Records that Are Good for Testing Bass and Whomp

Lincoln Mayorga and Obvious Pressing Variations

I have to confess we were actually quite shocked at the pressing variations on this famous record, the first Sheffield Direct to Disc recording.

These LPs are all over the map sonically. Some Sheffield pressings are aggressive, many of them are dull and lack the spark of live music, some of them have wonky bass or are lacking in the lowest octave — they are prey to every fault that befalls other pressings, direct to disc and otherwise.

Which should not be too surprising. Records are records. Pressing variations exist for every album ever made. If you haven’t noticed that yet, start playing multiple copies of the same album while listening carefully and critically. If your stereo is any good at all, it should not take you long to notice how different one record sounds from another in practically every case.

Sonic Shortcomings

Biggest problems on S9? I would have to say smearing is Number One. When the brass loses its bite and the bells don’t have the percussive quality of metal being struck, this is not a good thing. The band also seems to lose energy when the pressing suffers from smear. (more…)

Lincoln Mayorga and Distinguished Colleagues – Volume 1 – (S9)

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Reviews and Commentaries for Lincoln Mayorga and Distinguished Colleagues

  • A stunning pressing of this famous audiophile recording
  • This copy will be awfully hard to beat for sound – get your VTA right and the bottom end on this LP will turn into a Bass Demo Disc like nothing you’ve heard
  • It’s very difficult to find this album in clean condition, and even more difficult to find one that sounds as good as this one does
  • One of the rarest Hot Stamper records bar none — only a handful have ever made it to the site
  • If you’re a fan of Mr. Mayorga and His Distinguished Colleagues, this is a Must Own from 1971.
  • The complete list of titles from 1971 that we’ve reviewed to date can be found here.

This is a stunning copy of The Big One — Lincoln Mayorga and Distinguished Colleagues’ first Sheffield Direct-to-Disc LP aka S9. We’ve been comparing and contrasting pressings of this album for more than twenty years and this is one of the better copies we’ve stumbled upon. The sound is BIG, RICH and FULL OF ENERGY.

Both sides have prodigious amounts of bottom end. It is a thrill to hear the power of the bass on this recording. The kick drum is HUGE.

Both sides have about as much Tubey Magic as can be found on the album, although Tubey Magic is clearly not what the engineers were going for with this recording. It’s a sound that many copies reproduce less than ideally, being somewhat dry. (more…)

Gounod / Faust Ballet Music – Does Your Copy Have Clipped Bass?

This RCA Plum Label Victrola LP has many shortcomings, but its strengths more than compensate for them. The MIDRANGE is pure MAGIC. The sweet, textured strings, the back of the stage percussion, the placement of the orchestral sections in the soundstage, the performance itself — all combine to make you forget you are listening to an old, somewhat flawed record. What has been captured in the grooves of the vinyl allows the listener to do what few recordings can — suspend his disbelief.

It’s not an old record. It’s living, breathing music being performed in the present, at this very moment. It’s happening — one is under the sway of Bizet’s music just as if one were attending the live event. The mind has somehow lost track of the fact that its owner is sitting at home. The listener is transported by the sound, mentally, not physically, to a plane where the real world has no meaning, where music is the only reality.

I played this record and made critical notes for a while. At some point I lost interest in that activity. I simply began to marvel at what the Decca engineers had managed to do: draw me in completely.

Enough about me. 

Here are the comments for the other copy of 1108 we just put up.

This RCA Plum Label Victrola LP, the budget reissue of the incredibly rare LSC 2449, has some of the best and worst Golden Age sound I’ve ever heard. It has most of the magic of the better VICS copy I rave about.

When a cutting amplifier runs out of juice, the bass simply “clips.” The beginning of the bass note is heard, and then it just stops. A fair number of RCA Shaded Dog originals have this problem. The cutting amplifiers of the day were often not up to the job.

It’s amazing to me that few collectors of these records even know what I’m talking about when I mention this shortcoming. They just assume it’s something in the recording perhaps. But it’s not. Often times it is simply stamper variations that separate the clipped records from the unclipped records.

