More David Crosby
More Stephen Stills
More Graham Nash
- This copy of CS&N’s “comeback” album boasts a KILLER Shootout Winning Triple Plus (A+++) side one mated to a superb Double Plus (A++) side two
- The sound is big and relatively rich, the vocals breathy and immediate, and you will not believe all the space and ambience – which of course are all qualities that Heavy Vinyl records have far too little of, and the main reason we have lost all respect for the bulk of them
- Includes CS&N classics “Dark Star,” “Just A Song Before I Go,” and “Fair Game”
- 4 stars: “It has held up remarkably well, both as a memento of its time, and as a thoroughly enjoyable musical work.”
Most copies of CSN are unbelievably flat, harsh, thin and opaque, which means simply that our approach is the only one that offers any hope of success in finding good sound on this album.
With a large enough batch of copies, cleaned using the best fluids, on the best machines, it is possible to find two sides this good. Without a pretty big batch of well-cleaned pressings, your chance of success is hardly worth calculating. Even with the best intentions, frustration is likely to set in long before a Hot Stamper has much chance of being found.
Most copies have a tendency to sound dry, so look for one that’s rich and full-bodied. Most copies are opaque and flat so look for those with transparency and ambience. Most copies are lean down low and dull up top; try to find the ones with bass and real top-end extension.
And of course you need to find a copy that gets the voices right. CS&N’s albums live or die by the quality of their vocals, a subject we have discussed on the site at length.
You think the first CS&N album has problems in the sound department? Of course it does; in 1969 lots of rock records had recording problems. But CSN was released in 1977. By 1977, there were scores of talented rock engineers producing top quality multi-track recordings. Our Top 100 is full of their best work.
One would have thought that CS&N, the ultimate perfectionists (according to their press accounts), would have hired the best and sweated out every detail in the studio in order to produce a recording the equal of Rumours or The Cars debut (even if the songs themselves, to be honest, weren’t quite the equal of their earlier work).
Alas, CS&N chose the Albert brothers, whose most famous album is Layla. Can you hear the sound of Layla in your head? That’s more or less what this album sounds like. There are better and worse Laylas — we’ve done the shootout many times — and of course, there are better and worse CSNs.
The problem with the sound cannot be “fixed” in the mastering, and here’s how we know: on either side, some songs have the breath of life and some don’t. That’s a recording problem. It sounds like too many generations of tape were used on songs like “Shadow Captain” and “Dark Star,” among others.
But “Just a Song Before I Go” on side two can sound wonderful: rich, sweet, present and surrounded by lovely studio ambience.
So we listen for the qualities of a specific song that help us pinpoint what the best do well and the rest do poorly and grade accordingly, on the curve.
Animals will never sound like The Wall. You do the best you can with what you’ve got.