1979

The Band Music From Big Pink – EMI Centennial Reviewed

More The Band

More Music From Big Pink

xxxxx

Sonic Grade: B?

[I believe this review is from the mid to late ’90s.]

This is the EMI Centennial version we sold years ago for close to thirty bucks. I thought at the time the MFSL gold CD was better. Now, after many stereo changes, I realize the gold CD is actually fat in the midbass and a little thick and sucked out in the midrange. (MFSL’s, and quite a few others’, standard audiophile EQ.)

I know this because the EMI LP is correct in those areas and shows you how truly wonderful the recording is. If only it had more bass. Who knows? Between the music and the sound you may not even miss it.

Above 100 hertz this album is magic. Below 100 it’s tragic. (Ha ha.)

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.

Neil Young Harvest – Nautilus Reviewed

More Neil Young

More Harvest

xxxxx

Sonic Grade: B

Another Half Speed reviewed. We haven’t played a copy of this record in more than a decade, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. 

This is a SURPRISINGLY good sounding Nautilus Half-Speed mastered LP with AMAZING transparency. The sound here is DRAMATICALLY more natural than your average audiophile pressing.Just listen to the phoney top end found on most MOFIs to see what we mean. On this record you’ll hear non of the hyped up highs that are MoFis claim to fame.

This Nautilus is sure to destroy a typical American pressing, which will tend to sound opaque, thick and dull. This wouldn’t really match up to our Hottest Stampers but you could sure do a lot worse. Although it’s a tad fat at the bottom, it still retains much of the warmth and richness found on the best copies.

The Doors – The Doors – MoFi Debunked

More The Doors

More The Doors – The Doors

xxxxx

Sonic Grade: D

Another MoFi LP debunked.  

If anyone still thinks that this pressing is anything but a bad joke played on the audiophile public — so sucked out in the midrange, bass-shy and compressed to death — that person has a way to go in this hobby. A very long way. You can hear how bad it sounds from another room.

But wait a minute. I liked the MoFi just fine when it came out. I guess I had a way to go in this hobby too. That was back in the early ’80s. I like to think I’ve learned a thing or two in the last thirty five plus years. I’m pretty sure we can offer you a better record now. (more…)

America – Homecoming – Their Second Best Album

More America

More America – Homecoming

xxxxx

  • An outstanding copy of America’s second album, boasting Double Plus (A++) sound or BETTER on both sides
  • This is a simply wonderful Green Label original pressing – big and rich with excellent transparency and breathy vocals
  • Some of the most tubey, warm acoustic guitar reproduction you could ever ask for – this is the sound of real analog!
  • Ventura Highway sounds amazing here, as does everything else; it’s a Demo Disc for acoustic guitars and vocals

The guitars on this record are a true test of stereo reproduction quality. Most of the pressings of this record do not get the guitars to sound right. And when the guitars are perfection, the voices and all the other instruments are right as well. Let’s face it: they just don’t know how to make acoustic guitars sound like this anymore. You have to go back to 40+ year old records like this one to find that sound.  

Warner Brothers Green Labels

Green label Warner Brothers originals are sonically all over the map. The biggest problem these pressings suffer from is a lack of extreme top end to provide harmonics for the guitars. The guitars on this copy sound just right, really sweet and open. On the average copy, they sound veiled and dull. (more…)

Sergio Mendes & Brasil ’66 – Fool on the Hill

More Sergio Mendes

More Fool on the Hill

xxxxx

  • Sergio’s unique rearrangement of two songs in particular here make this a Must Own album: Scarborough Fair and The Fool On The Hill
  • We rarely have had good copies on the site up in recent years – these are tough to come by in clean condition with this kind of sound
  • 4 1/2 Stars: “Even though he had become thoroughly embedded in the consciousness of mainstream America, Mendes still managed to have it three ways, exposing first-class tunes from little-known Brazilian talent, garnering commercial hits, and also making some fine records.

Two songs in particular make this a Must Own album: Scarborough Fair and The Fool On The Hill. Both of them are given wonderfully original treatments. These songs hold their own against the originals, and that’s saying something.

Sergio took on many of the heavyweights of his day, and most of the time he succeeded in producing a uniquely satisfying version of well-known material. Superb original tracks by The Beatles, Simon and Garfunkel, Buffalo Springfield, Joni Mitchell and others were given the Sergio Mendes latin pop treatment and came out much the better for it.

