Top Arrangers – Oliver Nelson

Hey Bud, This Girl Looks Awfully Familiar

Not sure about the last one…

I am sure that none of these three records is worth owning. The sound is at best mediocre, as is the music.

Oliver Nelson and RVG – Mastering Better than the Master?

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The sound is tonally correct, Tubey Magical and above all natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’50s and ’60s jazz you cannot go wrong here.

For those record lovers who still cling to the idea that the originals are better, this pressing will hopefully set you straight.

Yes, we can all agree that Rudy Van Gelder recorded it, brilliantly as a matter of fact. Shouldn’t he be the most natural choice to transfer the tape to disc, knowing, as we must assume he does, exactly what to fix and what to leave alone in the mix?

Maybe he should be; it’s a point worth arguing.

But ideas such as this are only of value once they have been tested empirically and found to be true.

We tested this very proposition in our recent shootout, as well as in previous ones of course. It is our contention, based on the experience of hearing quite a number of copies over the years, that Rudy did not cut the original record as well as he should have. For those of you who would like to know who did, we proudly offer this copy to make the case.

Three words say it all: Hearing is believing.

(And if you own any modern Heavy Vinyl reissue we would love for you to be able to appreciate all the musical information that you’ve been missing when playing it. I remember the one from the ’90s on Impulse being nothing special, and the Speakers Corner pressing in the 2000s if memory serves was passable at best.) (more…)

Herbie Mann – Latin Mann

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A distinguished member of the Better Records Jazz Hall of Fame.

This White Hot Stamper 2-pack has Demo Disc Live Latin Jazz sound and crazy fun music. Both sides are so clear, rich, natural and present you’ll have a very hard time finding fault with the sound. And the music is great too – this is a Big Band with a swarm of Latin percussionists added to kick up the heat.

This Columbia recording from 1965 has the sound we love here at Better Records, or at least two of the sides of two of these copies do. When you play the other sides you may be in for quite a shock, especially the bad side two included in this two pack. (more…)

Cannonball Adderley – Domination

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  • A KILLER original stereo pressing with Shootout Winning Triple Plus (A+++) sound or close to it – exceptionally quiet vinyl too 
  • This is an AMAZINGLY well-recorded album – big, rich, and positively exploding with the fun jazz energy Adderley is known for
  • And don’t forget Oliver Nelson’s swinging arrangements for this group, surely a match made in Heaven
  • Why isn’t this LP better known? It’s one of the best jazz albums we’ve “discovered” recently, with the Big Sound we Big Speaker guys flip for
  • “Both Adderleys feature through a series of monumental sounding charts by Oliver Nelson on some very enterprising material.”

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Oliver Nelson – More Blues and the Abstract Truth

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  • Nelson’s 1965 release makes its Hot Stamper debut with stunning Shootout Winning Triple Plus (A+++) sound throughout – exceptionally quiet vinyl too
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the only way to hear it
  • 4 stars: “… there are some strong moments from such all-stars as trumpeter Thad Jones, altoist Phil Woods, baritonist Pepper Adams, pianist Roger Kellaway and guest tenor Ben Webster (who is on two songs). The emphasis is on blues-based pieces and there are some strong moments even if the date falls short of its predecessor.” 

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Wes Montgomery – California Dreaming – Our Shootout Winner from 2011

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A distinguished member of the Better Records Jazz Hall of Fame.

This White Hot Stamper Shootout Winner has the REAL Wes Montgomery/ Creed Taylor/ Rudy Van Gelder MAGIC in its grooves. You will not believe how big, rich and full-bodied this pressing is on side one! Since this is one of Wes’s best albums, hearing this side one was a THRILL for us and will no doubt be as big a thrill for you too.   

Beware any and all imitations (even the one I like somewhat, the Cisco version). They barely BEGIN to convey the qualities of the real master tape the way this pressing does. This White Hot Stamper exhibits huge amounts of ambience and spaciousnesss, with far more energy and the kind of “see into the studio” quality that only the real thing ever seems to have. 

Wall to Wall

Note especially how so much musical information is coming from the far sides of the soundfield. The Cisco reissue makes a mockery of that wall to wall sound, sucking it into the middle and flattening it into a single plane. Ugh.

