Labels We Love – Pacific and World Pacific

Bud Shank And the Sax Section – We Used to Sell the Dubby Reissues, Ouch

More of the Music of Bud Shank

Reviews and Commentaries for the Music of Bud Shank

I used to sell reissues of this record back in the day some twenty odd years ago. While they aren’t terrible — lackluster is a more apt description — we can clearly hear now that they are made from second generation tapes.

The stage is recessed and collapsed, and the sound never gets big enough nor lively enough to free itself from the speakers. (This happens to be our all-too-common experience with many of the Heavy Vinyl pressings we audition and consequently write mean things about. Can you blame us? We loathe that sound.)

It’s yet another example of a record we was wrong about. Live and Learn, right?

I would not buy any Pacific Records pressing with this style reissue cover. We’ve never heard one sound better than mediocre on our current system.

FURTHER READING

This record sounds best this way:

In Stereo

On the Right Domestic Pressing 

On the Right Early Pressing

On Big Speakers at Loud Levels

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Bud Shank – Windmills Of Your Mind

Hot Stamper Jazz Recordings Featuring the Saxophone

Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

  • Bud Shank’s 1969 release makes its Hot Stamper debut with a Shootout Winning Triple Plus (A+++) side two and outstanding Double Plus (A++) sound on side one
  • Fully extended from top to bottom with a wide-open soundstage – for this music this is the right sound
  • Features a collection of compositions by jazz great Michel Legrand, who lends his talents here on piano and harpsichord as well
  • “Every track is a French twist on the swinging ’60s, with superb arranging by Legrand and crisp playing by Bud and the orchestra.”

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The Stones Jazz with Joe Pass and Bruce Botnick

Yet Another Audiophile Quality Pressing “Discovered”

Brought to you by the folks at Better Records.  We know a good sounding record when we hear one.

That’s how we came to have a website full of them

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And the music is interesting and fun from first song to last. With Joe Pass on guitar how could it not be – the guy’s a very talented player.

With two Triple Plus (A+++) shootout winning sides, this original stereo World Pacific copy simply could not be beat

  • Huge and rich, here is the kind of Tubey Magical presentation that lets this big group of musicians (four trombones!) come alive
  • The engineering by none other than Bruce Botnick is brilliant in all respects, as good as his work with The Doors
  • This is FUN West Coast Pop Jazz built around the superb arrangements of Bob Florence and the great songs of the Stones
  • We’re so sure you’ll like this music that if for any reason you are unhappy the domestic return shipping is on us!

Engineering by Bruce Botnick

Botnick is of course the man behind the superb recordings of The Doors, Love and others too numerous to mention.

More recordings by Bruce Botnick

He also recorded another of our favorite West Coast jazz ensemble records, Bud Shank And the Sax Section. That undiscovered gem — well known to us but heretofore undiscovered by the audiophile public as far as we can tell — has a lot in common with this album. Top players, smart arrangements, superb sound, the album is as fun as Fun West Coast Jazz gets.

This copy is spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)

Gerry Mulligan Quartet – Reunion With Chet Baker

  • This outstanding copy of Mulligan’s superb collaboration with Chet Baker boasts solid Double Plus (A++) sound from start to finish
  • Remarkable Tubey Magical richness, as well as the kind of immediacy and transparency that few copies have – all qualities essential to reproducing both the trumpet and the baritone sax with exceptional fidelity
  • The sound of a vintage Pacific Jazz recording from 1957, on the rare stereo pressing no less, is really something to hear – you can be sure that no reissue can hold a candle to this LP
  • 4 stars: “The Gerry Mulligan Quartet of 1952-53 was one of the best-loved jazz groups of the decade and it made stars out of both the leader and trumpeter Chet Baker… the music is quite enjoyable and the interplay between the two horns is still special.”

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Sunnyland Slim – Slim’s Got His Thing Goin’ On

  • Off the charts “Triple Triple” (A+++) sound for this classic Sunnyland Slim blues album – both sides earned our top grade of A+++
  • Huge, Tubey Magical and dynamic, with solid weight down low and lots of space around the instruments, this copy is guaranteed to fill your listening room with truly brilliant electric blues
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this White Hot stamper pressing than on any other in the world (and if you don’t see it our way, feel free to return the record for a full refund)
  • “‘Slim’s Got His Thing Goin’ On’ may be classic, but it’s not ordinary. More, it’s totally unique. The blend of electric guitars, harmonicas and pianos is wonderful, production just rocks.”

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Chet Baker – It Could Happen To You – Reviewed in 2010

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This is a very nice looking RARE original Riverside LP. Side one has good sound but side two really shows you how WONDERFUL this record is. The sound on side two is rich, full and transparent, with lots of tubey magic. Hard to imagine it could get much better. 

Bud Shank And the Sax Section – An Undiscovered Gem

More Bud Shank

Another Record We’ve Discovered with (Potentially) Excellent Sound

  • This stellar copy of Bud Shank’s 1966 release boasts Shootout Winning Triple Plus (A+++) sound or close to it on both sides – open, lively and dynamic throughout
  • Full, rich, and spacious with tons of Tubey Magic and, better yet, never dry, hard or transistory — true DEMO DISC QUALITY sound 
  • An absolutely amazing recording engineered by none other than Bruce Botnick – the sound of multiple saxes playing these lively arrangements is music to our ears
  • “… the album works, largely because of Bob Florence’s arrangements and the shrewd doubling of the baritone and bass sax parts, which give the charts heft at the bottom… The overall sound remains wonderfully reedy and flighty.”

Bruce Botnick sure knew what he was doing on this session. He succeeded brilliantly in capturing the unique sound of each of the saxes. The album is really more of a West Coast pop jazz record than it is a “real” jazz record. The arrangements are very tight, the songs are quite short — none exceed three and a half minutes — so there is not a lot of classic jazz saxophone improvisational blowing going on.

Spacious and transparent with plenty of analog Tubey Magic to go around, this is a really wonderful way to hear the music. The sax sound is excellent — rich and full, with none of the hard, edgy quality we heard on the less than stellar pressings. For richness and Tubey Magic — with no sacrifice in clarity or dynamics — these sides just could not be beat. (more…)

The Chico Hamilton Quintet

  • This superb live recording finally makes its Hot Stamper debut, boasting a Shootout Winning Triple Plus (A+++) side two and an outstanding Double Plus (A++) side one
  • A killer mono pressing, with solid weight, lovely richness and warmth, real separation between the instruments and wonderful immediacy throughout
  • Recorded live at The Forum Theater in Los Angeles in 1956, this vintage pressing boasts exceptionally natural sound, as well as the energetic live interplay of these five musicians (including a cellist)

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