artist-best-sound

Annie Lennox – Diva

More Annie Lennox

More Debut Albums of Interest

  • This vintage import offers outstanding Double Plus (A++) sound for both sides of this Annie Lennox classic from 1992
  • Dramatically bigger, richer, smoother, more transparent and just more ANALOG sounding than any other copy you’ve heard, guaranteed or your money back
  • “State-of-the-art soul pop, Annie Lennox’s solo debut is sonically gorgeous…” – Rolling Stone
  • “Diva glides with a rich, feminine dignity that stands tall in pop history.” – Slant
  • If you’re a fan of the Ms Lennox, this debut solo album from 1992 surely belongs in your collection.
  • The complete list of titles from 1992 that we’ve reviewed to date can be found here.

By 1992 records like this were only released on import vinyl and typically went out of print soon after they started their descent down the pop charts. I used to sell them back in the day and supplies were extremely limited and unpredictable. And once they were gone they were virtually never reissued. All of those factors conspire to make the cost of acquiring the mintiest pressings from overseas fairly high, and of course the main reason you have never seen the album on our site before.

Be that as it may, we have this copy available and it is not only wonderful sounding but the music is every bit as good as I remember it. (more…)

Kate Bush – Hounds Of Love

More Kate Bush

More Art Rock

  • An original UK import pressing with seriously good sound from start to finish
  • Guaranteed to be a huge improvement over anything you’ve heard, this Brit is big, lively, and full-bodied with excellent presence – Kate’s wonderfully breathy vocals really soar
  • The domestic pressings are clearly made from dubs and should have no business taking up space in any serious audiophile record collection (but you may have noticed that we have a habit of saying that about a lot of records)
  • 4 1/2 stars: “…from the minutiae of each song to the broad sweeping arc of the two suites, all heavily ornamented with layered instrumentation, makes this record wonderfully overpowering as a piece of pop music.”
  • If you’re a fan of the Ms Bush, her Magnum Opus from 1985 belongs in your collection.
  • The complete list of titles from 1985 that we’ve reviewed to date can be found here.

(more…)

Jeff Beck – Truth

More Jeff Beck

More Rod Stewart

  • An excellent reissue LP with Double Plus (A++) grades or close to them from start to finish – exceptionally quiet vinyl too
  • Easily – and by a wide margin – the best sounding record Jeff Beck ever made – thanks Ken Scott!
  • This pressing embodies the Big Rock Sound that we go crazy for here at Better Records (particularly on side two)
  • Really fun music – it’s a blast to hear Rod Stewart fronting such a heavy rock band
  • 5 stars: “…almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


This is a SHOCKINGLY good sounding pressing of Truth, Beck’s As-Heavy-As-I-Can-Make-It Rock debut, the kind of record that would define Classic Rock for the next forty plus years.

The soundstage is absolutely HUGE, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy too of course — without that you have nothing on this album.

Note how spacious, big, full-bodied and DYNAMIC both sides are. That’s why they’re Super Hot. I am pleased to report that the whomp factor on these sides was nothing short of MASSIVE. With tons of bass these sides have what it takes to make the music ROCK. (more…)

James Taylor – JT

More James Taylor

More of Our Favorite Artists’ Best Sounding Albums

  • This STUNNING copy of Taylor’s breakthrough album from 1977 boasts Shootout Winning Triple Plus (A+++) sound or close to it on both sides
  • It’s a superb recording – a member of our Top 100, in fact – but it takes a pressing like this to show you just how BIG and LIVELY it can sound
  • The big hits “Your Smiling Face” and “Handy Man” both sound great here – thanks Val Garay!
  • This and Sweet Baby James are the man’s best recordings, and his best albums too, but he has so many great albums that it almost seems unfair to him to point that out
  • 4 stars: “JT was James Taylor’s best album since Mud Slide Slim and the Blue Horizon because it acknowledged the darkness of his earlier work while explaining the deliberate lightness of his current viewpoint, and because it was his most consistent collection in years.”

(more…)

Paul McCartney – McCartney

More Paul McCartney

More Beatles

  • This copy of McCartney’s Apple debut boasts killer sound  from first note to last
  • Both sides are big and rich, with plenty of low end, strong midrange presence and the kind of spatiality that will fill your entire listening room
  • Record Collector highlighted “Every Night”, “Junk,” and “Maybe I’m Amazed” as songs that “still sound absolutely effortless and demonstrate the man’s natural genius with a melody.”
  • A Top 100 pick and Paul McCartney’s One and Only Masterpiece – a Must Own when it sounds this good!

The best tracks here have the quality of LIVE MUSIC in a way that not one out of a hundred rock records do. The music jumps right out of the speakers and fills up the room. (more…)

Bill Withers / Still Bill – Surprisingly Well Recorded Soul

More Bill Withers

More Soul, Blues and R&B

  • Some of the best soul sound you’ll ever hear – natural, full-bodied and present, with the kind of richness and smoothness you only get from vintage analog
  • It’s Withers’ most consistent album, with outstanding sound for the two big hits – “Lean On Me” and “Use Me”
  • 5 stars: “It’s warm and easily accessible, but it has a depth and complexity that reveals itself over numerous plays — and, given the sound and feel of the music, from the lush arrangements to his comforting voice, it’s easy to want to play this again and again… the greatest testament to his considerable gifts.”
  • If you’re a Withers fan, this is a Must Own Classic from 1972 that belongs in your collection.
  • The complete list of titles from 1972 that we’ve reviewed to date can be found here.