To be fair — and I always am — the Cisco did beat and will beat the pants off of practically any copy you run across. There is a very simple explanation for this: Verve is probably the most poorly mastered label in the history of the world. No other label produced so many wonderful sounding recordings that were turned into lousy sounding LPs — I could list them for days. We rarely even pick up most Verves, having been burned so many times we just can’t face another badly mastered noisy LP. (more…)

Wes Montgomery – Goin’ Out of My Head

More Wes Montgomery

Goin’ Out of My Head

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  • Incredible Triple Plus (A+++) sound or close to it on both sides, this early stereo copy blew the competition away with its size, Tubey Magical richness and vibrant jazz energy 
  • Once again Oliver Nelson’s Big Band arrangements take the music to another level – the guy’s a genius
  • “…it’s a classic big-band album, with smart charts by Nelson and stolen moments of Montgomery’s guitar grandeur and romantic truth scattered throughout.”

This White Hot Stamper Shootout Winner has the REAL Wes Montgomery/ Creed Taylor/ Rudy Van Gelder MAGIC in its grooves. You will not believe how big, rich and full-bodied this pressing is on both sides. Since this is one of Wes’s better albums, hearing these sides was a THRILL for us and we’re hoping it will be as big a thrill for you too.

Everything that’s good about this era of RVG’s recordings, Wes’s music and those glorious Oliver Nelson arrangements is here. For my part let me just say that this is clearly the best sound I have ever heard for Goin’ Out of My Head. (more…)

Oliver Nelson – The Blues and the Abstract Truth

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  • Oliver Nelson’s masterpiece returns to the site with outstanding Double Plus (A++) sound on both sides
  • Clean, clear and present with a solid bass foundation, as well as the big stage this big group of musicians needs
  • If all you know is Van Gelder’s original cutting, you will surely have your eyes and ears opened by this wonderful Hot Stamper
  • Allmusic calls this album “…his triumph as a musician for the aspects of not only defining the sound of an era… but on this recording, assembling one of the most potent modern jazz sextets ever.” 5 Stars (of course)

The sound is tonally correct, Tubey Magical and above all natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’50s and ’60s jazz you cannot go wrong here.

For those record lovers who still cling to the idea that the originals are better, this record will hopefully set you straight.

Yes, we can all agree that Rudy Van Gelder recorded it, brilliantly as a matter of fact. Shouldn’t he be the most natural choice to transfer the tape to disc, knowing, as we must assume he does, exactly what to fix and what to leave alone in the mix?

Maybe he should be; it’s a point worth arguing.

But ideas such as this are only of value once they have been tested empirically and found to be true. (more…)

Sonny Rollins – Alfie (Original Music From The Score)

More Sonny Rollins

Alfie

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A distinguished member of the Better Records Jazz Hall of Fame.

A stunning Triple Triple Plus (A+++) pressing that is sure to beat any Sonny Rollins record you own (for sound anyway). Even though I’ve been playing this album for more than 25 years, for some reason this is the first truly killer copy to ever hit the site. A triumph for Rudy Van Gelder, a Top Impulse title, and as much a showcase for Oliver Nelson (+11) as it is for Sonny Rollins. 

This album is on the TAS Superdisc list, which is probably what first alerted me to it. I know I was listening to this album 25 years ago, just from the memory of hearing it in the condo I used to live in. It sounded great back then and it sounds even better now! You will have a hard time finding a better Sonny Rollins record, sonically or musically. It may just be my personal favorite of all his work.

Great players of course. Kenny Burrell is wonderful as always. Interestingly I never realized that Roger Kellaway is the pianist on these sessions. I saw him live years ago with Benny Carter (who was 90 at the time) and he put on one of the most amazing performances at the piano I have ever seen. For some reason he was never able to make it as a recording artist, but the guy is a genius at the keyboard.

Of course any orchestration by Oliver Nelson is going to be top flight and this is no exception. Two of his records are Must Owns in my book: Jimmy Smith’s Bashin’ and his own The Blues and the Abstract Truth. No jazz collection without them can be taken seriously.

For audiophiles who are looking for one of the best sounding jazz recordings ever made, this is it. (more…)

Jimmy Smith & Wes Montgomery – The Dynamic Duo

More Jimmy Smith

More Wes Montgomery

More The Dynamic Duo

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  • KILLER Triple Plus (A+++) grades or very close to it on both sides, this is a wonderful vintage stereo pressing of a classic jazz collaboration from 1966
  • Big, rich and lively, thanks to Oliver Nelson’s arrangements (and RVG’s engineering), this big group of top players is having a blast and we think you will too
  • 5 stars: “The romping, aggressive big band charts [represent] Oliver Nelson at his best… The results are incendiary — a near-ideal meeting of yin and yang… They are an amazing pair, complementing each other, driving each other, using their bop and blues taproots to fuse together a sound.”

The sound of this Verve stereo pressing is tonally correct and natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’60s jazz you cannot go wrong here. (more…)