!” He replied “No, it’s great. Helplessly Hoping sounds amazing.” 

Now one thing I know about the Nautilus is that although it is wonderfully transparent in the midrange, it may very well take the cake for the most bloated, out of control bass in the history of Half Speed mastering. What song on that album has almost no bass, just lovely voices in the midrange? You guessed it. Helplessly Hoping.

The Nautilus got one track right, and ruined the rest. Using that track for comparison will fool you, and when it comes time to play a side of the album, you will quickly hear what a disaster it is.

Or maybe you won’t. Who else harps on bad Half-Speed Mastered bass outside of those of us who write for this blog? I don’t recall ever reading a word about it. This does not reflect well on the bass response of the modern audiophile stereo.


Some Relevant Commentaries

A Technological Fix for a Non-Existent Problem (more…)

The Doobie Brothers / The Captain and Me – Nautilus Debunked

More of The Doobie Brothers

More of The Captain and Me

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Sonic Grade: D

Another Half-Speed Mastered Audiophile Pressing Debunked and another We Was Wrong listing to boot.

We actually recommended the Nautilus Half-Speed in the old days, but the last time we played one (mid-2007) the sound was Pure Audiophile BS — compressed to death and totally whomp-free.

The average domestic copy is terrible too, but that’s no excuse now is it?


Some Relevant Commentaries

A Technological Fix for a Non-Existent Problem

How to Make All Your Records Sound Like Mobile Fidelity Pressings – For Free! (more…)

John Klemmer / Straight from the Heart – Listening for the Tubey Magic Track by Track

More John Klemmer

Hot Stamper Audiophile Records with Surprisingly Good Sound

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Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Straight from the Heart. Here are more albums currently on our site with similar Track by Track breakdowns.

The best copies give you dynamics and immediacy like you have rarely heard outside of the live event.

Hell, this record IS live; it’s live in the studio. It’s a direct to disc recording, what else could it be?

There is simply nothing getting in the way of the music. If you have the system for it, you can recreate the live sound of this session in a way that few other recordings allow you to do.

This copy had one quality not heard on most of the others: Tubey Magic. The sound is rich and full-bodied, practically free of grit and grain – this is the kind of sound one hears occasionally on the best tube equipment and practically nowhere else. Of course this is an all-transistor affair, but tubey sound is what ended up on the record, so go figure.

Many copies were slightly lean, making the sax a bit aggressive in places. The killer copies fill out the horn sound, giving it the needed weight and body that the real instrument would have, without adding a euphonically artificial richness that the real instrument wouldn’t. (more…)

Letter of the Week “Meanwhile I sold out near all my pseudo-audiophile LP’s (i.e. MFSL, Nautilus, DCC, Simply Vinyl etc.) – they are useless.”

More Letters

One of our good customers had this to say about some Hot Stampers he has been buying lately: 

Hey Tom, 

I want to express my gratitude to your long-lasting efforts with regard to music. It has fully changed my whole life as a listener of music. [emphasis added]

It’s a great pleasure and I reached a complete different level of enjoyment and listening habits. To hear a Hot Stamper it’s also often a physical and emotional experience (sensation of heat, tears in the eyes, palpitations etc.). Thanks to your great Hot Stampers I might experience with so much pleasure.

Meanwhile I sold out near all my pseudo-audiophile LP’s (i.e. MFSL, Nautilus, DCC, Simply Vinyl etc.) – they are useless.

And last but not least it’s very important to buy these hot LPs now and here, before deafness, tinnitus (my greatest fear) and dementia are going to kill us. All LPs are worth their price, because I can imagine how much effort it takes to do the shootouts. (I did some.) (more…)

Letter of the Week – A Ghost in the Machine Shootout, Including the New Abbey Road Reissue

Reviews and Commentaries for Ghost in the Machine

More Sting and The Police

One of our good customers had this to say about a record he read about on the blog, the Nautilus pressing of Ghost in the Machine.

Hey Tom,   

Did you write something about the Nautilus record… I thought so, but I couldn’t find it. [The Ghost in the Machine link above will take you to it.]

This is one of my favorites from my teenage years and so I decided to do my own little test… Sterling vs. Nautilus vs. half speed abbey road reissue… it feels pretty clear the Sterling is tops with Nautilus close but I am surprised at how muddy the bass sounds on the new one. And just how tamped down the record sounds. Which is I guess your point.

Geoff

Geoff,

You now know more about this album than the typical audiophile expressing an opinion on the audiophile forums! You conducted a shootout, something most of them can’t be bothered to do.

You should not be surprised about muddy bass on half-speed mastered records, they all have it.

And tamped down? Tell me about it. Compressed and lifeless are two qualities the audiophile record can be guaranteed to deliver. How these companies get away with producing one shitty remaster after another is beyond me.  They’ve been making this junk for more than forty years and they’re still making it.

Welcome to the upside down world of the modern audiophile record. The worse they sound, the more audiophiles seem to like them.

Your shootout provided you with a good lesson to learn right from the start to set you on the right path.

Try this experiment: Take four or five UK pressings, clean them up and then compare them to any of the ones you played — the sound would be night and day better. And, after doing that shootout, one of the four or five would be a truly Hot Stamper pressing.

Those are what we sell. We save you all that work and expense and give you a better record than you could probably find on your own, but if you want to do your own shootouts, we have lots of advice on this very blog to help you do that. (more…)

John Klemmer – Straight from the Heart

More John Klemmer

Audiophile Recordings with Surprisingly Good Sound

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  • An outstanding copy with solid Double Plus (A++) sound on both sides, an Audiophile Jazz Demo Disc of the highest quality – fairly quiet vinyl too
  • Tubey Magical, lively and clear, with three-dimensionality that will fill your listening room from wall to wall
  • A record that fulfills the promise of the Direct to Disc recording technology
  • Real jazz music make this a Must Own Audiophile disc

This is one of the best Direct-to-Disc recordings we know of, and it’s actually REAL JAZZ — a remarkably unusual combination in the World of Audiophile Records, if my experience over the last thirty-five years can serve as a guide.