Many of Withers’ best songs are here, classics of the ’70s canon such as ’Use Me,’ ‘Who Is He (And What Is He To You)? and ‘Lean On Me.’

This killer early Sussex pressing was one of the best from our recent shootout. It beat practically every other copy we put up against it (on side one anyway) with superb presence, top-notch clarity, full-bodied vocals and serious energy. I don’t think you could find a better sounding Bill Withers album no matter what you did. I wish there were more ’70s soul albums that sounded as good as this one does.

The vinyl is about as quiet as any Sussex pressing ever is. Finding these good sounding early pressings in audiophile playing condition is not easy as I’m sure you can imagine. (more…)

Dean Martin – Dream With Dean

  • This hard-to-find Dean Martin Classic of relaxed, intimate vocals returns to the site with outstanding Double Plus (A++) sound throughout
  • One of our all-time favorite male vocal LPs – the sound on both sides is both warm and natural, with excellent presence and transparency
  • The early stereo tri-color label pressings are almost impossible to find in audiophile condition these days, but here’s one, and it is a knockout
  • “It sounds as if they tracked the album in one afternoon, and it is not only a very pleasant listening experience, it shows what a tremendous vocalist Dean Martin truly was.”
  • One of Our Favorite Titles from 1964
  • Reviews and Commentaries for the Music of Dean Martin

An outstanding copy of the classic Dream With Dean!

This is my favorite Dean Martin record of all time; just Dean and a jazz guitar quartet (including no less than Contemporary favorites Barney Kessel and Red Mitchell) behind him doing standards. On the best copies the immediacy is absolutely mind-blowing. It’s a shame that there aren’t more Frank Sinatra records that sound like this.

(more…)

Peter Gabriel – Self-Titled No. 1

More Peter Gabriel

  • Peter Gabriel’s debut solo album returns to the site on this excellent British pressing with Double Plus (A++) sound on both sides
  • Rich, smooth, sweet, full of ambience, dead-on correct tonality – everything that we listen for in a great record is here
  • Features his autobiographical lead single, “Solsbury Hill”
  • 4 1/2 stars: “…much of the record teems with invigorating energy (as on ‘Slowburn,’ or the orchestral-disco pulse of ‘Down the Dolce Vita’), and the closer ‘Here Comes the Flood’ burns with an anthemic intensity that would later become his signature in the ’80s.”

Tubey Magical Richness and breathy vocals are the hallmarks of a good British PG 1.

Unlike any that follow, the sound varies greatly from track to track on the first PG album, as does the music. You know you have a good copy when the best sounding tracks sound their best. That may seem like a tautology but it is, in fact, the only way to judge a side when the songs sound this different from one another.

(more…)

Ringo Starr – Ringo

More Ringo Starr

More Records Produced by Richard Perry

  • This pressing boasts a KILLER Shootout Winning Triple Plus (A+++) side one mated to an outstanding Double Plus (A++) side two – exceptionally quiet vinyl too
  • Another Richard Perry production that sounds big and rich, just the way we like ’em
  • The audiophile sound is due to the excellent engineering skills of Bill Schnee – you may remember him from the credits of some of Sheffield’s better direct to disc recordings
  • The big hits are here and they sound fantastic: “Photograph,” “You’re Sixteen,” “Oh My My” and many, many more
  • 4 1/2 stars: “Ringo’s best and most consistent new studio album, Ringo represented both the drummer/singer’s most dramatic comeback and his commercial peak.”

Like Nilsson Schmilsson – an amazing Richard Perry production with equally amazing sound – the bad copies are really just awful. They tend to be veiled, smeary, compressed, rolled off up top and leaned out down low.

This is a big studio pop production with a lot going on; when it doesn’t work it really doesn’t work. Thankfully, on some copies it does, and this is one of those.

If you’ve tried Hot Stamper pressings of any of our favorite Richard Perry productions — No Secrets, Nilsson Schmilsson, Son of Schmilsson come to mind — you know the sound of this album.

Bill Schnee did some of the engineering. You probably know his name from the famous Sheffield Direct to Disc recordings he made there. If you like your records will lots of bottom end, richness, Tubey Magic and powerful dynamics, he’s the guy that can get that sound on tape, and Doug Sax, the mastering engineer for the album, is the guy that can get that sound onto disc. They made a great team.

(more…)

The Who – Tommy

More of The Who

Reviews and Commentaries for Tommy

  • Exceptionally quiet vinyl – they don’t come our way with audiophile quality surfaces like these very often, almost never in fact
  • Our early Black Label British Track pressing here has the rich, spacious, Tubey Magical sound that has the power to immerse you in the story of a deaf, dumb and blind boy named Tommy
  • Top 100, and clearly our pick for the best sounding album The Who ever made – when you play a copy that sounds as good as this one we think you’ll have no problem seeing our point
  • 4 1/2 stars: “…Townshend’s ability to construct a lengthy conceptual narrative brought new possibilities to rock music.”

I know of no other Who album with such consistently good sound — song to song, not copy to copy, of course. Just about every song on here can sound wonderful on the right pressing. If you’re lucky enough to get a Hot Stamper copy, you’re going to be blown away by the Tubey Magical Guitars, the rock-solid bottom end, the jumpin’-out-of-the-speakers presence and dynamics, and the silky vocals and top end.

Usually the best we can give you for The Who is “Big and Rockin,” but on Tommy, we can give you ’60s analog magic that will all but disappear in the decades to follow.

Acoustic guitar reproduction is key to this recording, and on the best copies the harmonic coherency, the richness, the body and the phenomenal amounts of Tubey Magic can be heard in every strum.

(more…)