Top Artists – The Grateful Dead

Letter of the Week – “…they sound WONDERFUL…..no surprise but LOTS of satisfaction!”

More of the Music of  The Grateful Dead

More of the Music of Eric Clapton and Cream

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,     

Just got the Fresh Cream and Grateful Dead albums….cranked up the rig and they sound WONDERFUL…..no surprise but LOTS of satisfaction! Thanks for your sale to enable this “poor” retired audiophile access to great sound….

Thanks for being such a unique person to have discovered what the audio world never really knew or appreciated or admitted to…and for making it available to others….

Best Regards,

EdZ

Ed,

Thanks for your letter.

Further Reading

The Grateful Dead – American Beauty

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More Hippie Folk Rock

  • The acoustic guitars are magical on this copy, and you won’t believe how wonderfully breathy and sweet these guys’ voices sound
  • American Beauty is one of Stephen Barncard‘s greatest recording achievements – the richness and clarity are really something here
  • A 5 star Top 100 album – “A companion piece to the luminous Workingman’s Dead, American Beauty is an even stronger document of the Grateful Dead’s return to their musical roots. American Beauty remains the Dead’s studio masterpiece.”
  • A permanent resident of our Top 100 Rock and Pop List — no other album by the band is as well recorded
  • Roughly 100 other listings for the Best Sounding Album by an Artist or Group can be found here.

This is a longtime Better Records favorite for both music and sound. For those of you who love acoustic guitar-driven folk songs — we call it Hippie Folk Rock — you should find a lot to like about the sound of this album.

Tubey Magical Acoustic Guitar reproduction is superb on the best Hot Stamper pressings. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

All the Elements Come Together for Once

All of the elements necessary to take this music to an entirely new level are here, my friends: smooth, sweet vocals; rich, meaty bass; an open and airy top end; top-notch presence and so forth. The sound is so spacious and transparent that you can easily pick out each of the instruments and follow them over the course of the songs.

You could choose any track you wanted to and find lovely sound here, but I’d recommend “Ripple” and “Attics Of My Life” for starters. Most copies suffer from a glaring lack of highs, but just listen to the ride cymbals on this one to find out that the top end is still alive and well here.

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The Grateful Dead – Barncard Knocked It Out of the Park with This One

More of the Music of The Grateful Dead

Hot Stamper Pressings of Stephen Barncard’s Recordings

Reviews and Commentaries for Stephen Barncard’s Recordings

The crowning glory of the Grateful Dead, this is their MASTERPIECE. Albums like this come along once in a band’s life — if they’re lucky. This is the zenith of the Grateful Dead. Workingman’s Dead is a good album. American Beauty is a great one.

If you don’t have a killer copy yet, it’s time to get on the bus. Stephen Barncard is the recording engineer responsible for this album, Deja Vu, Brewer and Shipley’s Tarkio, and a host of other amazingly rich, sweet and natural, mostly acoustic recordings that stand head and shoulders above the bulk of their contemporaries. American Beauty is one of them.

All the Elements Come Together for Once

All of the elements necessary to take this music to an entirely new level are here, my friends: smooth, sweet vocals; rich, meaty bass; an open and airy top end; top-notch presence and so forth. The sound is so spacious and transparent that you can easily pick out each of the instruments and follow them over the course of the songs.

The acoustic guitars sound magical on this one, and I can’t believe how wonderful these guys’ voices sound. The Tubey Magic and immediacy on this copy are going to STUN you.

You could choose any track you wanted to and find lovely sound here, but I’d recommend Ripple and Attics Of My Life for starters.

Most copies suffer from a glaring lack of highs, but just listen to the ride cymbal on this one to find out that the top end is still alive and well here.

Here are some other records we’ve played that often have No Real Top End.

Grateful Dead – Wake Of The Flood

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More Hippie Folk Rock

  • With outstanding Double Plus (A++) grades or close to them throughout, this copy will be very hard to beat
  • This side two gives you clean, clear, full-bodied, lively and musical ANALOG sound from first note to last, and side one is not far behind in all those areas
  • A difficult album to find audiophile quality sound for, this is one of the better copies to ever hit the site
  • 4 stars: “Wake of the Flood was certainly as good – if not arguably better than – most of their previous non-live efforts.”

This is the album that comes after American Beauty on the Grateful Dead timeline, and while it’s certainly not in the same league as that masterpiece, there’s still a lot of good music on here. The All Music Guide gives it four stars out of five and calls it “certainly as good — if not arguably better than — most of their previous non-live efforts”.

Again, I think American Beauty is a stronger album, but this is a very good representation of the kind of jazzier sound The Dead carried on with for the next twenty-plus years. Many of these songs remained staples of their concert repertoire, including Stella Blue, Eyes Of The World, and Mississippi Half-Step Uptown Toodeloo. You might get more incendiary performances of the tracks on the best of the band’s famous bootleg tapes, but you certainly won’t get sound this good. (more…)

The Grateful Dead – Workingman’s Dead

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More Hippie Folk Rock

  • An early Green Label pressing with a STUNNING Shootout Winning Triple Plus (A+++) side one mated to an excellent Double Plus (A++) side two
  • A Top 100 album and a truly superb recording of the Dead at the peak of their creativity (along with American Beauty)
  • We love the amazingly big, rich, weighty bottom end found on the better pressings such as this one
  • 5 stars: “The lilting Uncle John’s Band, their first radio hit, opens the record and perfectly summarizes its subtle, spare beauty; complete with a new focus on more concise songs and tighter arrangements, the approach works brilliantly.”

