You’ll find outstanding Double Plus (A++) sound from first note to last on this copy of Joel’s ninth studio album
Dynamic and open, with driving rhythmic energy – this early pressing brings this great batch of songs to life
Jam packed with hits: An Innocent Man, The Longest Time, Tell Her About It, Uptown Girl, Leave a Tender Moment Alone, and more – seven singles in all
4 stars: “[H]e’s effortlessly spinning out infectious, memorable melodies in a variety of styles, from the Four Seasons send-up “Uptown Girl” and the soulful “Tell Her About It” to a pair of doo wop tributes, “The Longest Time” and “Careless Talk.” Joel has rarely sounded so carefree either in performance or writing, possibly due to “Christie Lee” Brinkley, a supermodel who became his new love prior to An Innocent Man.”
Both of these sides have the huge soundstage and startling clarity and immediacy that characterizes this album, but they also add an ingredient missing from most we heard — a full, rich, musical midrange!
On many pressings, the vocals can get hard and harsh on the uptempo tracks (“Uptown Girl” is a notable offender, and never sounds quite as good as the rest of the album), but this copy manages to fix that problem (mostly) without sacrificing transparency or top end.
This was a monster in its day, generating a Number One hit and seven total single releases out of the ten songs that comprise it. Seven out of ten, not a bad track record. We couldn’t find a weak song on the album either, which is surely one of the reasons it sold seven million copies in the states alone. (more…)
With solid Double Plus (A++) sound, this pressing of Joel’s 1977 breakthrough album (thanks Phil!) is outstanding from top to bottom – exceptionally quiet vinyl too
Tonally correct, solid, open, clear, with plenty of hard-rockin’ energy and present vocals, what’s not to like?
The Stranger, Only the Good Die Young, Vienna, Just The Way You Are, Movin’ Out, She’s Always A Woman – some of Joel’s strongest songwriting can be found right here
4 1/2 stars: “None of his ballads have been as sweet or slick as “Just the Way You Are”; he never had created a rocker as bouncy or infectious as “Only the Good Die Young”; and the glossy production of “She’s Always a Woman” disguises its latent misogynist streak… Joel rarely wrote a set of songs better than those on The Stranger, nor did he often deliver an album as consistently listenable.”
We recently completed a shootout for the album and this was one of the better copies we heard. After playing a stack of mediocre Strangers, we are completely confident in saying that you’ll have a very hard time finding a copy that sounds this good.
The Stranger is chock full of some of Joel’s biggest hits, including Just The Way You Are, Movin’ Out, Scenes From An Italian Restaurant, Only The Good Die Young and She’s Always A Woman. AMG raves about this one (4 1/2 stars) and it’s easy to see why — this is the kind of pop music that still sounds fresh 40 years (!) after it was recorded and might just be good for another forty years.(more…)
This outstanding copy of Joel’s third studio album earned solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
The sound is open and transparent and the piano is clear and correct, showcasing Joel’s immeasurable talent on the keys
Features some of Billy’s big hits, including The Entertainer as well as Los Angelenos
This is one of the toughest classic Billy Joel albums to find with good sound and quiet vinyl, but this one is doing it all
This copy will show you what this music can sound like when mastered and pressed correctly. This vintage Columbia pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
With a Triple Plus (A+++) Shootout Winning side one and a Double Plus (A++) side two, this copy had some of the best sound we have ever heard on this, Billy Joel’s best sounding album
We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
4 stars on Allmusic, Grammy award for Album of the Year, and Billy Joel’s best batch of songs, even better than The Stranger
“…he dazzles with his melodic skills and his enthusiastic performances… not only… one of the biggest-selling artists of his era, but one of the most enjoyable mainstream hitmakers”
In our opinion this is the Best Sounding album Billy Joel ever made, and when you hear these sides you’ll understand why.
We heard some amazing sound coming from the grooves of 52nd Street, but let’s give credit where credit is due — the recording and mastering engineers involved with this album. Jim Boyer and Ted Jensen can both take great pride in the SUPERB work they have done here.(more…)
With two outstanding Double Plus (A++) sides, this pressing of Joel’s 1982 release is excellent from top to bottom
The sound is tonally correct, open and spacious with plenty of hard-rockin’ energy for the more uptempo tracks
Allentown, Pressure, Goodnight Saigon, Laura, She’s Right On Time – some of Joel’s biggest hits are here
“Since this was an album about Baby Boomers, he chose to base his music almost entirely on the Beatles, the pivotal rock band for his generation. Joel is naturally inclined to write big melodies like McCartney, but he idolizes Lennon, which makes The Nylon Curtain a fascinating cross between ear candy and social commentary. ” – Allmusic
We heard some amazing sound coming from the grooves of 52nd Street, but let’s give credit where credit is due — the recording and mastering engineers involved with this album. Jim Boyer and Ted Jensen can both take great pride in the SUPERB work they have done here.
The first two tracks on side one really tell you everything you need to know about the sound of the side. It’s all about balance.
Big Shot is a big, balls-out rock song that packs a lot of punch. Typically the problem you run into is compression. When you get too much compression, the top end becomes pinched and shrill. You can hear this on Billy Joel’s vocals in the verses and in the guitar solo during the outro. Most copies make those squealing guitar notes rip your head off. The best copies give you a full-bodied Billy Joel; if he doesn’t sound right, what’s the point? Next!
Also, listen to the cymbal crashes throughout the song. They should really sound like cymbals and not like someone making explosion noises through a walkie-talkie. (Believe me, this analogy hurts me too, but they can really sound god-awful on some pressings.)(more…)
Records with too much bass and especially too much top end can’t be played loud. The louder you play them the worse they sound. Try playing the average MoFi at a loud volume. All that extra 10k starts to make your brain hurt. The CBS half-speed of this album is like that. It’s frustrating — the music makes you want to turn it up but the sound says forget it. Not the good pressings. They sounds BETTER when you play them loud.
THE BEST SOUNDING COPY OF THE STRANGER THAT WE’VE EVER HEARD! We just finished a major shootout for this album, and no copy came close to this bad boy. Side one has incredibly lively, MASTER TAPE quality sound, and side two isn’t far behind.(more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
Hey, I think you guys made a mistake! The card states A+, but I think you gave me an A++++ ! I was never a huge Billy Joel fan, but to get that Hot Stamper for 50 bucks; well I had to go for it. I was not disappointed: tremendous power especially in the bass, but his voice came through like he was standing there. It’s just so damn musical. Oh, and dead quiet too! This is my new “demo disk”.
This is the first Super Hot Stamper copy of Billy Joel’s classic Piano Man to ever hit the site! We’ve been trying to find great copies of this one for ages, but it is TOUGH. This copy gets you much better sound than most of them out there — it’s cleaner, clearer and more open with the kind of vocal presence needed to make the title track come to life. So many copies we played were thin, dry and grainy — sonic issues that really gets in the way of enjoying this music.
The vocals are full-bodied and breathy, the bottom end is clean and punchy, and there’s more richness than we heard on practically any of the other copies we played. The overall sound is very lively – you’ll have a very hard time finding a copy that sounds remotely as good.(more…)