_Composers – Arnold

Arnold / English, Scottish and Cornish Dances

Hot Stamper Pressings of TAS List Super Disc Albums

Reviews and Commentaries for TAS Super Disc Recordings

  • The rare and highly regarded TAS List Heavyweight, Lyrita mastered as per HP’s preference
  • Full, spacious, with a HUGE hall and amazing clarity
  • Super Hot on both sides, you had better watch your levels – this copy is extremely dynamic
  • This pressing is clearly a Demo Disc for Size and Space as well as a Demo Disc for Dynamics

This Lyrita-mastered title is a member of HP’s famous TAS Super Disc list.

It includes Eight English Dances, Four Scottish Dances and Four Cornish Dances.

The sound is uncolored and natural, with a mid-hall perspective, and very little multi-miking to be heard, all to the good. 

It’s extremely fast, dynamic and clear, in those respects very much like live music. The top end is right and the overall sound balanced.

The woodwinds on the second track of side two are especially lovely.

This is an Older Classical/Orchestral Review

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a fine art.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.

Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.

As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.

The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.

The result of our labor is the hundreds of titles seen here, every one of which is unique and guaranteed to be the best sounding copy of the album you have ever heard or you get your money back.

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Basic Concepts and Realities Explained

Important Lessons We Learned from Record Experiments 

More Classical and Orchestral Commentaries and Reviews

Arnold et al. / Guitar Concertos / Williams – Superb Sound from Columbia in 1977

More Vintage Hot Stamper Pressings on Columbia

More Classical ‘Sleeper” Recordings with Demo Disc Sound

This Columbia record from 1977 has GLORIOUS Demo Disc Quality sound on its White Hot side one, rivaling the very best orchestral guitar recordings by the likes of Rodrigo, Falla and Albeniz on Golden Age London vinyl we have ever heard.

If I could have only one guitar concerto recording in my collection, there’s a very good chance I would choose this one — that’s of course assuming I could have a copy that sounds as good as this one does on side one. It’s spacious and open and three-dimensional in a way that few classical recordings we play are, and we an awful lot of top quality classical records. 

We would love to find some nice London guitar concerto records to offer our customers, but these days such records are very hard to find and often too expensive for us to buy when we do.

We found this one, however, and although it may not be from the Golden Age or on London, it sounds to these ears every bit as good as any guitar concerto record I can remember hearing from that era or that label.

And the music is sublime. I heard this piece at a customer’s home in a very large room with a high ceiling, the speakers pulled well out from the walls. The speakers disappeared, leaving sound that was nothing less than glorious, as big as the room and as natural as any I had heard up until that time. That was about ten years ago. I’ve lusted for a huge dedicated room ever since.

It took us many years to find enough copies of the album to do a shootout. This is the only one with a White Hot side one. It’s by far the best on that side. (more…)