Peter, Paul and Mary in 1965
What the best sides of this classic Folk Album have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl domestic pressings like this one offer the kind of Tubey Magic that was on the tapes in 1965
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with the vocals, acoustic guitars and bass having the correct sound for this kind of recording
- Transparency and resolution, critical to hearing into the three-dimensional space of the studio
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
Peter, Paul & Mary records live and die by the quality of their midrange reproduction. These are not big-budget, high-concept multi-track recordings. They’re simple, innocent folk songs featuring exquisite vocal harmonies, backed by straightforward guitar accompaniment. If the voices aren’t silky sweet and delicate, while at the same time full-bodied and present, let’s face it — you might as well be listening to something else. (As we say below, the average copy will have you looking for another record to put on.)
The Breath Of Life
Steve Hoffman’s famous phrase is key here: we want to hear The Breath Of Life. If P, P & M don’t sound like living breathing human beings standing right between your speakers, toss yours and buy this copy, because that’s exactly what they sound like here. The TUBEY MAGIC of the MIDRANGE is practically off the scale. Until you hear it like this you almost can’t really even imagine it. It’s a bit disconcerting to hear each and every nuance of their singing reproduced so faithfully.
This is high-rez ’60s style; not phony and forced like so much of what passes for audiophile sound these days, but relaxed and real, as if the recording were doing its best to get out of the way of the music, not call attention to itself. This, to us, is the goal, the prize we must constantly strive to keep our eyes on. Find the music, leave the rest.
If I Were Free
Betty & Dupree
The Rising Of The Moon
Early Mornin’ Rain
Because All Men Are Brothers
Brother, (Buddy) Can You Spare A Dime?
The First Time Ever I Saw Your Face
Tryin’ To Win
On A Desert Island (With You In My Dreams)
The Last Thing On My Mind
See What Tomorrow Brings is a strong album that plays to the strengths of Peter, Paul, & Mary. There is a good variety of material within their folk format, and a nice esprit de corps that pervades the recording. All members sing lead, which brings a good balance to the proceedings. Worth noting are two early versions of Gordon Lightfoot’s “Early Morning Rain” and Ewan MacColl’s “The First Time Ever I Saw Your Face.” … a very good album that has variety, strong material, tasteful production, and a fine spirit that gives it a winning edge.