An outstanding pressing of Sorcerer, with solid Double Plus (A++) sound or close to it from start to finish
Sorcerer demonstrates the big-as-life, spacious and unerringly accurate 30th Street Studio Sound Fred Plaut was justly famous for
4 1/2 stars: “The emphasis is as much on complex, interweaving chords and a coolly relaxed sound as it is on sheer improvisation, though each member tears off thoroughly compelling solos. Still, the individual flights aren’t placed at the forefront the way they were on the two predecessors — it all merges together, pointing toward the dense soundscapes of Miles’ later ’60s work.”
Drop the needle anywhere and listen to how open, transparent and spacious this early pressing is. The soundfield is HUGE — big, wide and deep.
Everything sounds natural, balanced and correct. The bass has good tone, the piano has weight, the brass has the right amount of bite, and so on.
We had a big stack of copies for this shootout, including a bunch of 360 originals and some later Red Label pressings. You can find great sound on either label but it will probably take you quite a few copies to get there, and you’d need a serious stack to have any hope of finding two sides this good on vinyl that plays well.
And by the way, copies of classic Miles Davis albums from the ’60s are neither easy to find nor are they cheap. Hit the jazz bins at your local store and I’m sure you’ll have the same experience we’ve been having — tons of pricey modern reissues but not too many clean vintage pressings. (more…)
This pressing of Jimmie and Stevie Ray’s 1990 release has superb Shootout Winning Triple Plus (A+++) sound on both sides – exceptionally quiet vinyl too
Space, clarity, transparency, and in-the-room immediacy were off the charts on this pressing – it beat every copy we had hands down
“Jimmie makes his vocal debut on ‘White Boots’ and ‘Good Texan,’ and the brothers blur the lines between their expected guitar styles — Stevie sometimes going for a less sustainy twang, Jimmie moving into Albert King territory.”
You’ll find excellent Double Plus (A++) sound or BETTER on both sides of this pressing of Time In, the last album recorded in Brubeck’s “Time” series
This 360 Stereo pressing boasts the clean, clear, solid, lively piano sound we love about Brubeck’s records from this era
The best vintage pressings of Brubeck’s Columbia albums from the ’50 through the ’60s are exceptionally natural, with unerringly correct sound from top to bottom
4 stars: “The last of pianist and composer Dave Brubeck’s “Time” recordings, and one of his most musically adventurous. Though it is seldom celebrated as such, this is one of Brubeck’s finest moments on Columbia.”
This vintage Columbia 360 stereo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the audience at the live show, this is the record for you. It’s what Live Jazz Recordings are known for — this sound.(more…)
You’ll find stunning Shootout Winning Triple Plus (A+++) sound on this Radio Rock Classic
This copy had the best energy, the punchiest bass, and biggest, most immediate presentation in our shootout
Rockers like Juke Box Hero and Urgent, along with the heartfelt ballad Waiting For A Girl Like You, are guaranteed to sound better than you ever imagined or your money back
“In producer Robert John ‘Mutt’ Lange – fresh off his massive success with AC/DC’s Back in Black – guitarist and all-around mastermind Mick Jones found both the catalyst to achieve [a grand slam of a record] and his perfect musical soulmate… All things considered, 4 remains Foreigner’s career peak.”
What’s key to the sound of Foreigner’s records? Obviously, the big one would have to be ENERGY, a subject we have discussed at length here on the site. Next would be punchy ROCK BASS, followed by clear, present vocals.
Those are the big ones, and we are happy to report that this copy had the best Foreigner sound in all three areas.(more…)
Easily – and by a wide margin – the best sounding record Jeff Beck ever made – thanks Ken Scott! (And thank you, CBS, for the exceptionally quiet vinyl)
This pressing embodies the Big Rock Sound, the kind we go crazy for here at Better Records
Really fun music – it’s a blast to hear Rod Stewart fronting such a heavy rock band
AMG 5 Stars “…almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums.”
Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
This is a SHOCKINGLY good sounding pressing of Truth, Beck’s As-Heavy-As-I-Can-Make-It Rock debut, the kind of record that would define Classic Rock for the next forty plus years.
The soundstage is absolutely HUGE, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy too of course — without that you have nothing on this album.
Note how spacious, big, full-bodied and DYNAMIC both sides are. That’s why they’re Super Hot. I am pleased to report that the whomp factor on these sides was nothing short of MASSIVE. With tons of bass these sides have what it takes to make the music ROCK. (more…)
With two Shootout Winning Triple Plus (A+++) sides, this stereo pressing simply could not be beat
Ella’s voice is noticeably breathier, fuller, more relaxed and more musical here than it is onthe other copies we played
An album that is beyond difficult to find with decent surfaces and undamaged inner grooves – most copies we get in are just trashed
“Most of the songs are veteran standards, Stan Getz’s warm tenor helps out on four tunes, and her voice was so strong and appealing during this era that all of her recordings from the mid- to late ’50s are enjoyable and easily recommended.”
