A STUNNING sounding copy with Shootout Winning Triple Plus (A+++) sound or very close to it from first note to last – exceptionally quiet vinyl too!
Both sides are brimming with Petty’s unique brand of “meat and potatoes” rock and roll
We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
Rich and full-bodied with tight bass, and brimming with Petty’s unique brand of straight ahead rock and roll, best exemplified by the radio smash You Got Lucky
Rolling Stone raves “Tom Petty and the Heartbreakers play a finely crafted brand of meat-and-potatoes rock. They shudder to a stop for the occasional ballad or showy guitar figure, but the next surging chorus is never far away. They’ve been honing that sound for five albums now, and Petty has gradually hoisted himself into the company of such masterful travelers of Route 66 as Seger and Springsteen. …overall, Long after Dark is Petty’s most accomplished record.”
Long After Dark boasts the monster rocker You Got Lucky and very good sound considering that the album was recorded in 1982, not an especially good year (or decade) to be recording rock music.(more…)
Simply phenomenal amounts of Tubey Magic can be heard on every strum of the guitars, along with the kind of richness, body and harmonic coherency that have all but disappeared from modern remasterings.
Becker and Fagen spared no effort in the recording of this album – the mix is PERFECTION
A Top 100 Album and our pick for The Best Sounding Steely Dan Recording of Them All
5 stars: “Steely Dan made more accomplished albums than Pretzel Logic, but they never made a better one.”
This outstanding hard rockin’ pressing boasts solid Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
Credit for the tremendous presence and energy of the recording goes to the brilliant engineer Shelly Yakus
Damn the Torpedoes is, simply put, the best sounding Tom Petty album we have ever played
Tons of hits too: Refugee, Here Comes My Girl, and my favorite of the bunch, Don’t Do Me Like That
5 stars: “Few mainstream rock albums of the late ’70s and early ’80s were quite as strong as this, and it still stands as one of the great records of the album rock era.”
Credit must obviously go to the man behind the console,SHELLY YAKUS, someone who we freely admit, now with a sense of embarrassment, has never been one of our favorite engineers. After hearing a White Hot Stamper pressing of Damn the Torpedoes and a killer copy of Animal Notes we realize that we have been seriously underestimating the man.
If your Damn the Torpedoes doesn’t sound good (and it probably doesn’t), you sure can’t blame him – the master tape is mind-boggling in its size, weight, power and sheer rock n’ roll energy.(more…)
James Gang’s sophomore release finally arrives on the site with outstanding Double Plus (A++) sound or BETTER on both sides
Full-bodied and Tubey Magical, with especially smooth, present vocals – this is the sound we love at Better Records
The group’s highest rated record and, as they say on the cover, this album is “Made Loud To Be Played Loud,” especially on a pressing this good
4 1/2 stars: “With their second album Rides Again, the James Gang came into their own. Under the direction of guitarist Joe Walsh, the group — now featuring bassist Dale Peters — began incorporating keyboards into their hard rock, which helped open up their musical horizons.”
This shootout produced little in the way of audiophile quality pressings. Most of what we played was just too noisy to sell. We had a devil of a time finding copies that played as quiet as the grades you see here.
It will be the best sound you have ever heard for the band’s second album, we guarantee it.
The powerfully energetic chorus on Funk #49, the first track on the album and longtime Classic Rock Radio staple, really gets big and loud on this copy. You can be sure that it doesn’t sound that way unless you have one of these very special pressings, the kind with real richness and weight to the sound (depending on the grades of course; not every copy we sell does everything we want it to).
By the way, if you hear some Poco influence pop up of the album, note that Rusty Young guests on Pedal Steel.(more…)
A STUNNING copy of Croce’s final and posthumous release with Shootout Winning Triple Plus (A+++) sound or close to it from first note to last – exceptionally quiet vinyl too
Vocal presence and warmth are not that easy to find on I Got A Name, but here is a copy that makes the case that this is a well recorded album indeed
Forget whatever dead-as-a-doornail Heavy Vinyl pressing they’re making these days – the Tubey Magic, size and performance energy of this vintage pressing simply cannot be beat
“The album brings the listener on a sonic journey through pensive folk ballads to fun-hearted blues jams, each appearing appropriately so that the listener never feels too low or too high, but perfectly balanced throughout.”
This superb pressing boasts insanely good Shootout Winning Triple Plus (A+++) sound on side one and an outstanding Double Plus (A++) side two
Clear, rich, present vocals, tons of Tubey Magic, and a solid bottom end; this quintessential 60’s pop album really comes to life here
4 stars: “Sometimes art and events, personal or otherwise, converge on a point transcending the significance of either… For the Mamas & the Papas, it happened twice, with their first album, If You Can Believe Your Eyes and Ears, and, on a more complex level, with this album.”
This album is ridiculously difficult to find good sound for, but this pressing finally hit the mark! While we have to wade through dozens of copies to find one this impressive, we’re happy to do it because we love records and we love the music of The Mamas and the Papas.
Unfortunately, most copies of this album sound like distorted cassettes. They’re clearly made from tapes that are at least one and probably more like two or three generations down from the master two-track mix.
The CD that Hoffman cut for MCA back in the day can be quite good, and the Creeque Alley double CD set sounds fine to these ears as well. But they’re CDs. They won’t satisfy the serious analog devotee.
Enough about that stuff. Let’s talk about the sound of the best pressings.(more…)
This is a Minty looking Mobile Fidelity LP with VERY GOOD SOUND. We just did a mini shootout and this copy killed the competition. Obviously it won’t sound as good as one of our regular Hot Stampers but they go for quite a bit more money. Depending on what you listen for, this MoFi should be quite a bit better than yer average domestic pressing.
With insanely good Shootout Winning Triple Plus (A+++) sound or close to it on both sides, this copy is guaranteed to handily beat any pressing of Gaucho you have ever played, especially the awful Ron McMaster Heavy Vinyl LP
This superb pressing has three-dimensional ambience, tubey richness, you-are-there immediacy, tight bass, clear guitar transients, silky highs, and truckloads of analog magic on every track
4 stars in the AMG, 4 1/2 in Rolling Stone, and one of this exceptionally well recorded band’s Three Best Sounding Albums – a true Must Own
“Despite its coolness, the music is quite beautiful. With its crystalline keyboard textures and diaphanous group vocals, ”Gaucho” contains the sweetest music Steely Dan has ever made.” New York Times
This early Black Label Shootout Winning pressing boasts stunning Triple Plus (A+++) sound or close to it on both sides
The only real rock album this band ever made actually ROCKS on this pressing, and that’s what makes listening to vinyl of the highest quality FUN
Only 8 tracks (so the band can stretch out). and every one is guaranteed to sound better than you have ever heard it
5 stars: “Smart, conflicted bands from Weezer to the Eels owe Steely Dan big time… because on Countdown to Ecstasy, the band was human, not just brainy. Like Exile on Main Street, this is a record where Steely Dan let slip their extraordinary mask of sarcasm, and could not disguise the joy in these excellent songs, or the fact that they were having a blast playing them.”