Some records never justified the time and money required to find Hot Stamper pressings of them.
This is one such album, and the link above will take you to many more.
This Columbia record from 1977 has GLORIOUS Demo Disc Quality sound on its White Hot side one, rivaling the very best orchestral guitar recordings by the likes of Rodrigo, Falla and Albeniz on Golden Age London vinyl we have ever heard.
If I could have only one guitar concerto recording in my collection, there’s a very good chance I would choose this one — that’s of course assuming I could have a copy that sounds as good as this one does on side one. It’s spacious and open and three-dimensional in a way that few classical recordings we play are, and we an awful lot of top quality classical records.
We would love to find some nice London guitar concerto records to offer our customers, but these days such records are very hard to find and often too expensive for us to buy when we do.
We found this one, however, and although it may not be from the Golden Age or on London, it sounds to these ears every bit as good as any guitar concerto record I can remember hearing from that era or that label.
And the music is sublime. I heard this piece at a customer’s home in a very large room with a high ceiling, the speakers pulled well out from the walls. The speakers disappeared, leaving sound that was nothing less than glorious, as big as the room and as natural as any I had heard up until that time. That was about ten years ago. I’ve lusted for a huge dedicated room ever since.
It took us many years to find enough copies of the album to do a shootout. This is the only one with a White Hot side one. It’s by far the best on that side. (more…)