The more compression that is used, the less likely it is that the amplifiers will clip at all. But that’s obviously not the solution. And of course if you play records like this back on say, Quads, a notoriously compressed and bass-shy speaker to begin with, you’ll never notice any of this.

You also won’t hear it on this system.

Ah, but here is a wonderful recording that, on the better pressings at least, has deep, powerful, unclipped bass that can rattle the walls and sound like your flooring is in danger of being warped. But you need big woofers to get that effect, and lots of them.

But side two actually sounds quite good. Not as good as the best Shaded Dog copies possibly, but since those are $1000 and up, this has to be considered a good alternative at a fair price.

Lots of Living Stereo magic and a wonderful performance by Gibson make this record easy to recommend.

Hot Stamper Living Stereo Classical and Orchestral Titles Available Now

200+ Reviews of Living Stereo Records


FURTHER READING

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What to Listen For on Classical Records

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Dave Brubeck Quartet / Time Further Out – What to Listen For

The best copies such as this one demonstrate the big-as-life Fred Plaut Columbia Sound at its best (better than even Time Out in our opinion). These vintage recordings are full-bodied, spacious, three-dimensional, rich, sweet and warm in the best tradition of an All Tube Analog recording.

If you want to hear big drums in a big room these Brubeck recordings will show you that sound better than practically any record we know of. The Engineering tab below has much more on that subject. 

The one standout track on this album for audiophiles is surely Unsquare Dance, what with its uncannily real sounding handclaps in 7/4. The copies that did the best job of reproducing that “flesh on flesh” sound of actual human hands clapping scored very well in our shootout.

More to Listen For

For starters listen for a fat snare and rich piano on the first track of side one. When you hear that, assuming you do, you should know you are in for a treat. Our best copies captured those two sounds brilliantly.

On the second track the clarity of the brushed snare is key to how resolving and transparent any copy is. The rich, smooth sound of Desmond’s sax balanced against the clarity of the brushes will help you make sure that the overall sound is tonally correct from top to bottom.

On side two the first track has the Wall to Wall Big Drums in a Big Room sound that positively blows our minds.

Note that in some places it sounds like the piano is overdriving its mic. We heard that sound on practically every copy we played, so we’re pretty sure it’s on the tape that way.

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Reviews and Commentaries for Time Further Out

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The Pentangle – It Doesn’t Get Much More Real on Vinyl Than This

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This is an honest-to-goodness Demo Disc. When for a (thankfully) brief time back in the ’70s I was selling audio equipment, the song “Pentangling” was a favorite demo cut to play in the store. The sound of the string bass and snare drum are amazingly natural; I don’t know of any other pop album from the era that presents the vibrant timbre of those two instruments better.

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The Transatlantic British originals can be quite good as well, but are very tough to come by in good condition these days, and pricey when you find them. This record easily qualifies for our Top 100 List, it’s that good (but unfortunately too rare to make the cut).

The Best Sides

The true foundation of the music is provided by two legendary guitar heavyweights, Bert Jansch and John Renbourn. With Jacqui McShee’s almost unbearably sweet vocals soaring above them, this album presents the classic lineup at its best, with superior sonics to boot.

It’s Acoustic!

The unprocessed folky sound found throughout the album has its audiophile credentials fully in order, especially in the area of guitar harmonics, as well as drums that sound like real drums actually sound. (How many of the ’70s rock albums in our Top 100 have that natural drum sound? Not many when you stop to think about it.) (more…)

Heart – Little Queen

  • Killer Shootout Winning Triple Plus (A+++) sound on side one (which is the better side, truth be told) – fairly quiet vinyl too
  • Barracuda and Love Alive are two of Heart’s best songs bar none and they are guaranteed to blow your mind here
  • It’s the rare copy that has the powerful dynamics, deep bass, punchy drums and meaty guitars like you get here
  • A Rock and Pop Top 100 album with Demo Disc sound on a very special pressing such as this – it will rock your world

This is a Classic Rock Demo Disc to beat practically anything you could throw at it. Love Alive and Barracuda on this copy will deliver the full Rock and Roll Power your system is capable of. If you’ve got The Big Sound, this is the pressing that will truly show it off.