Both sides here really get this music right. They’ve got big, full bottom ends and great top end extension, along with a surprising amount of transparency — you can really hear back to the piano behind the horns. (more…)

The Pretenders on Nautilus Half-Speed – Ouch!

More from The Pretenders

Sonic Grade: D

Hall of Shame pressing and another Half-Speed Mastered Audiophile Pressing reviewed and found wanting.

Completely lifeless. This pressing takes all the rock out of rock and roll.

A ridiculous joke played on a far-too-credulous audiophile public.  

The top quality audiophile sound of the best import pressings comes courtesy of these guys:

Top Producers – Chris Thomas

Top Engineers – Bill Price

Top Engineers – Steve Nye

If you want to know just how good the album can sound, we make it easy to find out. Just order one of our famous Hot Stamper pressings.

Neil Young / Harvest – We Review the Half-Speed Mastered Nautilus Pressing

More Neil Young

Reviews and Commentaries for Harvest

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Sonic Grade: B-

We haven’t played a copy of this record in more than a decade, maybe two decades, but back in the day we liked it, so let’s call it a “B-” with the caveat that the older the review, the more likely we are to see things differently now. 

In the early 2000s we wrote this review:

This is a SURPRISINGLY good sounding Nautilus Half-Speed mastered LP with AMAZING transparency.

The sound here is DRAMATICALLY more natural than your average audiophile pressing. Just listen to the phony top end found on most MoFis to see what we mean.

On this record you’ll hear none of the hyped-up highs that are MoFi’s claim to fame.

This Nautilus is sure to destroy a typical American pressing, which will tend to sound opaque, thick and dull. This Half-Speed wouldn’t really match up to our Hottest Stampers, but you could sure do a lot worse.

Although it’s a tad fat at the bottom, it still retains much of the warmth and richness found on the best copies.

The Police – Zenyatta Mondatta and Ghost in the Machine on Nautilus Vinyl

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And to think we used to actually like the sound of the Nautilus pressings! They suffer from all the same shortcomings other Nautilus and similar half-speeds suffer from: the kind of pretty but lifeless and oh-so-boring sound that we describe in listing after listing. 

Three of the Best, Or So We Thought

I just did shootouts with three of the best Nautilus Half-Speeds: Heart, The Police’s Ghost in the Machine, and Little Feat. None of them sound like the real thing, and especially disappointing was one of my former favorites, the Little Feat album.

On the title track the Nautilus is amazingly transparent and sweet sounding. There are no real dynamics or bass on that track, so the “pretty” half-speed does what it does best and shines. But all the other tracks suck in exactly the same way Night and Day does. Cutting the balls off Little Feat is not my idea of hi-fidelity.

We put audiophile beaters up for sale every week. Each and every one of them is a lesson on what makes one record sound better than another. If you want a wall full of good sounding records, we can help you make it happen. In fact it will be our pleasure. Down with audiophile junk and up with Better Records. (more…)

A Good Customer Compares Our Hot Stamper of Rumours to His Original and the Nautilus Audiophile Pressing

More Fleetwood Mac

Reviews and Commentaries for Rumours

rumours

This week’s letter [from quite a few years ago] comes from our good customer Roger, who was blown away by our Hot Stamper pressing of Rumours. Roger did his usual thorough shootout of our Hot Stamper against his own pressings. The results? Another knockout for our Hot Stamper pressing!

Hi Tom,

Just a quick note on the Fleetwood Mac Rumors Hot Stamper I just bought. I have a Nautilus pressing and my original pressing I bought in college when it came out. I have never liked this record as much as Fleetwood Mac Fleetwood Mac, perhaps partly because its sonics were somewhat inferior.

So I played the Nautilus and quickly remembered what a piece of sonic detritus this thing is. How can audiophile labels like Nautilus put out something that is as thin, bright, flat, and compresssed as this thing is? It obviously reinforces your point that most audiophiles are lemmings when it comes to audiophile records. If some audiophile guru said the Japanese pressing of Girl Scout Troup #657 singing the Girl Scout Theme Song was sonic nirvana, it would show up on every internet record website for $50 each.

Next up was my original pressing with an F16 matrix on side one, and man, what a relief after following the Nautilus disaster. In fact, I resisted buying a pricey hot stamper because I always felt my pressing to be pretty darned good, which it was. So I was shocked to hear just how much better the hot stamper was.

I played Dreams on side one and it took all of about 5 seconds of hearing the massive bass and startlingly dynamic cymbal crashes on this track to find the hot stamper worth every penny I paid for it. If the drum kit on Oh Daddy doesn’t get your pants flapping, time for a new stereo. Voices were eerily present, guitars had great detail, pianos had weight just like in real life (we have a piano in our house), and best of all, the highs were arrayed in space and were delicate and detailed.

Since the Nautilus is too thin to make a good frisbee and would probably fetch big bucks on ebay I will stuff it back on my shelf forever, unless I need a good laugh, and add the HS Rumors to my favorite recordings.

Roger


Roger, thanks as always for the insightful review. The sad fact of the matter is that the Nautilus Digitally Remastered Half Speed — Yes, you heard that right — is actually better than the average reissue, and probably better in most ways than the average grainy domestic original, which is pretty much unbearably edgy and gritty, especially if it hasn’t been cleaned right.
(more…)