Top Studios and Concert Halls – Kingsway Hall

An Extraordinary Recording of the Carmen Fantasie – This Is Why You Must Do Shootouts

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

 

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This London Whiteback LP has DEMO DISC sound like you will not believe, especially on side two, which earned our coveted A Triple Plus rating. The sound is warm, sweet and transparent; in short, absolutely GORGEOUS. We call it AGAIG — As Good As It Gets!

As this is one of the Greatest Violin Showpiece Albums of All Time, it is certainly a record that belongs in every right-thinking audiophle’s collection. (If you’re on our site and taking the time to read this, that probably means you.) Ruggiero Ricci is superb throughout.

And side one was just a step below the second side in terms of sound quality, with very solid A++ sound. To find two sides of this caliber, on quiet vinyl no less, is no mean feat. You could easily go through ten copies without finding one as consistently good sounding as this one.

A True Demo Disc, Or Was It?

Ricci’s playing of the Bizet-Sarasate Carmen Fantasie is OUT OF THIS WORLD. There is no greater perforrmance on record in my opinion, and few works that have as much Audiophile Appeal.

Which is why I’ve had a copy of this record in my own collection for about fifteen years marked “My Demo Disc”. But this copy KILLED it. How could that be?

It just goes to show: No matter how good a particular copy of a record may sound to you, when you clean and play enough of them you will almost always find one that’s better, and often surprisingly better. Shootouts are the only way to find these kinds of records. Nothing else works. If you’re not doing shootouts (or buying the winners of shootouts from us) you simply don’t have top quality copies in your collection, except in the rare instances where you just got lucky. In the world of records luck can only take you so far. The rest of the journey requires effort. (more…)

Ted Heath – Swings In High Stereo

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  • Shootout Winning Triple Plus (A+++) DEMO DISC SOUND from the first note to the last; the best sound we heard for this album in our shootout all day
  • Kingsway Hall, Wilkinson and the Decca Tree add up to Audiophile Quality Big Band sound, on this copy anyway
  • Heath and his group play with all the energy and verve essential to this joyful Big Band music – he really does swing in high stereo
  • We consider Ted Heath’s early London recordings to be some of the best big band ever recorded

This album has DEMO DISC SOUND like you will not believe. Just listen to Heath’s arrangement of Big Ben, the second track on side two, for Audiophile Quality Big Band sound the likes of which you may have never heard. (more…)

Bernard Herrmann – The Fantasy Film World of…

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  • This early British London pressing has excellent Double Plus (A++) sound or close to it on both sides – reasonably quiet vinyl too
  • On the better copies such as this one you can hear the power of the orchestra come to life right in your very own listening room
  • The soundfield is big, open and transparent, with the kind of size and spaciousness that may just leave you in awe
  • A superb Phase 4 recording by Arthur Lilley, taking advantage of the legendary acoustics of Kingsway Hall

The soundfield is big, open and transparent, with the kind of three-dimensionality most orchestral recordings just can’t approach. The brass here is excellent, and you can really hear the pluck of the strings on the harp.

Harry Pearson put the Decca pressing of this title on his TAS List of Super Discs. (We take issue with that choice.) (more…)

Stravinsky / Petrushka – Superb on Readers Digest Vinyl

 

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  • With a Triple Plus (A+++) shootout winning side one and a Double Plus (A++) side two, this is a Petrushka that is guaranteed to blow your mind (just as it blew ours)
  • As good as the famous Dorati recording for Mercury may be – assuming you have one that sounds as good as the best copies can – we still this Readers Digest pressing to be superior in all the most important ways, as well as being the Mercury equal in performance
  • One listen to this famous Kenneth Wilkinson Decca tree recording with the Royal Philharmonic and you’ll see why we could find no competition for it
  • The biggest problem with these wonderful recordings is the vinyl – no copy played better than Mint Minus Minus to EX++

What a recording! So clear and ALIVE. Transparent, with huge hall space extending wall to wall and floor to ceiling. Zero compression. Lifelike, immediate, front row center sound like few records you have ever heard, especially on side one.

A truly extraordinary recording mastered beautifully but pressed on vinyl that has never been known for its quality.

