- This wonderful compilation makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from start to finish
- It’s big, lively, clear and present, with the kind of Tubey Magical richness we flip out for here at Better Records
- A difficult record to find with audiophile playing surfaces – we go years without seeing a clean copy in stereo
- “The two make an effective team, with Gilberto’s sometimes sentimental, sometimes impressionistic works effectively supported by Mann’s lithe flute solos.”
A distinguished member of the Better Records Jazz Hall of Fame.
This White Hot Stamper 2-pack has Demo Disc Live Latin Jazz sound and crazy fun music. Both sides are so clear, rich, natural and present you’ll have a very hard time finding fault with the sound. And the music is great too – this is a Big Band with a swarm of Latin percussionists added to kick up the heat.
This Columbia recording from 1965 has the sound we love here at Better Records, or at least two of the sides of two of these copies do. When you play the other sides you may be in for quite a shock, especially the bad side two included in this two pack. (more…)
- A killer Triple Plus (A+++) side one backed with a solid Double Plus (A++) side two for what is probably the most well known album Herbie Mann ever made
- Both sides here are full-bodied, open, spacious and balanced with plenty of bottom end weight
- One of the better flute jazz albums we’ve heard, both in terms of sonics and music
- 4 1/2 stars on Allmusic: “In addition to “Comin’ Home Baby,” Mann and his men perform memorable versions of “Summertime” and “It Ain’t Necessarily So”; the latter is 20 minutes long. Recommended.”
We’ve been trying to track down top pressings of this one for ages, but they are tough to come by and often noisy.
Both sides really shine with a meaty bottom end, lots of energy, an extended top and wonderful transparency. The soundstage is big and open with lots of depth, giving room to all the various players and their instruments.
Would you believe a song from this album was sampled and turned into a big hit in the ’90s? The great version of Gershwin’s Summertime on side one provided the backbone for the band Sublime’s 1997 single Doin’ Time. Maybe not of much interest to most of us baby boomer audiophiles, but the younger guys around here all had a good laugh when they recognized the break. Maybe your kids will too? (more…)