What do the best Hot Stamper pressings give you? (more…)

Donny Hathaway Lives On

More Donny Hathaway

hathalive_1404_1_1182984718
This live recording has YOU ARE THERE sound! It’s so natural, rich and transparent, what is there to fault? The soundstage is wide and deep. Within moments of the needle hitting the groove your speakers disappear and the music just flows into the room. On the best original domestic pressings you can immediately understand and appreciate the honest, emotive sound that made Donny Hathaway the tremendous performer he was known to be.

I’ve been playing this record regularly since I first heard it back in the mid-’90s and even after twenty years it has never failed to thrill. If I could take only one soul album to my desert island, it would be this one, no doubt about it.

(more…)

Phil Collins – Face Value with Hugh Padgham’s Big Drum Sound

More Phil Collins

More Face Value

xxxxx

xxxxx

xxxxx

  • Great sound throughout with both sides of this original UK pressing rating a solid Double Plus (A++) and playing quietly 
  • Hugh Padgham discovered an amazing drum sound on Peter Gabriel’s 3rd album, and he really went to town with it on this one, Collins’ debut (and Masterpiece)
  • His most consistent songwriting and many of his biggest hits – In The Air Tonight sounds amazing, but practically everything here does
  • 4 1/2 stars: “Collins proves himself a passionate singer with a gift for both deeply felt ballads and snarling rockers.”

Collins’ songwriting and musicianship shine on this breakout debut, the first and clearly the best of all his solo albums. We’ve tried to do some of his other albums but nothing we’ve played seems remotely as well recorded as this album from 1981.

There may be some hope for Hello, I Must Be Going! (1982), but Phil’s third album, 1985’s No Jacket Required, sounds digital and ridiculously processed. I suppose not many albums from 1985 weren’t, but it’s still an unfortunate development for us audiophile types who might’ve wanted to enjoy these albums but are just not able to get past the bad sound. (more…)

Bad Company – Our Shootout Winner from 2009

More Bad Company

More Bad Company – Bad Company

xxxxx

A distinguished member of the Better Records Rock Hall of Fame  and a recording that comes alive when you Turn Up Your Volume.

The sound was JUMPING out of the speakers and filling the room. 

Sometimes a copy is just BIGGER than the others – it’s somehow physically wider and taller than other pressings, how we haven’t a clue — and that’s exactly what this copy had more of than any other: SIZE. If you’ve never heard a rock record like this — and knowing how rare they are it’s more than possible — you are in for a treat here.

If you’re a fan of this kind of stuff (as we definitely are) you aren’t going to want to let this one get away. Movin’ On and the title track are going to absolutely blow your mind. The best sounding tracks have MASTER TAPE QUALITY SOUND. (more…)

Listening in Depth to Peter Gabriel – So

More Peter Gabriel

More So

Listening in Depth

xxxxx

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of So. 

With a digital recording such as this, the margin for mastering error is very slim. Most copies just aren’t worth the vinyl they’re pressed on. They can sound harsh, gritty, grainy, edgy, and thin. We love this music and we know there are great copies out there, so we keep picking these up. More often than not, we’re left cold.

This is a digital recording, and most of the time it is BRIGHT, SPITTY and GRAINY like a typical digital recording, which plays right into our prejudices. After hearing a bad copy, what audiophile wouldn’t conclude that all copies will have these bad qualities? After all, it’s digital. It can’t be fixed simply by putting it on vinyl.

Ah, but that’s where the logic breaks down. Proper mastering can ameliorate many if not most of a recording’s sins. When we say Hot Stampers, we are talking about high quality mastering doing exactly that. (more…)

Arthur Fiedler Conducts Our Favorite Night on Bald Mountain – for DG!

More Modest Mussorgsky

More Danse Infernale / Fiedler

xxxxx

  • Our favorite performance of Night on Bald Mountain in Double Plus (A++) sound is back, guaranteed to blow your mind (and maybe a woofer or two)
  • Side one also boasts an excellent Danse Macabre, with a powerful finish that may remind you of the thrill of live orchestral music
  • Side two of this amazing sleeper LP contains a wonderfully exciting Sorcerer’s Apprentice, also in very good sound
  • Watch your levels on this record – it’s dramatically more DYNAMIC than most Golden Age recordings

If you like Orchestral Spectaculars, have we got the record for you!

This pressing clearly has DEMONSTRATION QUALITY SOUND — not in every way, but in some important ways. The ENERGY of both the sound and the performances is truly awesome. Fiedler brings this music to LIFE. (more…)