This outstanding pressing boasts solid Double Plus (A++) sound or BETTER from start to finish
A surprisingly well recorded album, this pressing is simply bigger, bolder and richer than most of the other copies we played
” … showcases the special flavor that Weir added to Jerry [Garcia]’s genius, where 2 identities blend effortlessly. “
“Jazzy in places, soft and smooth in others. Out of the ordinary for the Grateful Dead’s co-founder, but easier for the uninitiated to absorb without losing the trademark oddity that Weir has always displayed. Top-notch stuff.”
*NOTE: On side one, a mark makes 20 light to moderate pops at the end of Track 2.
What separated the best copies from the also-rans was more than just rich, sweet, full-bodied sound. The better copies make Bob’s voice more palpable — he’s simply more of a solid, three dimensional, real presence between the speakers. You can hear the nuances of his delivery much, MUCH more clearly on a copy that sounds as good as this one does.
Keith Olsen produced and co-engineered here, which should go a long way toward explaining why the sound is so good. He is of course the man helped make Fleetwood Mac’s 1975 album such a sonic blockbuster.(more…)
Outstanding sound for this live Dead record with solid Double Plus (A++) sound on all FOUR sides
We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
“… newer originals such as the Jerry Garcia/Robert Hunter ballads “Ship of Fools,” “It Must Have Been the Roses,” and the album’s unmitigated gem, “Stella Blue,” rate among the package’s most thoughtful and lyrical moments.”
A KILLER copy with Triple Plus (A+++) sound or very close to it on sides one, two and three and solid Double Plus (A++) sound on the fourth side
All four sides are incredibly big, rich and full-bodied with super present and breathy vocals and a solid bottom end
“Few recordings have ever represented the essence of an artist in performance as faithfully as Live/Dead. It has become an aural snapshot of this zenith in the Grateful Dead’s 30-year evolution and as such is highly recommended for all manner of enthusiasts.” – All Music, 4 1/2 Stars
This is a Mobile Fidelity LP with SURPRISINGLY GOOD SOUND. The transparency and presence in the midrange is outstanding. The bass actually sounds in control on this copy — there’s no typically bloated MOFI bass to be found here.
This is the best sounding Mobile Fidelity American Beauty we have ever heard. It’s not perfect by any means, but it’s hugely better than we expected.
With Triple Plus (A+++) Shootout Winning sides or close to them, this copy had some of the best sound we have ever heard for Go to Heaven – exceptionally quiet vinyl too
Bill Kreutzmann noted, “If you go back and (re)listen to it, you’ll find that time has been very kind to Go to Heaven. It plays better now than it did back then. That’s still no excuse for the cover, though – all six of us, dressed all in white disco suits against a white background.”
Classic Rock Review wrote, “While this may be a far cry from the group’s lauded stage improvisation, it made for an enjoyable studio album which holds up decades later…. It still sounds good today and shows that this band had some vast talent away from the stage.”
A superb copy of the band’s 1987 return with outstanding Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
This copy has just the right sound for this music – rich and meaty, with powerful rhythmic energy
Includes comeback hit, “Touch Of Gray,” the band’s first number one single
4 stars: “Although the album is unmistakable as the work of the Dead, much of it recalls the punchy, pungent production of Dire Straits’ recent work. It’s not the second coming of the Dead, but a more entertaining epilogue you couldn’t ask for.”
A KILLER copy with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second
Both of these sides are out of this world — clean, clear and present yet still pretty rich and Tubey Magical with plenty of bottom end weight
Exceptionally quiet vinyl throughout — Mint Minus to Mint Minus Minus
“… long-lived as a Grateful Dead primer… [it] remains a good introduction to the band’s early — and arguably best — work… Skeletons — for longtime fans — will always be a great disc for a lazy Sunday afternoon.” – All Music
STUNNING sound for Jerry’s sophomore solo effort with both sides earning Shootout Winning Triple Plus (A+++) grades – exceptionally quiet vinyl too
“This was an opportunity for Garcia to do something different — to sing, to perform, and to arrange a variety of songs however he wanted. As a result, he surely sounded like he was having the time of his life…” – John Metzger, The Music Box
This original Arista LP earned Shootout Winning Triple Plus (A+++) grades – you’ll have a hard time finding a copy that sounds remotely as good as this one does – exceptionally quiet vinyl too
Midrange magic that’s no doubt missing from whatever 180g reissue has been made from the tapes (or, to be clear, a modern digital master copied from who-knows-what-tapes)
Grateful Dead fans and completists will surely want to add this to their collection – it’s As Good As It Gets
“The rough-edged blues of “I Need a Miracle” and the Caribbean-tinged “Fire On the Mountain” would become set list staples, and their Latin-flavored version of The Rascals’ ’60s rock classic “Good Lovin'” is one of the band’s most beloved covers.” Amazon
One of our good customers had this to say about some Hot Stampers he purchased recently:
Just got the Fresh Cream and Grateful Dead albums….cranked up the rig and they sound WONDERFUL…..no surprise but LOTS of satisfaction! Thanks for your sale to enable this “poor” retired audiophile access to great sound….
Thanks for being such a unique person to have discovered what the audio world never really knew or appreciated or admitted to…and for making it available to others….