There are plenty of commentaries that discuss the sound of this recording and what it can really do when you get hold of a good pressing… and have the system that can play it… and turn up the volume good and loud. We proudly present here a copy with the kind of Big Sound that we think backs up every claim we make.

We’re huge Heart fans here at Better Records, and we’re not ashamed to say so. These ladies can really rock, and on the right pressing their music can and will sound absolutely amazing. Here’s a copy that will allow you to hear that magic at home — the sound is super punchy with incredible energy and wonderful clarity. You’ll have a very hard time finding another copy that rocks any harder than this one. (more…)

James Taylor / One Man Dog – Watch Out for Bass Blockage

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Reviews and Commentaries for One Man Dog

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Play Chili Dog here, one of our favorite tracks, and note not only the clarity and spaciousness, but the PUNCH and LIFE of the music. This song is supposed to be fun. The average somewhat compressed and dull copy only hints at that fact.

Then skip on down to the hit at the end of the side, Don’t Let Me Be Lonely Tonight, another favorite track for testing.

There’s a lot of bass in the mix on this track, but the best copies keep it under control.

When it gets loose and starts blurring the midrange, the vocals and guitars seem “blocked.” The best copies let you hear all that meaty bass, as well as letting you hear into the midrange too. (more…)

The Doobie Brothers – The Captain and Me

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Reviews and Commentaries for The Doobie Brothers

  • Natural Thing, China Grove and Long Train Runnin’ all sound excellent – smooth, rich and full of energy
  • Credit Donn Landee with the full-bodied, rich, smooth, oh-so-analog sound of these good copies
  • 4 1/2 stars: “The Doobie Brothers’ third long-player was the charm, their most substantial and consistent album to date, and one that rode the charts for a year.”

There are some great songs on this album, songs that still get plenty of play on the radio: China Grove, Long Train Running and South City Midnight Lady all come to mind. It’s tough to find great sounding copies, but it’s worth all the trouble when you get one with this kind of rich, full tonality, punchy bottom end and real space and ambiance. (more…)

Audiophile Wire Testing with Jethro Tull and His Friend Aqualung

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Reviews and Commentaries for Aqualung

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… who seems to have a rather nasty bronchial condition…

[This commentary is from 2008 or so I’m guessing. Still holds up though.]

Like Heart’s Little Queen album, Aqualung presents us with a Demo Disc / Test Disc that really puts a stereo through its paces, assuming it’s the kind of stereo that’s designed to play an album like Aqualung.

Not many audiophile systems I’ve run across over the years were capable of reproducing the Big Rock Sound this album requires, but perhaps you have one and would like to use the album to test some of your tweaks and components. I used it to show me how bad sounding some of the audiophile wire I was testing really was.

Here’s what I wrote:

A quick note about some wire testing I was doing a while back. My favorite wire testing record at the time (2007)? None other than Aqualung!

Part One

Here’s why: Big Whomp Factor. Take the whomp out of Aqualung and the music simply doesn’t work, at all. To rock you need whomp, and much of Aqualung wants to rock.
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The Who – Who By Numbers

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More Records We Only Sell on Import Vinyl

  • An outstanding pressing with solid Double Plus (A++) sound from the first note to the last
  • Glyn Johns’ MAGIC is on display here, with open mics in a big studio space creating the 3-D Soundscapes we love
  • Features two of their most iconic songs, Slip Kid and Squeezebox, and both sound great on this copy
  • 4 Stars – Rolling Stone raves: “They may have made their greatest album in the face of [their personal problems]. But only time will tell.”

In our opinion this is the best — and best sounding — Who album released post-Quadrophenia. (more…)