But they did a great job on this album (or at least I thought so many years ago when I last played it. For purposes of this commentary, let’s assume the sound still holds up).
This is how to make a good audiophile record.
Yes, there is such a thing. They may be rare but they do exist. We have quite a few of them for sale as a matter of fact.
Take a good tape, hire someone who knows his way around a normal-speed cutting lathe (with 5800+ credits on Discogs, I would hope he knows what he’s doing) as well as classical music (he cut a huge number of records for Nonesuch back in the day), press it on good vinyl and let the audiophiles of the world enjoy it.
The Connoisseur Society original may in fact be better, but where are you going to find one?
Robert, Bernie and Doug – An Honest Comparison
In another listing for an audiophile record that Robert Ludwig cut, we noted:
I suspect that if Ludwig hadn’t stopped cutting records years ago, we would not be complaining nearly as much about the questionable sound of the modern Heavy Vinyl pressings currently inundating the market.
The muddy messes Doug Sax cut for Analogue Productions and the awful Living Stereo records Bernie cut for Classic Records were sad chapters in both men’s body of work. Here are two of the All Time Greats. Their fall was precipitous and painful for those of us who never gave up on analog.
In those dark days, they were mastering one bad record after another, all of them so unlike the amazing sounding records they had been making by the score in the ’70s and well into the ’80s.
We have nothing personal against either one of them, of course. We just haven’t liked the sound of very many of the records they’ve mastered for the last thirty years, and we have never been shy about saying so.