1979

Leonard Cohen – Recent Songs


Our White Hot Shootout Winner for 2018

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  • Another BR rarity — Triple Plus (A+++) sound or very close to it on both sides
  • Here you will find a big, spacious soundstage and rich, natural vocals virtually no other copy in our shootout could compete with
  • Fairly quiet vinyl on both sides — Mint Minus to Mint Minus Minus
  • “The first thing Leonard Cohen’s music fans noticed about his sixth new studio album, given the typically open-ended title Recent Songs, was that, musically, it marked a return to the gypsy folk sound of his early records…” – All Music

See all of our Leonard Cohen albums in stock

This 1979 album marks Cohen’s return to the simple folk arrangements of his early albums. The songs are as stunning as ever, but only the best pressings really do them justice. As you might expect, the key elements here are going to be vocals, acoustic guitars and Cohen’s trademark female backup vocalists (Jennifer Warnes among them). This one really gets them all right, with the kind of big, spacious soundstage and full, rich tonality most of the copies in our shootout could not compete with. (more…)

The Doors – The Doors – Rhino / Universal Heavy Vinyl Debunked

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Sonic Grade: F

A Hall of Shame pressing and another Heavy Vinyl LP debunked.

What a mess. Imagine listening to this album with a two inch thick velvet curtain placed over your speakers — that’s the sound of this remastered record! How bad does a stereo have to be in order to disguise the fact that this is one of the worst Classic Rock reissues in the history of the world? I don’t know and I sure don’t want to find out.

The Three – The Three (45 RPM) – Our Four Plus Copy from 2013

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A distinguished member of the Better Records Jazz Hall of Fame.

We had six (yes, six!) of these 45 RPM pressings (and five Inner City’s and a couple of Eastwind 33’s — it was a big shootout), and this side one had the most ENERGY of any of them. This is a quality no one seems to be writing about, other than us of course, but what could possibly be more important? On this record, it took the performances of the players to a level beyond all expectations.

More A++++ Hot Stamper Pressings.

Folks, you are looking at the BEST SOUNDING RECORD we have ever played here at Better Records, and the good news for you dear reader, whether you’re a true believer, a skeptic, or fall somewhere in between, is that it can be yours. There was a time when a record like this would go directly into my collection. If I wanted to impress someone, audiophile or otherwise, with the You-Are-There illusion that only Big Speakers in a dedicated room playing a LIVE recording can create, this would be the clear choice, possibly the only choice. There is simply nothing like it on vinyl in my experience. (more…)

Steely Dan – Can’t Buy A Thrill – Speakers Corner Debunked

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Sonic Grade: F

Hall of Shame pressing.

This has to be one of the worst sounding versions ever pressed. You think the average ABC or MCA pressing is opaque, flat and lifeless, not to mention compromised at both ends of the frequency spectrum? You ain’t heard nothin’ yet!

As bad as the typical copy of this album is, the Speakers Corner Heavy Vinyl is even worse, with not a single redeeming quality to its credit.

If this is what passes for an Audiophile Record these days, and it is, it’s just one more nail in the coffin for Heavy Vinyl. (more…)

Rod Stewart – An Old Raincoat Won’t Ever Let You Down

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  • This UK Vertigo copy of Rod Stewart’s debut solo album boasts outstanding Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
  • Rich, smooth and Tubey Magical, this pressing has a lovely musical quality that’s missing from most copies 
  • Titled The Rod Stewart Album for US release, this is Rod the Mod’s acclaimed debut
  • 4 1/2 stars: “The music and the songs are so vivid and rich with detail that they reflect a whole way of life, and while Stewart would later flesh out this blueprint, it remains a stunningly original vision.”

This vintage British pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Glenn Frey – No Fun Aloud

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  • You’ll find outstanding Double Plus (A++) sound from first note to last on this copy of Glenn Frey’s debut album 
  • Big and lively, with rich, breathy vocals, this pressing will show you just how good No Fun Aloud can sound
  • Frey’s phenomenal talent as an artist is matched only by his songwriting genius on this album, which includes hits “The One You Love,” “I Found Somebody” and more
  • “… it’s Frey’s perfectly guided vocals and impeccable talent for crafting laid-back love songs that make the album noteworthy.”

The best copies of No Fun Aloud are both rich and open, with the kind of sound we associate with good ’70s recordings and rarely hear on records from the ’80s. But here’s a record from 1982 that sounds the way we like our records to sound – ANALOG. We don’t really know if it is or not, or mostly is or mostly isn’t, but we’ve never really cared about those sorts of things as long as the record sounds good.

It’s our one and only criterion. Using any other is a sign that you’re not really listening, you’re reading. (more…)

The Mastersounds – Swinging With The Mastersounds

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  • The Mastersounds’ 1960 release finally arrives on the site with Shootout Winning Triple Plus (A+++) sound on side two and an outstanding Double Plus (A++) side one – exceptionally quiet Red Vinyl too   
  • These sides are doing everything right — full, clear, and solid, with the Tubey Magical Midrange that can only be found on recordings from this era
  • If you’re a fan of the Modern Jazz Quartet, you may feel as I do that the Mastersounds’ Montgomery brothers on vibes and bass play this kind of smooth jazz much better than the often-sleepy MJQ
  • “Swinging With the Mastersounds is accurately titled; its six tracks are all standards, and all are taken at a gentle, loping tempo and spin out sweetly…”

This reissue is spacious, open, transparent, rich and sweet. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology, with the added benefit of mastering using the more modern cutting equipment of the ’70s and ’80s. We are of course here referring to the good modern mastering of 35+ years ago, not the generally opaque, veiled and lifeless mastering so common today. (more…)

Toto – IV

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  • You’ll find stunning Shootout Winning Triple Plus (A+++) sound or close to it on both sides of this copy of Toto’s Must-Own Masterpiece 
  • Huge and clear with the kind of smooth, rich, Tubey sound you sure don’t hear on too many ’80s pop albums
  • Rosanna and Africa are both knockouts here – we’ve rarely heard them with this kind of weight, scale and energy
  • 4 1/2 stars: “It was do or die for Toto on the group’s fourth album, and they rose to the challenge… Toto IV was both the group’s comeback and its peak …Toto’s best and most consistent record.

If more records sounded like this we would be out of business (and the CD would never have been invented). Thankfully we were able to find this TOTO-ly Tubey Magical copy and make it available for our customers who love the album. (more…)

Supertramp – Breakfast In America – An A&M Disaster

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Sonic Grade: F

So washed out, brittle, thin and compressed it practically defies understanding that anyone with two working ears ever considered calling this piece of crap an “audiophile” record. If you don’t think the major labels had anything but contempt for us audiophiles, play this pressing and see for yourself the kind of garbage they were happy to pawn off on an unsuspecting audiophile “community” (if there ever was such a thing. There is now of course, Hoffman’s being the most popular. Wonder what they have to say about this crap).  

Supertramp – Breakfast In America – MoFi Debunked

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Sonic Grade: C-

The MoFi Standard Operating Procedure of boosting the top end does this album no favors; it’s positively ruinous in fact. How dull does a system have to be to make this record sound right? Pretty damn dull. And the bad bass definition just adds to the phoniness. The average domestic copy is not that great either, so let’s give the MoFi a somewhat forgiving grade of C minus.