This original Warner Brothers pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. (more…)

Grateful Dead / American Beauty – An Honest-to-Goodness Killer MoFi LP

More of the Music of The Grateful Dead

Hot Stamper Pressings of Stephen Barncard’s Recordings

Sonic Grade: B+

This is a Mobile Fidelity LP with SURPRISINGLY GOOD SOUND. The transparency and presence in the midrange is outstanding for a MoFi. This copy does not have the usual midrange suckout that ruins so many of their records.

The bass actually sounds mostly in control on this copy — there’s much less of the typically bloated MoFi bass to be found here.

This is the best sounding Mobile Fidelity American Beauty we have ever heard. It’s not perfect by any means, but it’s hugely better than we expected.

Any original Green Label domestic pressing is sure to be better, but sure to be noisier too, so if you must have quiet vinyl, you can do a lot worse than this MoFi.

Which means it belongs on our list of The Best Sounding Mobile Fidelity Records We’ve Ever Played.

FURTHER READING on the subject of Half-Speed Mastering

People sometimes ask us:

How come you guys don’t like Half-Speed Mastered records?

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Grateful Dead – Self-Titled “Skull and Roses”

More of the Grateful Dead

More Live Recordings of Interest

  • An early WB Green Label pressing of the 2 LP “Skull & Roses” live album with seriously good Double Plus (A++) sound or BETTER on all FOUR sides
  • We guarantee there is dramatically more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • Marks in the vinyl are sometimes the nature of the beast with these classic rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 stars: “Coming off of the quantum-leap success of the studio country-rock efforts Workingman’s Dead (1969) and American Beauty, Grateful Dead offers up a pair of new Jerry Garcia/Robert Hunter compositions – ‘Bertha’ and ‘Wharf Rat’ – both of which garnered a permanent place within the band’s live catalog. However, ‘The Other One’ – joined in progress just as Billy Kreutzmann fires up a blazing percussion solo – sprawls as the album’s centerpiece.
  • If you’re a fan of the band, this classic from 1971 belongs in your collection.

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Letter of the Week – “The instruments fill my room like they would in a live performance.”

More of the Music of Neil Young

More of the Music of Crosby, Stills and Nash

One of our good customers had this to say about some Hot Stampers he purchased recently: 

Hey Tom, 

I have really been enjoying the Neil Young “After The Gold Rush” and CSN&Y “So Far.” They are like the “Workingman’s Dead” LP. Just a thrill to hear. The instruments on “After The Gold Rush” fill my room like they would in a live performance. Addictive.

AJ

Addiction is the name of the game!

If you’re an audiophile who is not addicted to good sound and good music, you won’t be one for long.

And if you have been in this game for a very long time like I have, you have no doubt met self-identified audiophiles with systems that haven’t been improved in twenty years, and appear to be rarely used.

I like to think those are the audiophiles who own lots of audiophile records, the ones that are designed to show off stereo equipment and typically hold little interest from a musical standpoint.

The TAS Super Disc List is full of these records. We have no use for most of them and we suspect our customers don’t either.

Audiophiles with vintage pressings of real music rarely abandon the hobby in my experience.

And if you have Hot Stamper pressings, why would you ever give up on hearing music that sounds as good as our records sound?

Thanks for your letter.

TP

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Letter of the Week – “The harmony vocals on “Uncle John’s Band” are so much clearer, sounding like three distinct voices…”

More of the Music of The Grateful Dead

Reviews and Commentaries for the Music of The Grateful Dead

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I was extremely surprised when I received my WD Hot Stamper. I was expecting an olive (green) Warner Brothers original (I have one) – and this one is the “floral” later label. I’ve read your comments long enough to know it’s the sound, not the label, which dictates quality. Was quite surprised either way! But I shouldn’t have been….

And what a lovely sound! The harmony vocals on “Uncle John’s Band” are so much clearer, sounding like three distinct voices (my peasant original was dark and gritty in comparison); being able to actually hear Micky’s rhythmic contributions to the track, it sounds like a full band, really grooving and live.

The pedal steel on “Dire Wolf”! I could go on and on.

Anyway, great stuff, liked it so much had to write a letter!

Kyle Miller

Kyle,

The person who listened to your copy did not know what label it had. It got the proper sonic grade because no bias could enter into the proceedings, and that is the revolutionary approach we developed for judging records.

But there is nothing revolutionary about it. Scientists have been using blind testing for more than a hundred years!

All we did was incorporate good testing protocols into our record shootouts, and voila, you have Hot Stampers that really are hot and Better Records that really are better.

Even when they have the “wrong” label.

Sometimes the green label copies win shootouts and sometimes the Burbank label copies win. In either case, the best sounding record wins, and that makes for satisfied customers. We call that a Win Win.

Thanks for your letter,

TP

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Bob Weir – Heaven Help The Fool

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More Grateful Dead

  • This outstanding pressing boasts solid Double Plus (A++) sound or BETTER from start to finish
  • A surprisingly well recorded album, this pressing is simply bigger, bolder and richer than most of the other copies we played
  • ” … showcases the special flavor that Weir added to Jerry [Garcia]’s genius, where 2 identities blend effortlessly. “
  • “Jazzy in places, soft and smooth in others. Out of the ordinary for the Grateful Dead’s co-founder, but easier for the uninitiated to absorb without losing the trademark oddity that Weir has always displayed. Top-notch stuff.”

What separated the best copies from the also-rans was more than just rich, sweet, full-bodied sound. The better copies make Bob’s voice more palpable — he’s simply more of a solid, three dimensional, real presence between the speakers. You can hear the nuances of his delivery much, MUCH more clearly on a copy that sounds as good as this one does.

Keith Olsen produced and co-engineered here, which should go a long way toward explaining why the sound is so good. He is of course the man helped make Fleetwood Mac’s 1975 album such a sonic blockbuster. (more…)