Rich, sweet strings, especially for a work of Stravinsky’s. They’re clear and textured, yet rich and full-bodied. The bottom is big and weighty. The horns are tubey and full and never screechy, even in the most difficult passages.

About as close to live music as I think this piece can sound in my listening room.

Most recordings we played were profoundly unnatural, lacking transparency and the relaxed sense of involvement that tricks you into thinking “you are there.” (more…)

Ted Heath – Shall We Dance – Absolutely Amazing Sound (and We Love the Music Too)

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One of the best sounding records we have ever played, the Gold Standard for Tubey Magical Big Band. Both sides are huge, rich, weighty and dynamic like few records you have ever heard. Three elements create the magic here: Kingsway Hall, Kenneth Wilkinson and the Decca “Tree” microphone setup.

More Big Band Jazz

Years ago we wrote in another listing “We had a copy of Heath’s Shall We Dance not long ago that had some of the biggest, richest, most powerful sound I have ever heard. Watch for Hot Stampers coming to the site soon.” Well, now they’re here, and this copy fulfills the promise of the album like no copy we have ever played.

DEMO DISC SOUND barely begins to do this one justice. This is Audiophile Quality Big Band sound to beat them all. The American big bands rarely got the kind of sound that the Decca engineers were able to achieve on records like this. For one thing they didn’t have Kingsway Hall, Kenneth Wilkinson or the Decca “Tree” microphone setup.

Unlike some of the American big band leaders who were well past their prime by the advent of the two-channel era, Heath is able to play with all the energy and verve required for this style of music. He really does “swing in high stereo” on these big band dance tunes. (more…)

Rossini / Overtures with Maag – The Best on Record

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  • With a Triple Plus (A+++) Shootout Winning side one and a side two that’s not far behind, the orchestral power of display here is positively PHENOMENAL
  • This Decca Tree recording is overflowing with the kind of rich, spacious, Tubey Magical sound that can only be found on vintage vinyl
  • Performances and sound like no other – Maag’s William Tell is in a league of its own
  • “You’d think Maag would approach the scores the way most conductors do: gung-ho and hell bent for leather. He doesn’t. In fact, Maag displays a good deal of reserve, calculating his interpretations for the biggest payoff. For instance, in William Tell he keeps the opening sections in check, and then he builds the final segment into a most-exciting whirlwind, the conclusion carrying you away.”

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Schubert / Symphony No. 9 “The Great” / Krips / LSO

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  • With two Shootout Winning Triple Plus (A+++) sides, we guarantee you’ve never heard this powerful orchestral masterpiece sound remotely as good as it does here
  • One of the truly great All Tube Wilkinson “Decca Tree” recordings in Kingsway Hall, captured faithfully in all its beauty on this very disc
  • The 1950s master tape has been transferred brilliantly using “modern” cutting equipment (from 1976, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer
  • Don’t expect to ever see an original on this site – the two we had were crude, flat, full of harmonic distortion, and with clearly restricted frequency extremes

Krips’ 1958 recording for Decca is here brought to life on a fairly quiet and certainly quite wonderful World of the Great Classics pressing from 1976. This copy was clearly the best we played, showing us a huge hall, with layered depth that was only hinted at on most pressings, regardless of age.

The strings are remarkably rich and sweet. This pressing is yet another wonderful example of what the much-lauded Decca recording engineers of the day were able to capture on analog tape all those years ago. (more…)

Bruch – Scottish Fantasia / Mendelssohn – Violin Concerto – Campoli

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  • As good as the Mendelssohn is on side one – with Double Plus (A++) sound it would have to be excellent indeed – the crowning glory of this disc is the Scottish Fantasy on side two  
  • It’s some of the best sound we have ever heard for the work, right up there with our longtime favorite, the Heifetz on Living Stereo (LSC 2603) 
  • One of the truly great 1959 All Tube Kenneth Wilkinson “Decca Tree” recordings in Kingsway Hall, captured faithfully in all its beauty on this very disc
  • Referring to the Mendelssohn, Gramophon noted: “[Campoli’s] virtuosity in the finale are as self-evident as is the excellence of the accompaniment under Sir Adrian Boult. There are many felicitous touches and the distinguished soloist plays magnificently throughout.”