Take it from an Ella fan, you can’t go wrong with this one, assuming you can put up with some ticky vinyl. This is about as quiet as we can find them. Like Someone in Love is five times rarer than Clap Hands, and twice as likely to be noisy.
The sound is rich and full-bodied in the best tradition of a classic vintage jazz vocal album. You could easily demonstrate your stereo with a record this good, but what you would really be demonstrating is music that the listener probably hasn’t heard, and that’s the best reason to demonstrate a stereo!
The space is huge and the sound so rich. The vocals have dramatically less hardness and the orchestra — especially on side two — is not brash for once.
Prodigious amounts of Tubey Magic as well, which is key to the best sounding copies. The sound needs weight, warmth and tubes or you might as well be playing a CD.(more…)
Luxury Liner makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
This copy is full-bodied and natural, with a nicely extended top end, plenty of space around the instruments and vocals, and few of the problems that plagued many pressings we played
4 1/2 stars: “Luxury Liner ranks as Emmylou Harris’ best-selling solo record to date, and it’s one of her most engaging efforts as well; her Hot Band is in peak form, and the songs are even more far afield than usual”
The sound that Emmylou and her producers were going for here is clean, detailed and low distortion, which is exactly what the best pressings like this one deliver. What really sets the good copies apart, though, is a natural, relaxed quality in the midrange. Emmylou sounds like a real person, with none of the too-clean, too-modern, tube-free sound that ruins many of the pressings of her records. (more…)
This copy of Prince’s legendary 1984 release is big and rich, with rock solid energy to beat the pants off of any pressing you have ever heard
Clean and clear and open are nice qualities to have, but rich and smooth are harder to come by on this record – and here they are!
5 stars: “Purple Rain finds Prince consolidating his funk and R&B roots while moving boldly into pop, rock, and heavy metal with nine superbly crafted songs… a stunning statement of purpose that remains one of the most exciting rock & roll albums ever recorded.”
The best copies, like this one, sound pretty much the way the best copies of most Classic Rock records sound: tonally correct, rich, clear, sweet, smooth, open, present, lively, big, spacious, Tubey Magical, with breathy vocals and little to no spit, grit, grain or grunge.
That’s the sound of analog, and the best copies of The Purple Rain have that sound. (more…)
An outstanding original Warner Bros. pressing of the band’s Masterpiece, with solid Double Plus (A++) sound – exceptionally quiet vinyl too
An Audiophile Quality Pop Music Production as close to perfect as one could possibly wish for, thanks to Ted Templeman and Donn Landee
4 stars: “…this is where the ‘new’ Doobie Brothers really make their debut, with a richly soulful sound throughout and emphasis on horns and Michael McDonald’s piano… It’s still all pretty compelling even if its appeal couldn’t be more different from the group’s earlier work. The public loved it, buying something like three million copies, and the recording establishment gave Minute by Minute four Grammy Awards, propelling the group to its biggest success ever.”
This is undoubtedly the band’s masterpiece, assuming you’re a Michael McDonald fan, and we very much are fans here at Better Records. We can now definitively say that the quality of the sound matches the quality of the music. What a wonderful sounding pop record. This is Donn Landee at his best — tonally correct, spacious, clear and sweet, with big bass and vocal choruses that can really take off when called upon. With Ted Templeman running the show this is an Audiophile Quality Pop Music Production that’s as close to perfect as one has any right to expect. (more…)
With two Triple Plus (A+++) shootout winning sides, this copy of Richter’s 1956 recording of Bach Organ Music form simply could not be beat – fairly quiet vinyl too
Some audiophiles buy organ records to show off their subwoofers, and records like this can do that, but records this good have musical qualities far beyond simple demonstrations of bass reproduction – with this pressing you can feel the cool air in the hall!
With this pressing you can feel the cool air in the hall, something no Telarc or audiophile organ record can offer in our experience
We’ve played plenty of them, and it is our opinion that the more modern the recording, the worse it sounds, especially if it’s on an audiophile label — those are the worst!
Karl Richter understands this music and makes it come alive in a way I’ve never heard any other musician manage to do – the Decca engineers are of course a big help too
For those of you who think technology marches on — which of course it does in some ways — this 1956 recording (finally released in stereo in 1960) shows that they could capture the authentic sound of the real instrument with the equipment of the day. Maybe they could even capture it better back in those days. I certainly can’t think of a better organ record than this, and musically I don’t think there are too many organists in Richter’s class.(more…)