- A Long Way From Home makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound on both sides of this original Bluesway pressing
- The sound here is shockingly good – the space is huge, the vocals and instruments clear, and there is a surprising amount of solid, note-like bass, the kind we did not expect to find on a Bluesway album from this era
- Recorded over two days, this album is basically a live-in-the-studio affair – having neither the time nor the budget to screw up the sound of the band means that this album has the audiophile goods like practically no other Blues album you may have heard
- 4 stars: “Solid, relaxed, rockin’ grooves are the hallmarks here with both artists in fine form.”
- KILLER sound throughout for this ABC Bluesway pressing with both sides earning Shootout Winning Triple Plus (A+++) grades
- Our vintage ABC Bluesway pressing here has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce, so if you want to know what this album from 1969 is REALLY supposed to sound like, we guarantee you cannot do better than this very copy
- “Overseen by noted jazz producer Bob Thiele, this session had Hooker backed by some of his fullest arrangements to date, with noted session drummer Pretty Purdie and keyboards in addition to supplementary guitar and bass… Another of his many characteristically solid efforts…”
- KILLER sound from start to finish with both sides earning Shootout Winning Triple Plus (A+++) sound or very close to it
- Hooker’s albums are surprisingly good sounding – they have the open, immediate, dynamic qualities of a live-in-the-studio session – my understanding is that most of them are recorded precisely that way
- These sides are doing it right – they’re big, rich and Tubey Magical, with wonderfully present vocals and huge amounts of energy
- Free Beer And Chicken is one of the better sounding John Lee Hooker records we’ve ever played lately – an interesting lineup of guests too, including the one and only Mr. Joe Cocker!
- An incredible copy with a Triple Plus (A+++) side one and an excellent Double Plus (A++) side two
- Big, present and lively, with good weight to the bottom end, this is clearly the right sound for this music
- A copy sure to make you a fan of Joe Walsh’s grungy guitar artistry – turn up Walk Away on this Shootout Winning side one and it will blow your mind
- 4 Stars: “… Walsh was being hailed as a guitar hero to rank with the best rock had to offer… Thirds quickly earned a respectable chart position and eventually went gold…”
The copies that did well in our shootout managed to keep the grit and grain in the sound under control without smothering the top end or smearing the upper midrange. Clear, breathy vocals that don’t strain when loud were tough to find, but some copies did a whole lot better than others, and those are typically the ones we preferred.
Plenty of tight bass and lively rock energy are every bit as important of course. Nobody wants a leaned-out or boring James Gang record. (more…)
- This original ABC pressing has Shootout Winning Triple Plus (A+++) sound on ALL FOUR SIDES!
- These sides are out of this world — rich, full-bodied and Tubey Magical with a big punchy bottom end and lots of energy
- “… the timeliness of Endless Boogie is an unmitigated plus, and producers Bill Szymczyk and Ed Michel get a relaxed groove out of a cast of supporting musicians who can boogie Canned Heat right out of the studio.” – Robert Christgau
- An outstanding copy of Chain Reaction with solid Double Plus (A++) sound from first note to last
- The overall sound here is Tubey Magical, lively and funky, with the kind of rich, solid sound that will fill your listening room from wall to wall
- If you own the Mobile Fidelity remaster, or some Heavy Vinyl LP, you are in for a real treat – this pressing will show you just how good the recording is
- 4 1/2 stars: “One of the tastiest concoctions of the mid-’70s jazz-fusion era, Chain Reaction finds the Crusaders at the top of their form. The compositions are both accessible and memorable, and the playing is uniformly excellent.”
Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Gaucho. Here are some albums currently on our site with similar Track by Track breakdowns.
Of all the great albums Steely Dan made, and that means their seven original albums and nothing that came after, there are only three in our opinion that actually support their reputation as studio wizards and recording geniuses.
Chronologically they are Pretzel Logic, Aja, and Gaucho. Every sound captured on these albums is so carefully crafted and considered that it practically brings one to tears to contemplate what the defective DBX noise reduction system did to the work of genius that is Katy Lied, their best album and the worst sounding. (Those cymbal crashes can really mess with your mind if you let them. To get a better picture of the DBX sound just bang two trash can lids together as close to your head as possible.)
The first two albums can sound very good, as can Royal Scam, but none of those can compete with The Big Three mentioned above for sonics. A Hot Stamper copy of any of them would be a seriously good sounding record indeed. (more…)
- A STUNNING sounding copy with Shootout Winning Triple Plus (A+++) sound or very close to it from first note to last – exceptionally quiet vinyl too!
- Both sides are brimming with Petty’s unique brand of “meat and potatoes” rock and roll
- We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- Rich and full-bodied with tight bass, and brimming with Petty’s unique brand of straight ahead rock and roll, best exemplified by the radio smash You Got Lucky
- Rolling Stone raves “Tom Petty and the Heartbreakers play a finely crafted brand of meat-and-potatoes rock. They shudder to a stop for the occasional ballad or showy guitar figure, but the next surging chorus is never far away. They’ve been honing that sound for five albums now, and Petty has gradually hoisted himself into the company of such masterful travelers of Route 66 as Seger and Springsteen. …overall, Long after Dark is Petty’s most accomplished record.”
Long After Dark boasts the monster rocker You Got Lucky and very good sound considering that the album was recorded in 1982, not an especially good year (or decade) to be recording rock music. (more…)
- Simply phenomenal amounts of Tubey Magic can be heard on every strum of the guitars, along with the kind of richness, body and harmonic coherency that have all but disappeared from modern remasterings.
- Becker and Fagen spared no effort in the recording of this album – the mix is PERFECTION
- A Top 100 Album and our pick for The Best Sounding Steely Dan Recording of Them All
- 5 stars: “Steely Dan made more accomplished albums than Pretzel Logic, but they never made a better one.”
- This outstanding hard rockin’ pressing boasts solid Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
- Credit for the tremendous presence and energy of the recording goes to the brilliant engineer Shelly Yakus
- Damn the Torpedoes is, simply put, the best sounding Tom Petty album we have ever played
- Tons of hits too: Refugee, Here Comes My Girl, and my favorite of the bunch, Don’t Do Me Like That
- 5 stars: “Few mainstream rock albums of the late ’70s and early ’80s were quite as strong as this, and it still stands as one of the great records of the album rock era.”
Credit must obviously go to the man behind the console, SHELLY YAKUS, someone who we freely admit, now with a sense of embarrassment, has never been one of our favorite engineers. After hearing a White Hot Stamper pressing of Damn the Torpedoes and a killer copy of Animal Notes we realize that we have been seriously underestimating the man.
If your Damn the Torpedoes doesn’t sound good (and it probably doesn’t), you sure can’t blame him – the master tape is mind-boggling in its size, weight, power and sheer rock n’ roll energy. (more…)