If you want an outstanding Mendelssohn Violin Concerto and an out of this world Scottish Fantasy, this is the copy for you!

The Bruch brings to mind some of Tchaikovsky’s works. It’s so sweet and melodic, it completely draws you into its world of sound. This is a work of unsurpassed beauty, music that belongs in any serious music collection.

As we noted above, Kenneth Wilkinson engineered in the legendary Kingsway Hall. There is a richness to the sound of the strings that is exceptional, yet clarity and transparency are not sacrificed in the least. 

It’s practically impossible to hear that kind of string sound on any recording made in the last thirty years (and this of course includes practically everything pressed on Heavy Vinyl). It may be a lost art but as long as we have these wonderful vintage pressings to play it’s an art that is not being lost on us.

It’s also as wide, deep and three-dimensional as any, which is, of course, all to the good, but what makes the sound of these recordings so special is the timbral accuracy of the instruments in every section.

I don’t think the Decca engineers could have cut this record any better — it has all the orchestral magic one could ask for, as well as the resolving power, clarity and presence that are missing from so many other vintage Golden Age records.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. They cannot begin to sound the way this record sounds. (Before you put them in storage or on Ebay please play them against this pressing so that you can be confident in your decision to rid yourself of their unforgivable mediocrity.) (more…)

Weekend Warriors Will Struggle Mightily with The Fantasy Film World of Bernard Herrmann

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

 

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An orchestral dreadnought such as this requires mastering and pressing of the highest quality.

Herrmann’s music taxes the limits of LP playback itself, with deep organ notes (listen for the famous Decca rumble accompanying the organ if you have the deep bass reproduction to hear it); incredible dynamics from every area of the stage; masses of strings playing at the top of their registers with abandon; huge drums; powerful brass effects everywhere — every sound an orchestra can produce is found on this record, and then some.

You will hear plenty of sounds that defy description, that’s for sure. Some of the time I can’t even imagine what instrument could possibly make such a sound!

Your Hard Work Pays Off

A recording of this size and scope will bring virtually any stereo system to its knees. This is the real Power Of The Orchestra! You had better have a top quality front end if you want to play this record properly, not to mention plenty of power and big speakers.

This is not the record for the Weekend Budget Audiophile. If you haven’t put in the years of effort and invested the tens of thousands of dollars in equipment and room treatments it takes to play records of this difficulty, your system is probably not up to the challenge this album represents.

If on the other hand, you have done the work and spent the money, this is the album that will show you what you have achieved. (more…)

Mendelssohn and Bruch / Violin Concertos / Ricci / Gamba

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A distinguished member of the Better Records Orchestral Music Hall of Fame

  • With two Shootout Winning Triple Plus (A+++) sides, we guarantee you’ve never heard Mendelssohn Violin Concerto sound remotely as good as it does here, and the Bruch Violin Concerto on the second side is every bit as good
  • With sonic grades like these, you can be sure this pressing will beat all comers for sound, including the performances by Heifetz, Rybar, and others we’ve been enamored with in the past
  • The violin is so sweet and present, so rich, natural and real, you will forget you’re listening to a record at all
  • The glorious sound of these truly great 1958 All Tube “Decca Tree” recordings from Kingsway Hall is faithfully captured in all its beauty on this very disc

This is one of the ALL TIME GREAT violin concerto records. In Ruggiero Ricci’s hands both works are nothing short of magical. If you want to know why people drool over Golden Age recordings, listen to the violin. Careful, when you hear it you may find yourself drooling too.

The staging of the orchestra and violin is exactly the way we want to hear it in our heads. Whether it would really sound this way in a concert hall is impossible to say — concert halls all sound different — but the skill and the emotion of the playing is communicated beautifully on this LP. This is a sweetheart of a record, full of the Tubey Magic for which London recordings are justly famous.

As we noted above, engineering took place in the legendary Kingsway Hall. There is a richness to the sound of the strings that is exceptional, yet clarity and transparency are not sacrificed in the least. (more…)